> Verlagsreihe
-
50:
Die Solomotetten Isabella Leonardas 1 von Elisabeth Schedensack
Neuhausen: Hänssler-Verl., 1998
-
50:
Die Solomotetten Isabella Leonardas 2 von Elisabeth Schedensack
Neuhausen: Hänssler-Verl., 1998
-
52:
Die Musikbibliothek des Hamburger Kantors und Musikdirektors Thomas Selle (1599 - 1663) Rekonstruktion des ursprünglichen und Beschreibung des erhaltenen, überwiegend in der Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky aufbewahrten Bestandes von Jürgen Neubacher
Neuhausen: Hänssler, 1997
-
48:
Adam Gumpelzhaimer's little-known score-books in Berlin and Kraków by: Richard Charteris
Neuhausen: Hänssler-Verl., 1996
-
47:
The songs of Guillaume Dufay critical commentary to the revision of Corpus mensurabilis musicae, Ser.1, vol. VI by David Fallows
Neuhausen-Stuttgart: Hänssler, 1995
-
42:
In search of harmony Hebrew and humanist elements in sixteenth-century musical thought Don Harrán
Neuhausen-Stuttgart: Hänssler, 1988
-
40:
Word-tone relations in musical thought from antiquity to the seventeenth century Don Harrán
Neuhausen [u.a.]: American Inst. of Musicology [u.a.], 1986
-
39:
Fronimo 1584 Vincenzo Galilei. Transl. and ed. by Carol MacClintock
Stuttgart [u.a.]: Hänssler [u.a.], 1985
-
41:
The music treatise of Anonymus IV a new transl. Jeremy Yudkin
Neuhausen-Stuttgart: Hänssler [u.a.], 1985
-
37:
Musices opusculum Nicolaus Burtius. Introd. and transl. by Clement A. Miller
Neuhausen-Stuttgart: Hänssler-Verl., 1983
-
38:
Paedagogus 1582; the chapter on music Johannes Thomas Freig. Transl. and ed. with an introd. by Jeremy Yudkin
Neuhausen-Stuttgart: Hänssler, 1983
-
35:
The folia, the saraband, the passacaglia, and the chaconne 1 The folia Richard Hudson. American Inst. of Musicology
Neuhausen-Stuttgart: Hänssler, 1982
-
35:
The folia, the saraband, the passacaglia, and the chaconne 2 The saraband Richard Hudson. American Inst. of Musicology
Neuhausen-Stuttgart: Hänssler, 1982
-
35:
The folia, the saraband, the passacaglia, and the chaconne 3 The passacaglia Richard Hudson. American Inst. of Musicology
Neuhausen-Stuttgart: Hänssler, 1982
-
35:
The folia, the saraband, the passacaglia, and the chaconne 4 The chaconne Richard Hudson. American Inst. of Musicology
Neuhausen-Stuttgart: Hänssler, 1982
-
36:
Musical sources of the Old-Roman mass an inventory of MS Rome, St. Cecilia Gradual 1071; MS Rome, Vaticanum latinum 5319; MSS Rome, San Pietro F 22 and F 11 Paul F. Cutter
Neuhausen-Stuttgart [u.a.]: Hänssler [u.a.], 1979
-
34:
The falsobordone a study in Renaissance and Baroque music Murray C. Bradshaw
[Roma]: American Institute of Musicology, 1978 ; Neuhausen-Stuttgart: Hänssler, 1978
-
33:
De harmonia musicorum instrumentorum opus Franchinus Gaffurius. Introd. and transl. by Clement A. Miller
[S. l.]: American Inst. of musicology, 1977 ; Neuhausen-Stuttgart: Hänssler, 1977
-
31:
De speculatione musicae 6 Walter Odington. Transl. by Jay A. Huff
[Rom]: American Institute of Musicology, 1973
-
32:
Writings on music Hieronymus Cardanus. Translated and edited, with an introduction by Clement A. Miller
[Rome]: American Institute of Musicology, 1973
-
30:
Sixteenth-century instrumentation: the music for the Florentine intermedii Howard Mayer Brown
[S.l.]: American Inst. of Musicology, 1973
-
29:
A treatise on the practice of mensural music in the Italian manner Prosdocimus de Beldemandis. Transl. and ed. by Jay A. Huff
Rome: American Inst. of Musicology, 1972
-
24:
The theory of hexachords, solmization, and the modal system a practical application by Gaston G. Allaire
[S.l.]: American Institute of Musicology, 1972
-
26:
De arte canendi Sebald Heyden ; translation and transcription by Clement A. Miller
[Rome]: American Institute of Musicology, 1972
-
28:
The origin of the Toccata Murray C. Bradshaw
Rom: American Institute of Musicology, 1972
-
27:
Manuscript accidentals: ficta in focus, 1350 - 1450 Andrew Hughes
[Rome]: American Institute of Musicology, 1972
-
25:
Le Balet comique de la royne 1581 [Baltasar de Beaujoyeulx]. Transl. by Carol and Lander MacClintock. The music transcribed by Carol MacClintock
[S.l.]: American Institute of Musicology, 1971
-
23:
Tetrachordum musices introd., translation and transcription by Clement A. Miller
[Dallas]: American Institute of Musicology, 1970
-
22:
Life and works of Robert Fayrfax, 1464 - 1521 by Edwin B. Warren
[Dallas, Tex.]: American Institute of musicology, 1969
-
19:
Cypriot plainchant of the manuscript Torino, Biblioteca Nazionale J. II. 9 a facsimile ed. with commentary by Richard H. Hoppin
[Middleton, Wis.]: American Institute of Musicology, 1968
-
20:
Practica musicae Franchinus Gaffurius. Transl. and transcription by Clement A. Miller
[New York, NY [u.a.]]: American Inst. of Musicology, 1968
-
21:
The six anonymous l'homme armé masses in Naples, Biblioteca Nazionale, MS VI E 40 Judith Cohen
[S.l.]: American Institute of Musicology, 1968
-
16:
Life and works of Giovanni Gabrieli Egon Kenton
[Dallas, Tex.]: American Inst. of Musicology, 1967
-
18:
Charles d'Anjou roi-trouvère du 13. siècle Jean Maillard
[Dallas, Tex.]: American Inst. of Musicology, 1967
-
17:
Giaches de Wert (1535 - 1596) life and works by Carol MacClintock
[Dallas]: American Inst. of Musicology, 1966
-
11:
The life and works of Nicola Vicentino (1511 - c. 1576) by Henry William Kaufmann
[S. l.]: American Inst. of Musicology, 1966
-
13:
The manuscript London, British Museum, Additional 29987 a facsimile ed. with an introd. by Gilbert Reaney
[Rome]: American Inst. of Musicology, 1965
-
14:
The Tugendsterne of Harsdörfer and Staden an exercise in musical humanism James Haar
[Dallas, Texas]: American Inst. of Musicology, 1965
-
12:
Loyset Compère (c. 1450 - 1518); life and works Ludwig Finscher
[Rome]: American Institute of Musicology, 1964
-
15:
Lais et chansons d'Ernoul de Gastinois hrsg. von Jean Maillard
[Dallas, Texas]: American Inst. of Musicology, 1964
-
7, companion vol.:
Fourteenth-century mass music in France [Hauptbd.] ed. by H. Stäblein-Harder
[Rome]: American Inst. of Musicology, 1962
-
7:
Fourteenth-century mass music in France Critical text ed. by H. Stäblein-Harder
[Rome]: American Inst. of Musicology, 1962
-
9:
Il Desiderio or concerning the playing together of various musical instruments Hercole Bottrigari
[Dallas, Tex.]: American Inst. of Musicology, 1962
-
5:
The art of counterpoint (liber de arte contrapuncti) Johannes Tinctoris. - Transl. and ed. by Albert Seay
[Rom]: American Inst. of Musicology, 1961
-
8:
Compendium of music (Compendium musicae) translation by Walter Robert. Introduction and notes by Charles Kent
[Rome]: American Institute of Musicology, 1961
-
10:
An early fifteenth-century Italian source of keyboard music the Codex Faenza, Biblioteca Communale, 117 presented by Armen Carapetyan
[Rome] [u.a.]: American Institute of Musicology, 1961
-
4:
An essay on thoroughbass Georg Muffat. Ed. with an introd. by Hellmut Federhofer
[Rome]: American Inst. of Musicology, 1961
-
3:
Letters on ancient and modern music to Vincenzo Galilei and Giovanni Bardi Girolamo Mei. A study with annotated texts by Claude V. Palisca
[Dallas, Tex.] [u.a.]: American Inst. of Musicology, 1960
-
2:
The Worcester fragments a catalogue raisonné and transcript. Luther A. Dittmer
[Dallas, Tex.]: American Inst. of Musicology, 1957