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Media type:
Book;
Conference Proceedings
Title:
Ovid in the Middle Ages
Contains:
Machine generated contents note: 1. Introduction James G. Clark; 2. Ovid's metempsychosis: the Greek East Elizabeth Fisher; 3. Ovid's Metamorphoses in the school tradition of France, 1180-1400: texts, manuscript traditions, manuscript settings Frank T. Coulson; 4. Recasting the Metamorphoses in fourteenth-century France: the challenges of the Ovide Moralise; Ana Pairet; 5. Categories of desire and identity in the vernacular French Ovid Marilynn Desmond; 6. Ovid in medieval Italy: perennial literary inspiration, inexhaustible aphoristic font, indispensable school author Robert Black; 7. Dante's Ovids Warren Ginsberg; 8. Ovid from the pulpit Siegfried Wenzel; 9. Ovid in the monastery: the evidence from late medieval England James G. Clark; 10. Gower and Chaucer: readings of Ovid in late medieval England Kathryn L. McKinley; 11. Ovid in medieval Spanish literature Vicente Cristóbal; 12. A survey of imagery in medieval manuscripts of Ovid's Metamorphoses and related commentaries Carla Lord; 13. Shades of Ovid: the pseudo-Ovidiana in the Middle Ages Ralph J. Hexter; Appendix: annotated list of selected Ovid manuscripts.
Description:
"Medieval Europe was shaped not in separation from antiquity -- as the polemics of the Renaissance alleged -- but in the light of its enduring presence. The cultural, social, economic and political fabric of Christendom was woven with the patterns of the classical world. The people of the West acknowledged, or aspired to, the status of the Latins, they submitted to the authority of competing forms -- princely and pontifical -- of an ancient imperium and they set their confessional, cultural and political boundaries on the same eastern frontier as their Roman forebears. Perhaps above all they appropriated the discourse of the ancients and the textual culture(s), learned, literary, public and personal, that had sustained it for so long"--
"Ovid is perhaps the most important surviving Latin poet and his work has influenced writers throughout Europe to the present day. This volume presents a groundbreaking series of essays on his reception across Europe in the Middle Ages. The collection includes contributions from distinguished Ovidians as well as leading specialists in medieval Latin and vernacular literature, clerical and extra-clerical culture and medieval art, and addresses questions of manuscript and textual transmission, translation, adaptation and imitation. It also explores the intersecting cultural contexts of the schools (monastic and secular), courts and the literate lay households. It elaborates the scale and scope of the enthusiasm for Ovid in medieval Europe, following readers of the canon from the Carolingian monasteries to the early schools of the Île de France and on into clerical and curial milieux in Italy, Spain, the British Isles and even the Byzantine Empire"--
"Medieval Europe was shaped not in separation from antiquity -- as the polemics of the Renaissance alleged -- but in the light of its enduring presence. The cultural, social, economic and political fabric of Christendom was woven with the patterns of the classical world. The people of the West acknowledged, or aspired to, the status of the Latins, they submitted to the authority of competing forms -- princely and pontifical -- of an ancient imperium and they set their confessional, cultural and political boundaries on the same eastern frontier as their Roman forebears. Perhaps above all they appropriated the discourse of the ancients and the textual culture(s), learned, literary, public and personal, that had sustained it for so long"--
"Ovid is perhaps the most important surviving Latin poet and his work has influenced writers throughout Europe to the present day. This volume presents a groundbreaking series of essays on his reception across Europe in the Middle Ages. The collection includes contributions from distinguished Ovidians as well as leading specialists in medieval Latin and vernacular literature, clerical and extra-clerical culture and medieval art, and addresses questions of manuscript and textual transmission, translation, adaptation and imitation. It also explores the intersecting cultural contexts of the schools (monastic and secular), courts and the literate lay households. It elaborates the scale and scope of the enthusiasm for Ovid in medieval Europe, following readers of the canon from the Carolingian monasteries to the early schools of the Île de France and on into clerical and curial milieus in Italy, Spain, the British Isles and even the Byzantine Empire"--