Sie können Bookmarks mittels Listen verwalten, loggen Sie sich dafür bitte in Ihr SLUB Benutzerkonto ein.
Medientyp:
Buch
Titel:
Vision and textuality
Enthält:
pt. 1. General introduction
/ Stephen Melville and Bill Readings
pt. 1.General introduction
/ Stephen Melville and Bill Readings
pt. 2. Basic concepts of art history
/ Stephen Melville
Beholding art history: vision, place and power
/ Griselda Pollock
Past looking
/ Michael Ann Holly
A discourse (with shape of reason missing)
/ John Tagg
The aesthetics of post-history: a German perspective
/ Irit Rogoff
pt. 3. How obvious is art?: Kitsch and the semiotician
/ Bill Readings
Reading the gaze: the construction of gender in "Rembrandt"
/ Mieke Bal
Philostratus and the imaginary museum
/ Norman Bryson
Topic and figures of enunciation: is it myself that I paint
/ Louis Marin -- Armour Fou
pt. 4. The pen and the eye: the politics of the gazing body
/ Fran(c)ʹoise Luchert
Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams
/ John Bender
The visibility of visuality: Vauxhall Gardens and the Siting of the viewer
/ Peter de Bolla
B/G
/ Thomas Crow
pt. 5. Vision procured
/ Bennet Schaber
In the master's bedroom
/ Rosalind Krauss
Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism
/ Martin Jay
Chance encounters: Fl(c)Øneur and Detraqu(c)♭e in Breton's Nadja
/ Victor Burgin.
pt. 2.Basic concepts of art history
/ Stephen Melville
Beholding art history: vision, place and power
/ Griselda Pollock
Past looking
/ Michael Ann Holly
A discourse (with shape of reason missing)
/ John Tagg
The aesthetics of post-history: a German perspective
/ Irit Rogoff
pt. 3.How obvious is art?: Kitsch and the semiotician
/ Bill Readings
Reading the gaze: the construction of gender in "Rembrandt"
/ Mieke Bal
Philostratus and the imaginary museum
/ Norman Bryson
Topic and figures of enunciation: is it myself that I paint
/ Louis Marin
pt. 4.The pen and the eye: the politics of the gazing body
/ Françoise Luchert
Impersonal violence: the penetrating gaze and the field of narration in Caleb Williams
/ John Bender
The visibility of visuality: Vauxhall Gardens and the Siting of the viewer
/ Peter de Bolla
B/G
/ Thomas Crow
pt. 5.Vision procured
/ Bennet Schaber
In the master's bedroom
/ Rosalind Krauss
Photo-unrealism: the contribution of the camera in the crisis of ocularcentrism
/ Martin Jay
Chance encounters: Flâneur and Detraquée in Breton's Nadja
/ Victor Burgin.