Description:
<jats:p>This article discusses how alternative software infrastructures can emerge out of frictions, failure, and repair in the attempts of media creators to evade piracy. Using a case from the geographical fringes of Russia called Morevna Project, and theories of infrastructures and repair, the article suggests how repair can lead to the slow, mundane and fragile formation of what I refer to as ‘situated’ digital infrastructures for cultural production. While pirate-based media production can push creators to search for and develop alternative infrastructures, the latter emerge as fragile frameworks that are constantly threatened from collapse and suspension. The continuous work of integrating diverse interests across local and online media-related contexts and practices becomes an essential stabilising force needed to perpetuate these infrastructures and prevents them from falling back into oblivion.</jats:p>