> Details

Casetti, Francesco [Contributor]; Chateau, Dominique [Contributor]; Chateau, Dominique [Editor]; Currie, Gregory [Contributor]

Subjectivity : Filmic Representation and the Spectator's Experience

Reference
management

Bookmarks

Remove from
bookmarks

Share this on Whatsapp

Close

Bookmarks



You can manage bookmarks using lists, please log in to your user account for this.
  • Media type: E-Book
  • Title: Subjectivity : Filmic Representation and the Spectator's Experience
  • Contains: Frontmatter
    Contents
    Editorial
    Acknowledgments
    Introduction: Rethinking Subjectivity in Film
    Part I From Mind to Film, from Film to Mind
    The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film
    The Representation of Experience in Cinema
    Beyond Subjectivity: The Film Experience
    Part II Ways of Expressing Subjectivity
    The Man Who Wasn’t There: The Production of Subjectivity in Delmer Daves’ Dark Passage
    From Aesthetic Experience to the Loss of Identity, in Three Steps
    Robert Bresson and the Voices of an Inner World: “I” Can Never Be “You,” or the Impossible Identification
    The Silence of the Lenses: Blow Up and the Subject of Photography
    Part III Subjectivity and the Epistemology of Film Studies
    Beyond Subjectivity. Bakhtin’s Dialogism and the Moving Image
    Imaginary Subject
    A Philosophical Approach to Subjectivity in Film Form
    Part IV Conversation Subjectivity in Artistic Coupling
    Conversation with Maria Klonaris and Katerina Thomadaki
    Notes
    General Bibliography
    Notes on Contributors
    Index of Names
    Index of Film Titles
    Index of Subjects
  • Contributor: Casetti, Francesco [MitwirkendeR]; Chateau, Dominique [MitwirkendeR]; Chateau, Dominique [HerausgeberIn]; Currie, Gregory [MitwirkendeR]
  • imprint: Amsterdam: Amsterdam University Press, 2011
  • Published in: The Key Debates: Mutations and Appropriations in European Film Studies ; 2
  • Extent: 1 Online-Ressource (276 p.)
  • Language: English
  • DOI: 10.1515/9789048514205
  • ISBN: 9789048514205
  • Identifier:
  • Keywords: Motion pictures Philosophy ; Point of view (Literature) ; Subjectivity in motion pictures ; Subjectivity ; PERFORMING ARTS / Film & Video / History & Criticism ; Subjectivity, film theory, Nouvelle Vague
  • Origination:
  • Footnote: In English
  • Description: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium
  • Access State: Open Access
  • Rights information: Attribution - Non Commercial - No Derivs (CC BY-NC-ND)