Description:
Using the prisms of postdramatic theatre and transnationalism, Mary Mazzilli provides an insightful study of Gao Xingjian’s post-exile plays. By developing the term “postdramatic transnationalism” through close readings of Gao’s texts, Mazzilli brings fresh insights into Hans-Thies Lehmann’s notion of the “postdramatic” while also reinterpreting transnationalism through postdramatic discourse.