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Baron, Cynthia [Contributor]; Bolus-Reichert, Christine [Contributor]; Bruns, John [Contributor]; Degli-Esposti, Cristina [Contributor]; Degli-Esposti, Cristina [Editor]; Deutelbaum, Marshall [Contributor]; Falkowska, Janina [Contributor]; Holden-Moses, Philip [Contributor]; Kraidy, Marwan M. [Contributor]; Laga, Barry [Contributor]; Maule, Rosanna [Contributor]; Shary, Timothy [Contributor]; Strain, Ellen [Contributor]; Weinstein, David [Contributor]; Wiles, Mary M. [Contributor]

Postmodernism in the Cinema

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  • Media type: E-Book
  • Title: Postmodernism in the Cinema
  • Contains: Frontmatter -- ACKNOWLEDGEMENTS -- CONTENTS -- INTRODUCTION POSTMODERNISM(S) -- Part I The Ideological, the Mnemonic, the Parodic, and the Media -- CHAPTER 1 THE PLAYER’S PARODY OF HOLLYWOOD A Different Kind of Suture -- CHAPTER 2 INTERTEXTUAL MANEUVERS AROUND THE SUBALTERN Aladdin as a Postmodern Text -- CHAPTER 3 OF MICE AND BART: The Simpsons and the Postmodern -- CHAPTER 4 REIFICATION AND LOSS IN POSTMODERN PUBERTY: The Cultural Logic of Fredric Jameson and American Youth Movies -- Part II Issues of Cross-Cultural Identity and National Cinemas -- CHAPTER 5 REFIGURING PLEASURE Itami and the Postmodern Japanese Film -- CHAPTER 6 DE-AUTHORIZING THE AUTEUR Postmodern Politics of Interpellation in Contemporary European Cinema -- CHAPTER 7 THE POSTMODERNIST CONDITION IN POST-SOCIALIST EASTERN EUROPEAN FILMS The Case of a Political Pastiche and the Socialist- Hollywood Thriller in Recent Films of Polish Filmmakers -- Part III Postmodernism as Tourism, (Post)History, and Colonization -- CHAPTER 8 E.M. FORSTER’S ANTI-TOURISTIC TOURISM AND THE SIGHTSEEING GAZE OF CINEMA -- CHAPTER 9 IMAGINARY GEOGRAPHIES The Colonial Subject in Contemporary French Cinema -- CHAPTER 10 DECAPITATED SPECTATORS Barton Fink, (Post)History, and Cinematic Pleasure -- Part IV Auteurial Presences -- CHAPTER 11 SOMETHING LIKE AUTOBIOGRAPHY IN AKIRA KUROSAWA’S DREAMS -- CHAPTER 12 NOT WAVING BUT DROWNING BY NUMBERS Peter Greenaway’s Cautionary Tale -- CHAPTER 13 A DOUBLE VOICE The Dual Paternity of Querelle -- NOTES ON THE CONTRIBUTORS -- INDEX OF PROPER NAMES
  • Contributor: Baron, Cynthia [Contributor]; Bolus-Reichert, Christine [Contributor]; Bruns, John [Contributor]; Degli-Esposti, Cristina [Contributor]; Degli-Esposti, Cristina [Editor]; Deutelbaum, Marshall [Contributor]; Falkowska, Janina [Contributor]; Holden-Moses, Philip [Contributor]; Kraidy, Marwan M. [Contributor]; Laga, Barry [Contributor]; Maule, Rosanna [Contributor]; Shary, Timothy [Contributor]; Strain, Ellen [Contributor]; Weinstein, David [Contributor]; Wiles, Mary M. [Contributor]
  • Published: New York; Oxford: Berghahn Books, [1998]
  • Extent: 1 Online-Ressource (276 p.)
  • Language: English
  • DOI: 10.1515/9781789203837
  • ISBN: 9781789203837
  • Identifier:
  • Keywords: Motion pictures Social aspects Congresses ; Postmodernism Social aspects Congresses ; PERFORMING ARTS / Film & Video / History & Criticism
  • Origination:
  • Footnote: In English
  • Description: Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about it Despite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB