> Verlagsreihe
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67:
Brutal aesthetics Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg Hal Foster
Princeton: Princeton University Press, [2020]
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volume 57:
Bosch & Bruegel from enemy painting to everyday life Joseph Leo Koerner
Princeton; Oxford: Princeton University Press, [2016]
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2003:
Pictures of nothing abstract art since Pollock Kirk Varnedoe
Princeton, NJ [u.a.]: Princeton Univ. Press, 2006
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1997:
Paths to the absolute Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, and Still John Golding
Princeton, NJ: Princeton University Press, 2000
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1998:
Ten thousand things module and mass production in Chinese art Lothar Ledderose
Princeton, NJ: Princeton University Press, 2000
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1996:
From drawing to painting Poussin, Watteau, Fragonard, David & Ingres Pierre Rosenberg
Princeton, NJ: Princeton Univ. Press, 2000
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1995:
After the end of art contemporary art and the pale of history Arthur C. Danto
Princeton, NJ: Princeton Univ. Pr., 1997
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1985:
The villa form and ideology of country houses James S. Ackerman
Princeton, NJ: Princeton Univ. Pr., 1995
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1992:
On the laws of the poetic art Anthony Hecht
Princeton, NJ [u.a.]: Princeton Univ. Press, 1995
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1963:
The portrait in the Renaissance John Pope-Hennessy
Princeton, N.J.: Princeton Univ. Pr., [ca. 1995]
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43 = 1994:
Kings & connoisseurs collecting art in seventeenth-century Europe Jonathan Brown
New Haven [u.a.]: Yale Univ. Press, c 1995
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1989:
The mediation of ornament the A. W. Mellon lectures in the fine arts, 1989 Oleg Grabar
Princeton, NJ: Princeton Univ. Pr., 1992
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1988:
Only connect ... art and the spectator in the Italian Renaissance; The A. W. Mellon lectures in the fine arts, 1988 by John Shearman
Princeton, NJ: Princeton Univ. Press, 1992
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1985:
The villa form and ideology of country houses James S. Ackerman
Princeton, NJ: Princeton Univ. Pr., 1990
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1987:
Imago dei the Byzantine apologia for icons Jaroslav Pelikan
Princeton, NJ: Princeton Univ. Pr., 1990
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1953:
The nude a study in ideal form Kenneth Clark
Princeton, NJ: Princeton University Pr., 1990
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1963:
The portrait in the Renaissance John Pope-Hennessy
Princeton, NJ: Princeton Univ. Press, 1989
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1956:
Art and illusion a study in the psychology of pictorial representation E. H. Gombrich
Princeton, NJ: Princeton Univ. Press, 1989
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1977:
The sack of Rome, 1527 André Chastel. Translated from the French by Beth Archer
Princeton, N.J.: Princeton Univ. Press, 1983
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1957,2:
The beginnings of architecture S. Giedion
Princeton, N.J.: Univ. Press, 1981
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1961:
Christian iconography a study of its origins André Grabar
Princeton, N.J.: Princeton Univ. Press, 1980
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1971:
Giorgio Vasari the man and the book T. S. R. Boase
Princeton, NJ [u.a.]: Princeton Univ. Pr., 1979
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1970:
A history of building types Nikolaus Pevsner
Princeton: Princeton Univ. Press, 1976
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1973:
The Use and abuse of art by Jacques Barzun
Princeton: Princeton Univ. Pr., 1974
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1959:
Of divers arts Naum Gabo
New York, NY: Pantheon Books, 1962
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1956:
Art and illusion a study in the psychology of pictorial representation E. H. Gombrich
New York, NY: Pantheon Books, 1960
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1955:
Painting and reality the A.W. Mellon Lectures in the fine arts, 1955, National Gallery of Art, Washington
London: Routledge & Kegan Paul, 1957 [erschienen] 1958