Description:
<jats:p>Starting in 1697 a series of operatic works set in Venice during Carnival season appeared on the stage of the Paris Opéra, a phenomenon that marked a major shift in repertoire from a period that had been dominated by the Lullian <jats:italic>tragédie en musique</jats:italic>. This article investigates the implications of the sudden French fascination with things Venetian and explores the multiple agendas Venice served within the world of French opera.</jats:p>