Description:
This is the first anthology of Yuan-dynasty zaju (miscellaneous comedies) to introduce the genre to English-speaking readers exclusively through translations of the plays' fourteenth-century editions. Almost all previous translations of Yuan-dynasty zaju are based on late-Ming regularized editions that were heavily adapted for performance at the Ming imperial court and then extensively revised in the seventeenth century for the reading pleasure of Jiangnan literati. These early editions are based on leading actor scripts and contain arias, prose dialogue, and cue lines. They encompass a fascinating range of subject matter, from high political intrigue to commoner life and religious conversion. Crackling with raw emotion, violent imagery, and colorful language and wit, the zaju in this volume explore the consequences of loyalty and betrayal, ambition and enlightenment, and piety and drunkenness. The collection features seven of the twenty-six available untranslated zaju published in the fourteenth century, with a substantial introduction preceding each play and extensive annotations throughout. The editors also include translations of the Ming versions of four of the included plays and an essay that synthesizes recent Chinese and Japanese scholarship on the subject.
Yuming He, University of California, Davis:These translations and introductory essays present the distillation, in a single volume, of decades of study by two leading scholars on the traditions of performance and textual reproduction and adaptation of Yuan drama. Their erudition and deep conversancy with these traditions is presented here in an accessible and engaging form that will benefit both specialists and general readers alike. Patricia Sieber, Ohio State University:This anthology, together with original introductory segments, opens a new window onto the urban milieu of the formative period of early Chinese theater. For anyone interested in not only the literary but also the performance aesthetics of traditional Chinese drama, this collection is indispensable. Tian Yuan Tan, SOAS, University of London:The most important contribution to studies on Yuan drama in recent years and a book that will raise and set the bar for future work in this field