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Media type:
Book
Title:
The many faces of Weimar cinema
:
rediscovering Germany's filmic legacy
Contains:
Introduction: images and imaginaries
/ Christian Rogowski
Richard Oswald and the social hygiene film: promoting public health or pornography?
/ Jill Suzanne Smith
Unsettling nerves: investigating war trauma in Robert Reinert's Nerven (1919)
/ Barbara Hales
Humanity unleashed: anti-Bolshevism as popular culture in early Weimar cinema
/ Philipp Stiasny
Desire versus despotism: the politics of Sumurun (1920), Ernst Lubitsch's "Oriental" fantasy
/ Richard W. McCormick
Romeo with sidelocks: Jewish-Gentile romance in E. A. Dupont's Das alte Gesetz (1923) and other early Weimar assimilation films
/ Cynthia Walk
"These Hands Are Not My Hands": war trauma and masculinity in crisis in Robert Wiene's Orlacs Hande (1924)
/ Anjeana Hans
The star system in Weimar cinema
/ Joseph Garncarz
Schaulust: sexuality and trauma in Conrad Veidt's masculine masquerades
/ Elizabeth Otto
The musical promise of abstract film
/ Joel Westerdale
The international project of national(ist) film: Franz Osten in India
/ Veronika Fuechtner
The body in time: Wilhelm Prager's Wege zu Kraft und Schönheit (1926)
/ Theodore F. Rippey
Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror
/ Valerie Weinstein
The dialectic of (sexual) enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928)
/ Christian Rogowski
Babel's business on Ufa's multiple language film versions, 1929-1933
/ Chris Wahl
"A new era of peace and understanding": the integration of sound film into German popular cinema, 1929-1932
/ Ofer Ashkenazi
Landscapes of death: sound, space, and commemoration in G. W. Pabst's Westfront 1918 (1930)
/ Jaimey Fisher
Undermining Babel: Victor Trivas's Niemandsland (1931)
/ Nancy P. Nenno
Unmasking Brigitte Helm and Marlene Dietrich: the vamp in German romantic comedies (1930-1933)
/ Mihaela Petrescu.
Footnote:
Includes bibliographical references and index
Description:
Introduction: images and imaginaries / Christian Rogowski -- Richard Oswald and the social hygiene film: promoting public health or promiscuity? / Jill Suzanne Smith -- Unsettling nerves: investigating war trauma in Robert Reinert's Nerven (1919) / Barbara Hales -- Humanity unleashed: anti-Bolshevism as popular culture in early Weimar cinema / Philipp Stiasny -- Desire versus despotism: the politics of Sumurun (1920), Ernst Lubitsch's "Oriental" fantasy / Richard W. McCormick -- Romeo with sidelocks: Jewish-Gentile romance in E. A. Dupont's Das alte Gesetz (1923) and other early Weimar assimilation films / Cynthia Walk -- "These Hands Are Not My Hands": war trauma and masculinity in crisis in Robert Wiene's Orlacs Hände (1924) / Anjeana Hans -- The star system in Weimar cinema / Joseph Garncarz -- Schaulust: sexuality and trauma in Conrad Veidt's masculine masquerades / Elizabeth Otto -- The musical promise of abstract film / Joel Westerdale -- The international project of national(ist) film: Franz Osten in India / Veronika Fuechtner -- The body in time: Wilhelm Prager's Wege zu Kraft und Schönheit (1926) / Theodore F. Rippey -- Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror / Valerie Weinstein -- The dialectic of (sexual) enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928) / Christian Rogowski -- Babel's business--on Ufa's multiple language film versions, 1929-1933 / Chris Wahl -- "A new era of peace and understanding": the integration of sound film into German popular cinema, 1929-1932 / Ofer Ashkenazi -- Landscapes of death: sound, space and the mobilization genre in G. W. Pabst's Westfront 1918 (1930) / Jaimey Fisher -- Undermining Babel: Victor Trivas's Niemandsland (1931) / Nancy P. Nenno -- Unmasking Brigitte Helm and Marlene Dietrich: the vamp in German romantic comedies (1930-33) / Mihaela Petrescu