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Media type:
Book
Title:
Lyric encounters
:
essays on American poetry from Lazarus and Frost to Ortiz Cofer and Alexie
Contains:
"Go home and write a page tonight": Subversive irony and resistant reading in Langston Hughes's "Theme for English B"The erotics of close reading: Williams, Demuth, and "The Crimson Cyclamen" -- Queering time: Allen Ginsberg, "america," and the Cold War -- Active and passive citizenship in Emma Lazarus's "the New Colossus" and Judith Ortiz Cofer's "The Latin deli: an ars poetica" -- Homosocial black male desire as mediated through the horn and the pen: elegy as love letter or love letter as elegy in Michael S. Harper's "Dear John, dear Coltrane" -- Frank Bidart's voice and the erasure of Jewish difference in "Ellen West" -- "The word gets around": Leslie Marmon Silko's theory of narrative survival in the delicacy and strength of lace -- Before and after the fall: tribalism, individualism, and multicultural poetics in Sherman Alexie -- Coda: Robert Frost's "mending wall": the case for the humanities classroom.
"Go home and write a page tonight": Subversive irony and resistant reading in Langston Hughes's "Theme for English B" -- The erotics of close reading: Williams, Demuth, and "The Crimson Cyclamen" -- Queering time: Allen Ginsberg, "america," and the Cold War -- Active and passive citizenship in Emma Lazarus's "the New Colossus" and Judith Ortiz Cofer's "The Latin deli: an ars poetica" -- Homosocial black male desire as mediated through the horn and the pen: elegy as love letter or love letter as elegy in Michael S. Harper's "Dear John, dear Coltrane" -- Frank Bidart's voice and the erasure of Jewish difference in "Ellen West" -- "The word gets around": Leslie Marmon Silko's theory of narrative survival in the delicacy and strength of lace -- Before and after the fall: tribalism, individualism, and multicultural poetics in Sherman Alexie -- Coda: Robert Frost's "mending wall": the case for the humanities classroom.