Subject, Mullican, element, sign, frame, world

Medientyp: Buch; Bildband

Titel: Subject, Mullican, element, sign, frame, world

Enthält: I am like a passenger in my own psyche / Hal Foster
Entering the picture ; Actions ; Installations ; Performances ; Dead man and doll ; Pinching the dead man's arm ; Aunt Mahota ; Photos of what is around me ; Paul ; Matt Mullican in conversation with John Baldessari and Ulrich Wilmes ; Details from an imaginary universe ; Try and beat this, Mars ; Xeroxes of death, heaven, and hell ; Glen ; Fictional reality ; Cosmology charts ; Progressive arts charts ; Who feels the most pain ; Matt Mullican in conversation with Michael Tarantino ; Signs ; Signs broken up ; Head and body ; Text works ; Representing the work ; Flags ; Posters ; Rubbings ; Bulletin boards ; Computer ; Five into one, 1991-92 : tour by Matt Mullican ; That Person ; 2008 Whitney biennial : performance transcript ; Matt Mullican : Gesamtkünstler / Lynne Cooke
Model architecture.

Beteiligte: Mullican, Matt [KünstlerIn]; Baldessari, John [KünstlerIn]; Cooke, Lynne [VerfasserIn von ergänzendem Text]; Foster, Hal [VerfasserIn von ergänzendem Text]; Tarantino, Michael [VerfasserIn von ergänzendem Text]; Wilmes, Ulrich [VerfasserIn von ergänzendem Text]; Columbus, Nikki [HerstellerIn]

Erschienen: New York, NY: Skira Rizzoli, 2013

Umfang: 271 Seiten; Illustrationen (farbig)

Sprache: Englisch

ISBN: 9780847839780

RVK-Notation: LI 99999 : Sonstige (CSN der Person)

Schlagwörter: Mullican, Matt > Kunst
Mullican, Matt > Kunst

Entstehung:

Anmerkungen: Literaturverz. S. 265 - 268

Beschreibung: Over the last four decades, Matt Mullican has created a complex body of work concerned with systems of knowledge, meaning, language, and signification. His work takes form as drawing, collage, video, sculpture, performance, and installation, but Mullican is perhaps best known for his performances: these take place under hypnosis, allowing the artist to treat his own psyche as yet another medium. The drawings Mullican makes in this state - as an alter ego he refers to as "that person" - recall Surrealist experiments with automatic writing. In recent years, interest has surged in Mullican's work as younger artists and curators have rediscovered him

Over the last four decades, Matt Mullican has created a complex body of work concerned with systems of knowledge, meaning, language, and signification. His work takes form as drawing, collage, video, sculpture, performance, and installation, but Mullican is perhaps best known for his performances: these take place under hypnosis, allowing the artist to treat his own psyche as yet another medium. The drawings Mullican makes in this state--as an alter ego he refers to as "that person" --recall Surrealist experiments with automatic writing. In recent years, interest has surged in Mullican's work as younger artists and curators have rediscovered him. - - This first major monograph on the artist, a group of renowned art world figures considers the expanse of Mullican's art--from the "bulletin boards" that combine notes, sketches, and archival photographs to the graphic language used to illustrate his idiosyncratic cosmology. Curator Lynne Cooke and art historian Hal Foster address various aspects of Mullican's multidisciplinary practice, while a roundtable conversation between Mullican, Conceptual artist John Baldessari, and curator Ulrich Wilmes completes this comprehensive survey. The in-depth discussion investigates Mullican's early days as a student--when Baldessari was his professor--and the development of his signature works.

Subject, Mullican, element, sign, frame, world

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