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Medientyp: Zeitschrift
Titel: Crafts : the magazine for contemporary craft
Erschienen: London: Council, 1974-
Erscheinungsverlauf: Nachgewiesen Nr. 6.1974 -
Sprache: Englisch
ISSN: 0306-610X
Identifikator:

Schlagwörter: Zeitschrift
Entstehung:
Anmerkungen: Heft 285 (2020) nicht erschienen
Nr.
211.2008,März/Apr. - unter Signatur 19 4 12356
Weitere Bestandsnachweise
2010,[Suppl. 1] : ¬The¬ crafts guide to collect 2010
2011,Suppl. 2 : ¬The¬ crafts guide to collect 2011
2012,Suppl. 3 : ¬The¬ crafts guide to collect 2012
2013,Suppl. 4 : ¬The¬ crafts guide to collect 2013
2014 : ¬The¬ crafts guide to collect 2014
2015 : ¬The¬ crafts guide to collect 2015

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> Ausgaben

Byng, Malaika [VerfasserIn]
(2021), 286, Seite 58-67: Packing a Punch Anya Paintsil's scultural wall-hangings burst with energy and humour, while turning painful experiences of racism into powerful critiques of society at large Malaika Byng
2021

Moloi, Nkgopoleng [VerfasserIn]
(2021), 286, Seite 40-49: Beyond Words South African ceramic artist Andile Dyalvane has created his own language of symbols that draws on his cultural heritage in the Eastern Cape while speaking across geographic and social divides Nkgopoleng Moloi
2021

Jansen, Charlotte [VerfasserIn]
(2021), 287, Seite 40-49: Dreamscapes New York-based artist Jordan Nassar's vivid tapestries stitch together inherited nostalgia about his Palestinian heritage with his own experiences of collaborating with skilled embroiderers from the region Charlotte Jansen
2021

Byng, Malaika [VerfasserIn]; McCartney, Mary [FotografIn]
(2021), 289, Seite 40-49: Liquid Light Brian Clarke has spent five decades championing stained glass, both by creating luminescent artworks that push the medium's possibilities and by collecting seminal pieces by other artists Malaika Byng
2021

Ray, Debika [VerfasserIn]
(2021), 290, Seite 44-53: Carving a Niche working in clay, stone, wood and glass, Halima Cassell draws on the universal language of pattern to sculpt monumental works with hynotic geometry, currently dazzling audiences at Glynebourne opera house Debika Ray
2021

Day, Jon [VerfasserIn]
(2021), 288, Seite 36-45: Under the Microscope Jacob van der Beugel draws on cells, genes and DNA in his concrete and clay installations to explore what it means to be human and our relationship with change and mutation Jon Day
2021

Smith, Isabella [VerfasserIn]
(2021), 289, Seite 58-65: Fragile Futures Argentinian artist Alexandra Kehayoglou creates vast topographical textiles depicting endangered environments that challenge our relationship to the earth Isabella Smith
2021

Park, Emma [VerfasserIn]
(2021), 290, Seite 68-73: Looking Glass artist Chris Day holds a mirror up to our colonial past, creating works that evoke the suffering of of enslaved people while encouraging dialogue and reflection Emma Park
2021

Ali, Alia [FotografIn] ; Ray, Debika [VerfasserIn einer Einleitung]
(2020), 284, Seite 62-69: Culture Uncovered in Alia Ali's portraits, faces remain hidden, leaving rextiles and craftsmanship to reveal stories about people, places and communities words by Debika Ray
2020

Byng, Malaika [VerfasserIn]
(2020), 282, Seite 30-37: A Line in the Sand Gareth Neal's new vessels were 3D-printed abroad, far from the London-based maker's studio, yet they hold the same seductive, tactile appeal as his hand-crafted objekts Malaika Byng
2020

Smith, Isabella [VerfasserIn]
(2020), 283, Seite 50-57: Breaking the Mould life and work collide in the home of ceramic artist Carol McNicoll, who casts her sculptures from the intriguing objects she collects Isabella Smith
2020

Ray, Debika [VerfasserIn]
(2019), 281, Seite 34-39: Shattered Lives Belfast-based artist Alison Lowry challenges the silence around historical abuses of women in Ireland with her delicate glass sculptures, which tell harrowing stories with dignity, sensitivity and respect Debika Ray
2019

Ray, Debika [VerfasserIn]
(2019), 280, Seite 60-65: Star Turn the award-winning artist Ernst Gamperl has spent a decade shaping a single oak tree into looming vessels that defy the limitations of wood Debika Ray
2019

Dhanda, Suki [VerfasserIn]
(2019), 280, Seite 52-59: A Collage of Memories Natasha Kerr layers stories and personalities in the jewellery she wears and the textile art she makes by Suki Dhanda
2019

Byng, Malaika [VerfasserIn]
(2019), 280, Seite 44-51: Reading the Surface of the World to create her ghostly 'photographic reliefs' of textiles - telling tales about female experiences and the movement of people - US artist Klea McKenna has invented a highly physical process that draws from archaeology and her past as a dancer by Malaika Byng
2019

Darwent, Charles [VerfasserIn]; Odundo, Magdalene [KünstlerIn]
(2019), 276, Seite 26-31: Catholic Taste from ballett to Brancusi via Gbari traditions, Magdalene Odundo's masterpiece pots are encyclopediae of references by Charles Darwent
2019

Roux, Caroline [VerfasserIn]
(2019), 278, Seite 56-65: The Rules of Attraction at this year's Venice Biennale, three very different artists are hoping their material worlds will make visitors pause and reflect Caroline Roux
2019

Smith, Isabella [VerfasserIn]; Toch, Adi [KünstlerIn]
(2019), 279, Seite 36-43: Good Vibrations$DAdi Toch listens to her materials, drawing out their inherent characteristics to create vessels that often respond to the viewer Isabella Smith
2019

Smith, Isabella [VerfasserIn]; Lakelin, Eleanor [KünstlerIn]
(2018), 274, Seite 54-59: Eleanor Lakelin Chaos Theory Eleanor Lakelin taught herself to turn wood from books Isabella Smith
2018

Gibson, Grant [VerfasserIn]; Hosono, Hitomi [KünstlerIn]
(2018), 274, Seite 60-67: Hitomi Hosono Art and Industry what happened when Japanese ceramist Hitomi Hosono joined forces with British manufactoring giant Wedgwood? Grant Gibson
2018

Albers, Anni [KünstlerIn] ; Harrod, Tanya [VerfasserIn von ergänzendem Text]; Margetts, Martina [Sonstige Person, Familie und Körperschaft]
(2018), 274, Seite 30-45: Anni Albers Crafts celebrates the Anni Albers retrospective at London's Tate Modern this autumn with this special souvenir section devoted to the artist, author and textile innovator Tanya Harrod, Martina Margetts
2018

Snoad, Laura [VerfasserIn]; Shaw, James [DesignerIn]
(2018), 274, Seite 46-53: James Shaw Life in Plastic with plastic hitting the headlines, James Shaw has come up with extraordinary uses for this controversial material Laura Snoad
2018

Hoggard, Liz [VerfasserIn]; Shiota, Chiharu [KünstlerIn]
(2018), 271, Seite 28-33: Thread Bared Chiharu Shiota's extraordinary installations bring threads of wool together with an array of different objects that all have a story to tell Liz Hoggard
2018

Gibson, Grant [VerfasserIn] ; Waters, James [Sonstige Person, Familie und Körperschaft]
(2018), 272, Seite 42-53: Still Waters Run Deep James and Tilla Waters make beautiful, restrained ceramics from their home in North Wales Grant Gibson
2018

Smith, Isabella [VerfasserIn]; Penney, Caron [KünstlerIn]
(2018), 273, Seite 40-45: Caron Penney Grid Locked the tapestry artist and founder of Atelier Weftfaced tells about working with Martin Creed and the joy of New York Isabella Smith
2018

Greenhalgh, Imogen [VerfasserIn]; Hirai, Akiko [KünstlerIn]
(2018), 273, Seite 50-55: Akiko Hirai Surface Play with a new solo show opening in London, the ceramist talks about moon jars, midlife crises and why some things are best left hidden Imogen Greenhalgh
2018

Greenhalgh, Imogen [VerfasserIn]; Smith, Matt J. [KünstlerIn]
(2018), 271, Seite 48-55: Remaking the Museum Matt Smith is a curator and ceramist who has spent much of the las decade responding to public collection and drawing out new histories Imogen Greenhalgh
2018

Hughes, Beth [InterviewerIn]; Shonibare, Yinka [KünstlerIn]; Shonibare, Yinka [InterviewteR]
(2018), 275, Seite 24-33: Yinka Shonibare The Politics of Pattern Beth Hughes
2018

Gibson, Grant [VerfasserIn]; Sinden, Philip [FotografIn]
(2018), 271, Seite 34-41: Jochen Holz The Shape of Water award-winning lampworker Jochen Holz creates glass pieces so fluid they almost look like water itself Grant Gibson. Location photography by Philip Sinden
2018

Greenhalgh, Imogen [VerfasserIn]; Clarke, Majeda [KünstlerIn]
(2018), 273, Seite 26-28: The power of place Majeda Clarke$HImogen Greenhalgh
2018

Gibson, Grant [VerfasserIn]; Amberg, Bill [DesignerIn]
(2018), 273, Seite 30-39: Bill Amberg Leather Man grant Gibson
2018

Choppin, Elizabeth [VerfasserIn]; Stutchbury, Wycliffe [KünstlerIn]
(2017), 269, Seite 50-55: Tales of Tiles and Timber using tiny pieces of wood, Wycliffe Stutchbury creates extraordinary panels that each have a distinctive story to tell ElizaBETH cHOPPIN
2017

Julius, Corinne [VerfasserIn]; Ramshaw, Wendy [KünstlerIn]
(2017), 269, Seite 40-49: Wendy as a major retrospective of Wendy Ramshaw's distinctive jewellery opens in Edinburgh, Corinne Julius charts her career Corinne Julius
2017

Treggiden, Katie [VerfasserIn]; Byrne, Edmond [KünstlerIn]
(2017), 268, Seite 52-59: Edmond Byrne's Emotion Landscape Katie Treggiden
2017

Greenhalgh, Imogen [VerfasserIn]; Youngson Coll, Laura [KünstlerIn]
(2017), 268, Seite 60-65: Natural Order the traumatic loss of her partner has provoked vellum and leather artist Laura Youngson Coll into producing some extraordinary new works Imogen Greenhalgh
2017

Greenhalgh, Imogen [VerfasserIn]; Cummings, Phoebe [KünstlerIn]
(2017), 269, Seite 56-63: Disappearing Acts Phoebe Cummings, the sculptor and Woman's Hour Craft Prize finalist, talks about the ephemeral nature of her work Imogen Greenhalgh
2017

Clark, Garth [VerfasserIn]; Price, Kenneth [KünstlerIn]
(2017), 264, Seite 34-39: Ken Price Breaking the Ceramic Ceiling Garth Clark
2017

Gibson, Grant [VerfasserIn]; Marigold, Peter [KünstlerIn]
(2017), 264, Seite 52-57: Peter Marigold's Immaterial Materials Grant Gibson
2017

Greenhalgh, Imogen [VerfasserIn]; Boyd, Jonathan [KünstlerIn]
(2017), 264, Seite 64-69: Fleeting Moments Made Solid the silversmith Jonathan Boyd is always up for a challenge, and the painstaking detail in his work often harks back to his home town of Glasgow Imogen Greenhalgh
2017

Crichton-Miller, Emma [VerfasserIn]; Curneen, Claire [KünstlerIn]
(2017), 265, Seite 44-51: Claire Curneen - Body of Evidence Claire Curneen's award-winning new piece Tending the Fires , shown at Collect 2017, represents a distinct shift in her practise Emma Crichton-Miller
2017

Greenhalgh, Imogen [VerfasserIn]; Mersh, Rowan [KünstlerIn]
(2017), 266, Seite 32-39: Sea Fare Rpwan Mersh's delicateb and intricate pieces use thousands of hand-cut shells Imogen Greenhalgh
2017

Treggiden, Katie [VerfasserIn]; Raffield, Tom [DesignerIn]
(2017), 266, Seite 40-49: Tom Raffield's Head of Steam Cornwall-based furniture designer and maker Tom Raffield is pushing the boundaries of steam-bent wood tom create a sustainablebusiness on his own terms Katie Treggiden
2017

Chandler, Kimberley [VerfasserIn]; Harrison, Jessica [KünstlerIn]
(2017), 266, Seite 50-57: The Touch Judge artist Jessica Harrison's interest lies in how we handle, interpret and navigat materials Kimberley Chandler
2017

Gibson, Grant [VerfasserIn]; Baas, Maarten [DesignerIn]
(2017), 265, Seite 52-59: Design's Double Act renowned designer Maarten Baas and master maker Bas den Herder have worked succesfully together for 14 years Grant Gibson
2017

Greenhalgh, Imogen [VerfasserIn]; Bielander, David [KünstlerIn]
(2017), 265, Seite 60-67: David Bielander - Anything but Ordinary David Bielander's designs are humorous and surreal, often inspired by humble materials Imogen Greenhalgh
2017

Choppin, Elizabeth [VerfasserIn]; Ng, Elaine Yan Ling [KünstlerIn]
(2017), 265, Seite 68-75: Elaine Yan Ling Ng - Village Life artist Elaine Yan Ling Ng's project to bring the traditional craft skills of isolated makers in Guizhou, China to the wider public has been a huge success Elizabeth Choppin
2017

Gibson, Grant [VerfasserIn]; Dam, Steffen [KünstlerIn]
(2017), 266, Seite 58-65: Steffen Dam's Curious Creatures Danish artist Steffen Dam creates cabinets of curiositiesthat are filled with complex and beautiful specimens Grant Gibson
2017

Greenhalgh, Imogen [VerfasserIn] ; Walsh, Andrea [Sonstige Person, Familie und Körperschaft]
(2017), 267, Seite 32-37: Box Office Andrea Walsh has spent her career creating beautiful, enigmatic boxes from ceramic and glass Imogen Greenhalgh
2017

Choppin, Elizabeth [VerfasserIn]; Anson, Pascal [DesignerIn]
(2017), 267, Seite 44-51: Pascal Anson's Balancing Act Elizabeth Choppin
2017

Lloyd-Jones, Teleri [VerfasserIn]; Keenan, Chris [KünstlerIn]
(2016), 261, Seite 58-65: The House Guest this summer the ceramist Chris Keenan will take up residency at his spirituel home of Blackwell, showing a series of installations Teleri Lloyd-Jones
2016

Gibson, Grant [VerfasserIn]; Rasmussen, Malene Hartmann [KünstlerIn]
(2016), 260, Seite 54-61: Her Dark Materials ceramist Malene Hartmann Rasmussen creates worlds that contrive to be weirdly dark yet absurdly cute Grant Gibson
2016

Greenhalgh, Imogen [VerfasserIn]; Ten Hompel, Simone [DesignerIn]
(2016), 262, Seite 76-83: Simone Ten Hompel - Conversations with Metal Imogen Greenhalgh
2016

Gibson, Grant [VerfasserIn]; Kaneko, Reiko [KünstlerIn]
(2016), 258, Seite 46-53: Reiko Kaneko: Glazed Expressions Grant Gibson
2016

Walters, John L. [VerfasserIn]; Kitching, Alan [KünstlerIn]
(2016), 260, Seite 44-53: Word Play Alan Kitching is an artist-designer who breathes new life into the craft of letterpress John L. Walters
2016

Szita, Jane [VerfasserIn]; Eek, Piet Hein [DesignerIn]
(2016), 262, Seite 52-61: Waste Not Want Not - Piet Hein Eek Jane Szita
2016

Lloyd-Jones, Teleri [VerfasserIn]; Lee, Jennifer [KünstlerIn]
(2016), 262, Seite 70-75: Jennifer Lee - A Journey from White to Red Teleri Lloyd-Jones
2016

Choppin, Elizabeth [VerfasserIn]; Jenner, Christopher [DesignerIn]
(2016), 263, Seite 58-63: Christopher Jenner's Technical Challenge Elizabeth Choppin
2016

2015: The crafts guide to collect 2015 the international art fair for contemporary objects, 8 - 11 may 2015, Saatchi Gallery
London: Council, 2015

Gibson, Grant [VerfasserIn] ; Malone, Kate [IllustratorIn]
(2015), 252, Seite 34-41: Kate Malone the Shape of Things to Come Grant Gibson
2015

Gibson, Grant [VerfasserIn] ; Rena, Nicholas [IllustratorIn]
(2015), 253, Seite 34-39: Nicholas Rena Polished Performance Grant Gibson
2015

Abrahams, Charlotte [VerfasserIn] ; Mann, Ptolemy [IllustratorIn]
(2015), 253, Seite 46-53: Panel Show - Ptolemy Mann Charlotte Abrahams
2015

Gibson, Grant [VerfasserIn] ; Bacon, Laura Ellen [Sonstige Person, Familie und Körperschaft]; Cox, Sebastian [Sonstige Person, Familie und Körperschaft]
(2015), 254, Seite 44-49: Two of a Kind furniture designer Sebastian Cox has joined forces with artist and willow weaver Laura Ellen Bacon for an inspiring new installation Grant Gibson
2015

Lloyd-Jones, Teleri [VerfasserIn] ; Shannon, Will [IllustratorIn]
(2015), 252, Seite 46-51: The Performance artist he may be an artist and a designer, but Will Shannon's new show at mac Birmingham suggests that above all he's a maker of stories Teleri Lloyd-Jones
2015

Lloyd-Jones, Teleri [VerfasserIn] ; Spira, Rupert [IllustratorIn]
(2015), 254, Seite 30-35: Rupert Spira by Teleri Lloyd-Jones
2015

Lloyd-Jones, Teleri [VerfasserIn] ; Twomey, Clare [IllustratorIn]
(2015), 255, Seite 40-47: After Hours to mark the opening of York's Centre of Ceramic Art, Clare Twomey has created "10,000 Hours", her most ambitious installation yet Teleri Lloyd-Jones
2015

Gibson, Grant [VerfasserIn] ; Appleton, Thomas [IllustratorIn]
(2015), 255, Seite 52-57: Mine Craft letter-carver Thomas Appleton is on a mission to change the public's perception of stone Grant Gibsojn
2015

Gibson, Grant [VerfasserIn]; De Waal, Edmund [KünstlerIn]
(2015), 257, Seite 34-37: Edmund De Waal in Black and White Grant gibson
2015

Choppin, Elizabeth [VerfasserIn]; Vasconcelos, Joana [KünstlerIn]
(2015), 257, Seite 38-43: Domestic Bliss Joana Vasconcelos's work is concerned with women's place in contemporary society and she uses craft to question and probe Elizabeth Choppin
2015

Lloyd-Jones, Teleri [VerfasserIn]; Gamper, Martino [KünstlerIn]
(2015), 257, Seite 52-59: Martino Gamper Action Man Teleri Lloyd-Jones
2015

2014: The crafts guide to collect 2014 the international art fair for contemporary objects, 9 - 12 may 2014, Saatchi Gallery
London: Council, 2014

Cane, Kyra [VerfasserIn]
(2014), 250, Seite 58-63: Drawing Conclusions as her new exhibition "Out of Sight" opens at London's Contemporary Applied Arts, curator and ceramist Kyra Cane examines the importance of drawing to the making process Kyra Cane
2014

Lloyd-Jones, Teleri [VerfasserIn] ; Hogan, Joe [IllustratorIn]
(2014), 248, Seite 30-35: Joe Hogan - A Way with Willow Teleri Lloyd-Jones
2014

Schoeser, Mary [VerfasserIn] ; Hawksley, Rozanne [IllustratorIn]
(2014), 248, Seite 42-47: Chaos to calm... an apt description of both Rozanne Hawksley's working process and her extraordinary life by Mary Schoeser
2014

Gibson, Grant [VerfasserIn] ; Schobinger, Bernhard [IllustratorIn]
(2014), 249, Seite 38-43: Anarchy in the UK Bernhard Schobinger has been called a "rebel" and a "wild man" Grant Gibson
2014

Lloyd-Jones, Teleri [VerfasserIn] ; Odundo, Magdalene [IllustratorIn]
(2014), 250, Seite 64-69: True to Form with a celebrated career in ceramics, Magdalene Odundo embarks on her most ambitious work to date, in glass Teleri Lloyd-Jones
2014

Gibson, Grant [VerfasserIn] ; Wilcox, Dominic [IllustratorIn]
(2014), 251, Seite 30-33: Future in the Making Dominic Wilcox's vision of a driverless car made from stained glass illustrates how technology is capable of creating new opportunities for the hand-made Grant Gibson
2014

Lloyd-Jones, Teleri [VerfasserIn] ; Poston, David [IllustratorIn]
(2014), 251, Seite 46-51: Renaissance Man - David Poston Teleri Lloyd-Jones
2014

Gibson, Grant [VerfasserIn] ; Alvarez, Anton [Sonstige Person, Familie und Körperschaft]
(2014), 247, Seite 46-51: Anton Alvarez: th Spin Doctor Anton Alvarez's "Thread Wrapping Machine" creates extraordinary furniture without the need for screws or nails Grant Gibson
2014

Abrahams, Charlotte [VerfasserIn] ; Hodes, Charlotte [IllustratorIn]
(2014), 247, Seite 52-55: Perfect Grammar for her latest collection of collage and ceramics, Charlotte Hodes responded toto architect Owen Jones's 1856 classic "The Grammar of Ornament" Charlotte Abrahams
2014

Lloyd-Jones, Teleri [VerfasserIn] ; Van der Beugel, Jacob [IllustratorIn]
(2014), 246, Seite 38-43: The Gene Home Project Jacob van der Beugel's new commission at Chatsworth House embeds the Duke and Duchess of Devonshire's DNA into the fabric of the building Teleri Lloyd-Jones
2014

Abrahams, Charlotte [VerfasserIn] ; Edwards, Jilly [IllustratorIn]
(2014), 246, Seite 44-47: Jilly Edwards - A Traveller's Tale Charlotte Abrahams
2014

Gibson, Grant [VerfasserIn] ; Barber, Edward [IllustratorIn]; Osgerby, Jay [IllustratorIn]
(2014), 246, Seite 52-57: Barber and Osgerby - Arrested Development Grant Gibson
2014

Adamson, Glenn [VerfasserIn] ; Clarke, David [IllustratorIn]
(2013), 241, Seite 44-49: Experiments in Speculative Violence David Clarke's work is rooted in a deep love of silver but retains the precious ability to shock Glenn Adamson
2013

Field, Marcus [VerfasserIn] ; Farmer, Geoffrey [IllustratorIn]
(2013), 242, Seite 32-35: The Puppet Parade Geoffrey Farmer creates extraordinary, grotesque worlds from glove puppets Marcus Field
2013

Abrahams, Charlotte [VerfasserIn] ; Robins, Freddie [IllustratorIn]
(2013), 242, Seite 36-41: Out on a Limb ...is title of radical knitter Freddie Robins's latest work Charlotte Abrahams
2013

Lloyd-Jones, Teleri [VerfasserIn] ; Dixon, Stephen [IllustratorIn]
(2013), 242, Seite 42-45: Peace Talks Stephen Dixon's latest work features three Nobel Peace Price winners Teleri Lloyd-Jones
2013

Lloyd-Jones, Teleri [VerfasserIn] ; MccGwire, Kate [IllustratorIn]
(2013), 240, Seite 40-47: A Bird in the Hand Kate MccGwire creates her sculptures from feathers , often collected from racing pigeons Teleri Lloyd-Jones
2013

Gibson, Grant [VerfasserIn] ; Barford, Barnaby [IllustratorIn]
(2013), 240, Seite 32-37: Original Sin Barnaby Barford's latest project based on the seven deadly sins sees him take a startling new direction Grant Gibson
2013

2013,Suppl. 4: The crafts guide to collect 2013 the international art fair for contemporary objects, 10 - 13 may 2013, Saatchi Gallery
London: Council, 2013

Dixon, Tom [VerfasserIn]
(2013), 243, Seite 32-37: From Punk to Polymers Tom Dixon
2013

Burnside, Anna [VerfasserIn] ; Lewin, Angie [IllustratorIn]
(2013), 245, Seite 32-37: Natural Beauty it's a plant's imperfections that fascinate printmaker Angie Lewin Anna Burnside
2013

Gibson, Grant [VerfasserIn] ; Mori, Junko [IllustratorIn]
(2013), 243, Seite 48-53: Real Steel Junko Mori's work combines her upbringing in Japan with the intellectual rigour of the British education system to extraordinary effect Grant Gibson
2013

Lloyd-Jones, Teleri [VerfasserIn] ; Lloyd, Billy [IllustratorIn]
(2013), 244, Seite 44-49: The Quiet Life Billy Lloyd's work might be undemonstrative, but he has a growing reputation Teleri Lloyd-Jones
2013

Hoggard, Liz [VerfasserIn] ; Taylor, Lindsay [IllustratorIn]
(2013), 244, Seite 60-65: Taylor Made the work of self-taught textile artist Lindsay Taylor is inspired by the flora anf fauna of her home on the Isle of Wight Liz Hoggard
2013

Lloyd-Jones, Teleri [VerfasserIn] ; Morling, Katharine [IllustratorIn]
(2013), 245, Seite 38-43: The Black & White World of Katharine Morling with her solo show at Long & Ryle about to open, the ceramist explains how she creates her fragile worlds Teleri Lloyd-Jones
2013

Gibson, Grant [VerfasserIn] ; Shin, Meekyoung [IllustratorIn]
(2013), 245, Seite 48-53: The First Lady of Soap Korean-born artist Meekyoung Shin uses soap to translate classical sculpture into works ivestigating the shifting nature of culture Grant Gibson
2013

Lloyd-Jones, Teleri [VerfasserIn] ; Nepomuceno, Maria [IllustratorIn]
(2012), 239, Seite 42-45: String Theory Maria Nepomuceno creates colourful landscapes from old rope Teleri Lloyd-Jones
2012

2012,Suppl. 3: The crafts guide to collect 2012 the international art fair for contemporary objects, 11 - 14 may 2012, Saatchi Gallery
London: Council, 2012

Love, Emma [VerfasserIn] ; Randall, Alex [IllustratorIn]
(2012), 234, Seite 46-51: Hide Fidelity Alex Randall is a lighting designer, artist and maker whose work often features taxidermy Emma Love
2012

Lloyd-Jones, Teleri [VerfasserIn] ; Wood, Bethan Laura [IllustratorIn]
(2012), 235, Seite 50-55: Beneath the Surface nominated not once but twice for the Designs of the Year, Bethan Laura Wood is a young designer fascinated by pattern by Teleri Lloyd-Jones
2012

Miller, Emma Crichton [VerfasserIn] ; Chang, Chien-Wei [IllustratorIn]
(2012), 234, Seite 52-55: Craft and Country ...silversmith Chien-Wei Chang... Emma Crichton Miller
2012

Swengley, Nicole [VerfasserIn] ; Samanidou, Ismini [IllustratorIn]
(2012), 237, Seite 52-55: Moving Pictures with a new show about to open at Farnham's Crafts Study Centre, Ismini Samanidou tells how photography informs her textiles Nicole Swengley
2012

Harrod, Tanya [VerfasserIn] ; Cardew, Michael [IllustratorIn]
(2012), 238, Seite 46-49: The Business of Being Human with her new biography of Michael Cardew about to be published, Tanya Harrod explains why he remains such a fascinating figure Tanya Harrod
2012

Cooper, Emmanuel [VerfasserIn] ; Rie, Lucie [IllustratorIn]
(2012), 236, Seite 48-53: The Late Flowerings of Lucie how the death of Hans Coper led to a renewed sense of energy in the work of Lucie Rie Emmanuel Cooper
2012

Hoggard, Liz [VerfasserIn] ; Richardson, Shauna [Sonstige Person, Familie und Körperschaft]
(2012), 236, Seite 32-37: Pride of Britain Shauna Richardson's enormous, crocheted lions are set to be one of the talking of the Cultural Olympiad Liz Hoggard
2012

Crichton-Miller, Emma [VerfasserIn] ; Stair, Julian [IllustratorIn]
(2012), 237, Seite 38-43: Stair's Way to Heaven personal tragedy has led Julian Stair into making some of the most ambitious challenging work of his career Emma Chrichton-Miller
2012

Gibson, Grant [VerfasserIn] ; Walsh, Joseph [IllustratorIn]
(2012), 238, Seite 40-45: Ahead of the Curve Joseph Walsh's extraordinary furniture turned heads at this year's Collect and he's about to feature in a major exhibition across the pond Grant Gibson
2012

Lloyd-Jones, Teleri [VerfasserIn] ; Brennand-Wood, Michael [IllustratorIn]
(2012), 238, Seite 50-55: Pattern Recognition as he prepares for a major survey of his work at Ruthin Craft Centre, textile artist Michael Brennan-Wood discusses John Cage and other inspirations Teleri Lloyd-Jones
2012

Gibson, Grant [VerfasserIn] ; Bacon, Laura Ellen [IllustratorIn]
(2011), 231, Seite 34-39: Nesting Instinct willow weaver Laura Ellen Bacon creates installations that are delightful but ever-so-slightly disturbing Grant Gibson
2011

Lloyd-Jones, Teleri [VerfasserIn] ; Coates, Kevin [IllustratorIn]
(2011), 231, Seite 52-57: We Need to Talk About Kevin goldsmith Kevin Coates's new collection of work inspired by London's Wallace Collection and so much more besides Teleri Lloyd-Jones
2011

Lloyd-Jones, Teleri [VerfasserIn] ; Durran, Matt [IllustratorIn]
(2011), 230, Seite 36-41: The Appliance of Science glass artist Matt Durran is working with the surgical research department of the Royal Free Hospital to tissue-engineer a human nose Teleri Lloyd-Jones
2011

2011,Suppl. 2: The crafts guide to collect 2011 the international art fair for contemporary objects, 6 - 9 may 2011, Saatchi Gallery
London: Council, 2011

Farrelly, Liz [VerfasserIn] ; Fok, Nora [IllustratorIn]
(2011), 228, Seite 28-33: Fantastic Nora Fok Liz Farelly
2011

Lloyd-Jones, Teleri [VerfasserIn] ; Mussi, Cleo [IllustratorIn]; Harris, Matthew [IllustratorIn]
(2011), 228, Seite 42-47: Double Vision on the surface, the work of Cleo Mussi and Matthew Harris could hardly be more different Teleri Lloyd-Jones
2011

Herring, Ellie [VerfasserIn] ; Youll, Dawn [IllustratorIn]
(2011), 229, Seite 38-43: Sign Language Dawn Youll, winner of this year's Arts Foundation Award, explains what happens when ceramics meet semiotics by Ellie Herring
2011

Hoggard, Liz [VerfasserIn] ; Layton, Peter [IllustratorIn]
(2011), 232, Seite 64-69: Friendly Fire celebrating its 35th anniversary this year, Peter Layton's London Glassblowing Studio has helped nurture a generation of Britisg glass makers Liz Hoggard
2011

Blackler, Zoe͏̈ [VerfasserIn] ; Tamaki, Jillian [IllustratorIn]
(2011), 233, Seite 44-47: Judging a Book by Its Cover ...illustrator Jillian Tamaki uses embroidery on her covers to convert Penguin Classics into desirable special editions by Zoe͏̈ Blackler
2011

Lloyd-Jones, Teleri [VerfasserIn] ; Wilson, Donna [IllustratorIn]
(2011), 233, Seite 34-39: Donna Wilson - Soft Sell Teleri Lloyd-Jones
2011

Baier, Fred [IllustratorIn]
(2011), 233, Seite 48-53: Right Said Fred with a retrospective opening at the Craftas Study Centre in Farnham, designer-cum-artist-cum-explorer Fred Baier gives us an intimate glimpse of his world Fred Baier
2011

2010,[Suppl. 1]: The crafts guide to collect 2010 the international art fair for contemporary objects, 14 - 17 may 2010, Saatchi Gallery
London: Council, 2010

Hemmings, Jessica [VerfasserIn] ; Anzeri, Maurizio [IllustratorIn]
(2009), 224, Seite 32-35: Camera Obscura Maurizio Anzeri's stitchwork brings a sense of uncanny beauty to the anonymous photographs that he hunts out at flea markets by Jessica Hemmings
2010

Lloyd-Jones, Teleri [VerfasserIn] ; Martin, Taslim [IllustratorIn]
(2010), 226, Seite 46-49: Process Driven carpenter-turned-artist Taslim Martin moves between disciplines and materials, ranging from painting and sculpture to furniture Teleri Lloyd-Jones
2010

Lloyd-Jones, Teleri [VerfasserIn] ; Arroyave-Portela, Nicholas [IllustratorIn]
(2010), 225, Seite 38-41: The Journey Man Nicholas Arroyave-Portela makes work that is at once conceptual, political, personal and sensual Teleri Lloyd-Jones
2010

Rudge, Geraldine [VerfasserIn] ; Wheater, Richard William [IllustratorIn]
(2009), 222, Seite 30-33: Light and Magic Richard Wheater combines craft skill and performance know-how to stunning effect Geraldine Rudge
2010

Lloyd-Jones, Teleri [VerfasserIn] ; Eden, Michael [IllustratorIn]
(2009), 222, Seite 40-45: A new Eden once a traditional ceramist based in Cumbria, Michael Eden now uses cutting-edge technology to create his extraordinary pieces Teleri Lloyd-Jones
2010

Herring, Ellie [VerfasserIn] ; Priest, Frances [IllustratorIn]
(2009), 218, Seite 46-51: Conversation Pieces Frances Priest's latest collection of ceramics were insired by her year-long residency in Thailand Ellie Herring
2009

Gibson, Grant [VerfasserIn] ; Noten, Ted [IllustratorIn]
(2009), 219, Seite 42-47: Super Ted Ted Noten turns the conventions of jewellery design on their head Grant Gibson
2009

Delgado, Lisa [VerfasserIn] ; Caldicott, Karen [IllustratorIn]
(2009), 216, Seite 52-55: Talking Heads in an era when magazine production is dominated by technology, illustrator Karen Caldicott is an oddity by Lisa Delgado
2009

Platman, Lara [IllustratorIn]
(2009), 216, Seite 56-63: Band of Brothers photographer Lara Platman has been travelling th UK since 2006, shooting over 125 members of the Art Workers Guild Lara Platman
2009

Hoggard, Liz [VerfasserIn] ; Bridge, Neil [Sonstige Person, Familie und Körperschaft]
(2009), 217, Seite 44-51: Z for Zandra fashion icon Zandra Rhodes has been collecting pieces for over 40 years from freinds and collaborators Liz Hoggard. Photography by Neil Bridge
2009

Rattray, Fiona [VerfasserIn] ; Lohmann, Julia [IllustratorIn]
(2009), 220, Seite 38-43: All Creatures Great and Small designer Julia Lohmann uses everything from the inside of a dead calf to tiny cultures of bryozoans in her extraordinary work by Fiona Rattray
2009

Lloyd-Jones, Teleri [VerfasserIn]
(2009), 220, Seite 50-53: Food with Thought science, technology and a strong sense of craft combine in the kitchen of Ferran Adrià Teleri Lloyd-Jones
2009

Lloyd-Jones, Teleri [VerfasserIn] ; Toikka, Oiva [IllustratorIn]
(2009), 216, Seite 34-41: The Birdman of Nuutajärvi in 50 years of making, the Finnish designer Oiva Toikka has created ceramics, textiles and even stage sets by Julian Anderson
2009

Lloyd-Jones, Teleri [VerfasserIn] ; Burgess, Cefyn [IllustratorIn]
(2009), 217, Seite 26-31: Migration Paterns how eccentric tea-cosies, bugs and the Virgin Mary are inspiring new work from Welsh textile artist Cefyn Burgess Teleri Lloyd-Jones
2009

Jackson, Lesley [VerfasserIn] ; Craven, Shirley [IllustratorIn]
(2009), 221, Seite 44-49: Craven Images textile designer Shirley Craven enjoyed huge success in the 60s Lesley Jckson
2009

Buxton, Pamela [VerfasserIn] ; Papadopoulos, George [IllustratorIn]
(2008), 212, Seite 26-31: Madonna in the Pinks glass artist George Papadopoulos latest project has been six years in the making Pamela Buxton
2008

Buxton, Pamela [VerfasserIn] ; Blackwell, Su [IllustratorIn]
(2008), 213, Seite 28-33: By the Book traine in textile design, Su Blackwell creates intricate sculptures... Pamela Buxton
2008

Rudge, Geraldine [VerfasserIn] ; Watkins, David [IllustratorIn]
(2008), 215, Seite 30-37: Beyond the Ordinary David Watkins is one of the leading jewellery designers of his generation Geraldine Rudge
2008

Gibson, Grant [VerfasserIn] ; Brownsword, Neil [IllustratorIn]
(2008), 2, Seite 24-31: The Kilning Fields Neil Brownsword got his start as a model-maker at Wedgwood by Grant Gibson
2008

Lewis, Angharad [VerfasserIn] ; Schofield, Simon [IllustratorIn]
(2008), 211, Seite 42-49: Painted with Pixelt Simon Schofield's wallhangings are both technologically advanced and rather romantic&dAngharad Lewis
2008

Brownlee, Sarah [VerfasserIn] ; Neal, Gareth [IllustratorIn]
(2008), 214, Seite 34-39: Hidden Secrets furniture designer Gareth Neal combines tradition and modernity to dramatic effect Sarah Brownlee
2008

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