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Media type:
Book;
Still Image
Title:
Making history
:
visual arts & Blackness in Canada
Contains:
Of Africa: A Reflection on "Speaking Back" /
/ Julie Crooks and Dominique Fontaine
Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures /
/ Silvia Forni
The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey /
/ Afua Cooper
Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later /
/ Rita Shelton Deverell
A Life in the Day of an Object /
/ Nourbese Philip.
Here We Are Here: Creating in the Black Atlantic /
/ Sylvia D. Hamilton
Sweet Childhood, Art, and Memory /
/ Bushra Junaid
From Souvenir to How She Read: The Poetry behind the Design /
/ Chantal Gibson
Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster /
/ Pamela Edmonds
On Sucking Teeth /
/ Michèle Pearson Clarke
Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum /
/ Joana Joachim
What to Wear in Canada in Winter /
/ Sally Frater
Longing and Belonging: A Personal Journey through Art and Identity /
/ Karin Jones
Singularity and Strangeness: One-on-One with Eddy Firmin /
/ Dominique Fontaine
On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace /
/ Katherine McKittrick
Esmaa Mohamoud: Playing the Game /
/ Kelsey Adams
Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid /
/ Honor Ford-Smith
A Self-Portrait of Creation: Depi m sòti nan Ginen /
/ Stéphane Martelly
Digging Us: Making Visible Black Canadian Narratives /
/ Andrea Fatona.
Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts /
/ Shelley Ruth Butler
Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique /
/ Rinaldo Walcott
The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /
/ Elizabeth Harney.
Description:
"Making History is an unprecedented reflection on the positioning of Black history and art within the Canadian cultural landscape. Featuring boundary-breaking artists and others from the art world, Making History brings together poems, artist statements, and art portfolios that showcase a careful and thoughtful understanding of Black aesthetics. This beautifully illustrated book also discusses the presence of Black contemporary art in Canadian institutions and offers artistic perspectives on contemporary and historical art practices. The many voices and points of view within this publication present ideas that corroborate the state of cultural emergency in which we are living, where museums are rethinking and rewriting the stories of their collections. The book explores alternate ways of approaching the relationship between institutions, artists, and audiences, emphasizing the significance of collaboration, resisting hierarchical and hegemonic curatorial practices, and making room for multiple perspectives to bring about transformative change. Through powerful essays and striking visual art, Making History highlights the dynamism and complexity of African and diasporic experiences seen through the lens of museological interventions and artistic practices at large."--