• Media type: Book
  • Title: Art as demonstration : a revolutionary recasting of knowledge
  • Contains: Introduction: Art-as-Demonstration in the 1960s and Beyond -- Ostentatious Neutrality (Bernar Venet, Daniel Buren, Adrian Piper) -- Burlesque Lecture Demonstration (Robert Morris, Walter Benjamin) -- Film as Operation (Harun Farocki, Paweł Kwiek) -- Taking to the Street: Eastern European Art Demonstrations (Milan Knížák, Jiří Kovanda, Endre Tót, Mladen Miljanović, Ciprian Homorodean) -- Learning from the Situation (Ulrike Meinhof, Clemens von Wedemeyer) -- Instructions for Seeing (Bazon Brock, Wiesław Borowski) -- Teaching What Does Not Exist (Gnezdó, Ilya Kabakov) -- Demonstration in Post-Soviet Space (Chto delat, Extra-Governmental Commission, Radek Community) -- Postscript: The Migrant's Hands. Between Demonstration and Archive in Sylvain George's Qu'ils reposent en révolte (Figures de guerre) (2010)
  • Contributor: Spieker, Sven [Author]
  • Published: Cambridge, Massachusetts; London, England: The MIT Press, [2024]
  • Extent: vi, 352 Seiten; Illustrationen, Diagramme
  • Language: English
  • ISBN: 9780262048712
  • RVK notation: LH 60230 : 19. und 20. Jahrhundert
    LH 65827 : Kunst nach 1945 (verschiedene Richtungen)
    MB 3450 : Politik und Kunst, Satire, politisches Plakat
    MS 8000 : Allgemeine Abhandlungen, Künstler etc.
    MD 8440 : Demonstrationen
  • Keywords: Politische Kunst > Geschichte 1960-
  • Origination:
  • Footnote: Literaturangaben, Index
  • Description: "With a focus on political art and protest, this book examines demonstration-practiced as pedagogy, art form, and public protest by artists-as a powerful powerful agent of change"--

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  • Status: Loanable