• Medientyp: Buch; Hochschulschrift; Bibliografie
  • Titel: Fleeting cities : imperial expositions in "Fin-de-Siècle" Europe
  • Enthält: Machine generated contents note: Acknowledgments -- Introduction: How to Read an Exposition -- Berlin 1896: Wilhelm II, Georg Simmel, and the Berliner Gewerbeausstellung -- Paris 1900: The Exposition universelle as a Century's Protean Synthesis -- London 1908: Imre Kiralfy and the Franco-British Exhibition -- Wembley 1924: The British Empire Exhibition as a Suburban Metropolis -- Vincennes 1931: The Exposition coloniale as a Transitory Center of Imperial Civilization -- Conclusion: Exhibition Fatigue, or the Rise and Fall of a Mass Medium -- Coda: Pictures at an Exhibition -- Appendix -- Bibliography -- Index.
  • Beteiligte: Geppert, Alexander C. T. [Verfasser:in]
  • Erschienen: Basingstoke [u.a.]: Palgrave Macmillan, 2010
  • Ausgabe: 1. publ.
  • Umfang: XVII, 398 S., [4] Bl; Ill., graph. Darst., Kt
  • Sprache: Englisch
  • ISBN: 0230221645; 9780230221642
  • RVK-Notation: ZG 8940 : Ausstellungen und Ausstellungskataloge zur Technikgeschichte
    NR 6910 : Berlin (mit allen Eingemeindungen)
    NR 8640 : London
    NR 8720 : Paris
    NP 1330 : Darstellungen
  • Schlagwörter: Europa > Weltausstellung > Ausstellung > Metropole > Großstadt > Zivilisation > Moderne
    Europa > Weltausstellung > Geschichte 1880-1930
    Europa > Weltausstellung > Imperialismus > Geschichte 1896-1931
  • Entstehung:
  • Hochschulschrift: Zugl.: Florence, European Univ. Inst., Diss., 2004 u.d.T.: Geppert, Alexander C. T.: London vs. Paris : imperial exhibitions, transitory spaces, and metropolitan networks, 1880 - 1930
  • Anmerkungen:
  • Beschreibung: "Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900"--

    "Imperial expositions held in fin-de-siècle London, Paris and Berlin were knots in a world wide web. Conceptualizing expositions as meta-media, Fleeting Cities constitutes a transnational and transdisciplinary investigation into how modernity was created and displayed, consumed and disputed in the European metropolis around 1900"--

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