• Media type: E-Article
  • Title: Adaptation, Action, Response: ‘Four Horsemen of the Apocalypse’ at the Citizens Theatre, Glasgow
  • Contributor: Craven, Ian
  • imprint: Cambridge University Press (CUP), 1992
  • Published in: New Theatre Quarterly
  • Language: English
  • DOI: 10.1017/s0266464x00006837
  • ISSN: 0266-464X; 1474-0613
  • Keywords: Visual Arts and Performing Arts
  • Origination:
  • Footnote:
  • Description: <jats:p>Several of the novels of the Spanish writer Vicente Blasco Ibanez (1867–1928) have provided the basis for theatrical adaptations: but the version of <jats:italic>The Four Horsemen of the Apocalypse</jats:italic> (1916) by Peter Granger-Taylor, staged in March 1990 at the Citizens Theatre, Glasgow, was the first for sixty years. In the following feature, Ian Craven, who teaches in the Department of Theatre, Film, and Television Studies at the University of Glasgow, provides a full account of Jon Pope's production, considering questions of adaptation, performance, and response, and also paying special attention to the influence of the screen versions of 1921 and 1962. His analysis is complemented by extracts from an interview with the adapter and director. A study by Margaret Eddershaw of Philip Prowse's production of Brecht's <jats:italic>Mother Courage</jats:italic>, in which Glenda Jackson took the title role during the same season at the Citizens, appeared in NTQ28 (November 1991).</jats:p>