• Media type: E-Book; Conference Proceedings
  • Title: Economics of art and culture : invited papers at the 12th international conference of the Association of Cultural Economics International
  • Contributor: Ginsburgh, Victor [Other]
  • Corporation: Association for Cultural Economics International ; Association of Cultural Economics International
  • imprint: Amsterdam; Boston: Elsevier, 2003
    Online-Ausg.
  • Published in: Contributions to economic analysis ; 260
  • Issue: 1st ed
  • Extent: Online-Ressource
  • Language: English
  • DOI: 10.1108/S0573-8555(2003)260
  • ISBN: 9781849508438
  • Identifier:
  • RVK notation: QR 750 : Kulturwirtschaft (Film, Theater, etc.)
    QR 560 : Dienstleistungsgewerbe
  • Keywords: Kunst > Kultur > Wirtschaftliche Betrachtungsweise > Kulturindustrie > Kulturwirtschaft
    Kunst > Kultur > Wirtschaftliche Betrachtungsweise
  • Type of reproduction: Online-Ausg.
  • Reproduction note: Online-Ausg
  • Origination:
  • Footnote: Includes bibliographical references
  • Description: This volume contains a large selection of the invited papers given at the Twelfth Conference of the Association of Cultural Economics International held in Rotterdam in 2002. Two sessions were devoted to what came to be called the cultural industries (movies, television, media, etc.). Two dealt with the history of art and music markets. The last two were more policy oriented. One was devoted to the management of built heritage which becomes larger every year, and will be in need of more and more public funding. The invited speakers in the last session had spent, or are still spending, some or most of their time in the real world, and try to discuss how cultural economists can contribute to alleviate the hard life of those who have to manage culture.Choices necessarily meant that many fields in which active research is alive were not dealt with, in particular, the contemporary functioning of art markets, artists' labor markets, museums and their management, aesthetic choices and tastes, the meaning of quality in the arts, etc. In this volume, the papers given in the six sessions are reshuffled and grouped into three parts: the cultural industries, historical aspects, and policy issues including the management heritage

    Music as a commodity : creating a market in 18th-century London / Rosamond McGuinness -- The test of time : does 20th century American art survive? / William M. Landes -- The credibility of cultural economists' advice to governments / Alan Peacock -- Quantifying quality and other problems / Timothy Mason -- Who owns cultural goods? The case of built heritage / Fran(c)ʿcoise Benhamou -- Independent film finance, pre-sale agreements, and the distribution of film earnings / W. David Walls -- Motion picture directors : luck, talent and rewards / Arthur De Vany -- The relationship between regional and national policies in the arts / Romilda Rizzo -- Making a list : information as a tool of historic preservation / J. Mark Schuster -- Are they all crazy or just risk averse? Some movie puzzles and possible solutions / S. Abraham Ravid -- Measuring the cultural discount in the price of exported U.S. television programs / Adam Finn -- Attitudes toward advertising and price competition in the press industry / Nathalie Sonnac -- Art dealers in Holland / John Michael Montias -- Auctioning paintings in late seventeenth-century London : rules, segmentation and prices in an emergent market / Neil De Marchi. - This volume contains a large selection of the invited papers given at the Twelfth Conference of the Association of Cultural Economics International held in Rotterdam in 2002. Two sessions were devoted to what came to be called the cultural industries (movies, television, media, etc.). Two dealt with the history of art and music markets. The last two were more policy oriented. One was devoted to the management of built heritage which becomes larger every year, and will be in need of more and more public funding. The invited speakers in the last session had spent, or are still spending, some or most of their time in the real world, and try to discuss how cultural economists can contribute to alleviate the hard life of those who have to manage culture.Choices necessarily meant that many fields in which active research is alive were not dealt with, in particular, the contemporary functioning of art markets, artists' labor markets, museums and their management, aesthetic choices and tastes, the meaning of quality in the arts, etc. In this volume, the papers given in the six sessions are reshuffled and grouped into three parts: the cultural industries, historical aspects, and policy issues including the management heritage