• Medientyp: Buch; Konferenzbericht
  • Titel: Screening war : perspectives on German suffering
  • Enthält: Introduction: German suffering? / Paul Cooke and Marc Silberman
    Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski
    German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke
    The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen
    Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter
    Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake
    Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder
    Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman
    Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn
    Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager
    Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson
    The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke
    Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan.
  • Beteiligte: Cooke, Paul [Hrsg.]; Silberman, Marc [Sonstige Person, Familie und Körperschaft]
  • Erschienen: Rochester, NY: Camden House, 2010
  • Erschienen in: Screen cultures ; German film and the visual
  • Ausgabe: 1. publ.
  • Umfang: VI, 304 S.; Ill; 23 cm
  • Sprache: Englisch
  • ISBN: 1571134379; 9781571134370
  • RVK-Notation: AP 52700 : Kriegs- und Antikriegsfilm
    AP 44910 : Deutschland
  • Schlagwörter: Deutschland > Film > Deutschlandbild > Zweiter Weltkrieg > Opfer > Psychisches Trauma > Geschichte
    Deutschland > Film > Zweiter Weltkrieg > Trauma
    Deutschland > Film > Zweiter Weltkrieg > Opfer
    Deutschland > Film > Deutschlandbild > Zweiter Weltkrieg > Opfer > Psychisches Trauma
  • Entstehung:
  • Anmerkungen: Includes bibliographical references (p. [267]-285) and indexes
  • Beschreibung: Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan

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