Description:
<p>This article examines the political and cultural circumstances leading to the Italian premiere of Giacomo Meyerbeer’s posthumous opera <italic>L’Africaine</italic> at Bologna’s Teatro Comunale in November 1865. Meyerbeer’s death in May 1864 and the French premiere of his last opera the following year combined to produce a striking moment of transnational cosmopolitan sentiment that built on the composer’s reputation for writing music that had the capacity to communicate across national and political boundaries. Shortly after the Unification of Italy, Bologna was keen to capitalise on these emotions and used the Italian premiere strategically in order to position itself as one of the cultural capitals of the new Italian nation state.</p>