Description:
<jats:title>Abstract</jats:title>
<jats:p>Human beings move coherently as individual selves, body and mind adapted to perform complex activities with imagination, knowledge, and skill; perceiving the environment by engaging it with discrimination and care. Human beings live intersubjectively in communitiesl each with the rituals, beliefs, and language of a culture, along with a history of affective relationships and agreed habits for acting in cooperation. These attachments and cultural habits depend upon an ability to sense the intentions, interests, and feelings of other human selves through sympathetic response to motives and emotions as displayed in the shapes and rhythms of body movement: an ability that infants possess from birth. No brain theory explains this ‘felt immediacy’ of others’ life experience, which philosophers of the Scottish Enlightenment accepted as proof that human beings are ‘innately sympathetic’. An innate time sense, capacity to ‘attune’ to the dynamics of body movement, and ability to recognise serial ordering in ‘stories’ all appear essential. A theory of ‘communicative musicality’ employs key parameters of <jats:italic>pulse</jats:italic>, <jats:italic>quality </jats:italic>of movement, and <jats:italic>narrative, </jats:italic>applying them to poetry, music, dance, the prosody and rhetoric of language, and the regulation of skillful practices of all kinds. These elements - present in foetal movements and engaged in through joyful intersubjective ‘story-telling’ from birth - give direct information on how the human brain orchestrates reflex functions to move the body with sensations of grace and efficiency. Their age-related development leads to mastery of language and cultural rituals. They conduct all cognitive functions and all meaning making.</jats:p>