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2020 - 2029
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2010 - 2019
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- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
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- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
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2000 - 2009
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- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
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- Status: Benutzung nur im Haus, kein Versand per Fernleihe, nur Kopienlieferung
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1990 - 1999
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> Ausgaben
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(2021), 220, Seite 108-115:
"Everything is a nonstop poem" after a major exhibition at Performance Space New York and installation at The Shed this past spring, the 2021 winner of the Frieze Artist Award, Precious Okoyomon speaks about poetry, plants and planning for a precarious future Hans Ulrich Obrist
2021
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(2021), 216, Seite 68-75:
"I started to question the type of figures I would be painting, the kinds of stories I would be referring to, the colours." with a solo show at Munich's Haus der Kunst, the Kenyan-British artist Michael Armitage speaks with Jane Ure-Smith about the canvas as conflict, his painterly East African influences and founding an experimental arts space in Nairobi Jane Ure-Smith
2021
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(2021), 221, Seite 92-99:
"I have always been interested in artists who are on the verge of oblivion" ahead of a major exhibition at Wiels, Brussels, R. H. Quaytman speaks with art historian Yve-Alain Bois about the influence of painter Antoine Wiertz on a body of work that represents a new direction for the American artist Yve-Alain Bois
2021
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(2021), 217, Seite 50-57:
Amy Sillman Tausif Noor
2021
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(2021), 222, Seite 120-127:
"I'm interested in the point where the relationship between the material and society breaks down" with a solo show at London's White Cube, Ibrahim Mahama speaks about Ghana's post-independence era, architecture and the importance of his collaborators Vanessa Peterson
2021
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(2021), 221, Seite 76-83:
Paula Rego on the ocassion of the artist's largest retrospective to date, at Tate Britain in London, Katherine Angel considers Rego's powerful, unsettling worksand praises a career dedicated to portraying women in all of their complexity and contradiction Katherine Angel
2021
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(2021), 219, Seite 66-75:
"You form the story before you take the picture: you take two or three, and you are on the way on the eve of his 92nd birthday and a major retrospective at the Serpentine Gallery, the photographer James Barnor speaks about being rediscovered at 80 and why he will always feel lucky to have documented Ghanaian independence in 1957 Afua Hirsch
2021
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(2020), 213, Seite 58-67:
Lucy McKenzie by Aaron Peck
2020
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(2020), 215, Seite 58-65:
Otobong Nkanga by Skye Arundhati Thomas
2020
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(2020), 208, Seite 90-98:
Journeys into the Bright World a hero of the queer avant-garde, for nearly 50 years Ulrike Ottinger has been filming faraway cultures and 'outsiders' closer to home with an ethnographer's curiosity and a surrealist's eye fpr the eextravagant and unexpected by Amy Sherlock
2020
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(2020), 208, Seite 114-121:
NV: Night Vater Life Drawing, Drawing Session by Paul McCarthy
2020
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(2020), 211, Seite 44-51:
Jimmy Robert ahead of a major survey at Nottingham Contemporary, Matthew McLean visited the artist in his Berlin studio to discuss the relationship between body and image, visibility and touch, sex and politics, in his sculptures, performances and works on paper Matthew McLean
2020
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(2019), 204, Seite 162-167:
The Body Electric Swiss artist Miriam Cahn has a disarming power of shock Jörg Scheller
2019
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(2019), 203, Seite 150-153:
Okwui Enwezor 1963-2019 Naomi Beckwith, Osei Bonsu, Jörg Heiser, Sean O'Toole, Simon Njami
2019
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(2019), 202, Seite 120-123:
Siobhán Hapaska's "Snake and Apple" a new series of sculptures is inspired by the Book of Genesis by Caoimhín Mac Giolla Léith
2019
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(2019), 203, Seite 160-163:
We'll Burn Your Pavilions can succeed in doing away with national 'representation' altogether? by Ben Mauk
2019
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(2019), 203, Seite 164-169:
Where the Water Used to Be Vija Celmins and the art of reckoning with silence by Sarah Manguso
2019
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(2019), 203, Seite 186-191:
Nil Yalter's Epic Poetry interview by Övül Durmuşoğlu
2019
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(2019), 201, Seite 142-145:
Into the Maze Morag Keil's lo-fi environments reflect on alienation and escape by Chris Fite-Wassilak
2019
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(2019), 201, Seite 120-124:
Eye of the Storm paint and perception collide in the work of late surrealist Dorothe Tanning by Claire-Louise Bennett
2019
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(2018), 196, Seite 170-174:
Origin Myths Lantian Xie makes work that mobilizes people, objects and symbols... Amy Sherlock
2018
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(2018), 193, Seite 132-136:
Architecture, idealism and anachronism in the work of Cui Jie by Ying Zhou
2018
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(2018), 194, Seite 128-1132:
Casting Call Lena Henke's sculptures propose new manners of dwelling and co-existence by Laura McLean-Ferris
2018
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(2018), 195, Seite 178-181:
The Play's the Thing the politics of melodrama in the work of Than Hussein Clark by Martin Hargreaves
2018
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(2018), 192, Seite 126-131:
Making Her Mark on the prolific and varied career of artist, designer, collector and archivist Elaine Lustig Cohen Alice Twemlow
2018
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(2018), 195, Seite 182-186:
Shadow Play how Ruth Asawa's transparent sculpture rethinks the relationship between figure and ground by Ann Reynolds
2018
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(2018), 196, Seite 166-169:
Hearing Things does sound deceive? The forensic art of Lawrence Abu Hamdan by Ben Mauk
2018
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(2018), 198, Seite 188-192:
Alone Together the fallacies of 'community building', online and IRL. in the work of Cecile B. Evans by Cal Revely-Calder
2018
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(2017), 190, Seite 170-175:
Rosalyn Drexler the artist discusses wrestling, writing and the many people who have influenced her practice Rosalyn Drexler
2017
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(2017), 185, Seite 138-141:
One Take: Richard Mosse's Incoming a new video installation investigates the refugee crisis by Christy Lange
2017
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(2017), 185, Seite 142-145:
See, Hear, Touch how Eduardo Navarro's workas retrain the senses by Sarah Demeuse
2017
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(2017), 185, Seite 146-149:
New Questions how Colleen Asper's paintings challenge traditional representations of the body by Jennifer Kabat
2017
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(2017), 187, Seite 144-149:
On the art of Phyllida Barlow, who is representing Britain at the 57th Venice Biennale Tanya Harrod
2017
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(2017), 187, Seite 150-153:
One Take: Ian Cheng's Emissaries Jace Clayton
2017
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(2017), 187, Seite 154-159:
Signs of the Times the work of Mark Bradford, who represents the US at this year's Venice Biennale Dan Fox
2017
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(2017), 188, Seite 150-153:
Laws of Motion guilt, humor and dislocation in Andy Holden's cartoon universe by Darian Leader
2017
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(2017), 191, Seite 132-135:
Long Shadows Johan Grimonprez's recent films explore the mechanisms of the arms trade by Evan Calder Williams
2017
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(2017), 188, Seite 162-165:
Murky Music artist and singer Torin Wranes articulates the weird interior of the self by Anne Hilde Neset
2017
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(2017), 186, Seite 128-134:
The Life and Times of Jacqueline de Jong Amy Sherlock
2017
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(2017), 185, Seite 120-125:
Skin In the Game on the quietly violent works of Alexandra Bircken Amy Sherlock
2017
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(2017), 190, Seite 192-197:
In the Air and on the Ground influence and innovation in the sculptures of Leonor Antunes by Amy Sherlock
2017
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(2017), 189, Seite 148-153:
Sketch of a Sketch revision and revolt in the work of Nairy Baghramian by Brian Dillon
2017
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(2016), Seite 176$p120-123:
Labyrinthine associations and elastic meaning in work of poet and artist Heather Phillipson by James Bridle
2016
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(2016), 183, Seite 104-111:
A Question of Knowledge Rasheed Araeen about six decades of art making, writing and publishing Tim Smith-Laing
2016
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(2016), 183, Seite 112-115:
Work for Nothing on the versatile performances of Anne Imhof Pablo Larios
2016
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(2016), 177, Seite 120-123:
Born Under Saturn mortality, madness and misgivings in the work of Bedwyr Williams by Jonathan P. Watts
2016
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(2016), 177, Seite 148-152:
Light Source Chinese video art, post-socialist trauma and the work of Cheng Ran by En Liang Khong
2016
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(2016), 178, Seite 92-95:
Choice & Chance at what point does a doodled line become a nose? on the paintings of Allison Katz Kirsty Bell
2016
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(2016), 179, Seite 180-183:
Body Work the relief paintings of Gina Beavers by Jonathan Griffin
2016
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(2016), 180, Seite 136-139:
Exercises in Style painting and the question of taste in the work of Orion Martin by Eli Diner
2016
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(2016), 182, Seite 206-209:
Yours Truly irony and honesty combine in the work of the late Ellen Cantor by Stephanie DeGooyer
2016
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(2016), 182, Seite 210-215:
Art of Work Jean-Luc Moulène's enigmatic responses to creativity and labour by Vivian Sky Rehberg
2016
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(2016), 176, Seite 92-97:
Infinite Lives the online anthropologyof jon Rafman by Gary Zhexi Zhang
2016
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(2016), 178, Seite 108-113:
Formal Wear Diane Simpson talks about the influence of abstraction , architecture and fashion on her sculptures Judith Clark
2016
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(2016), 178, Seite 124-128:
Pinch My Arm ...Matt Mullican about the artist's 40-year career in relation to his recent project, The Meaning of Things Jörg Heiser
2016
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(2016), 182, Seite 194-199:
Worlds Within Worlds Jens Fänge's mysterious environments by Jörg Heiser
2016
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(2016), 180, Seite 124-129:
Again and Again Ragnar Kjartansson and the eternal return by Tom Morton
2016
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(2016), 179, Seite 146-153:
Disobedient Curiosity - Goshka Macuga Ben Eastham
2016
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(2016), 179, Seite 174-179:
Chaos Queen South African artist Tracey Rose's searing performances raise through questions around history and race by Sean O'Toole
2016
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(2015), 172, Seite 116-121:
Above & Below decoding Maria Loboda's enigmatic archaeology by Amy Sherlock
2015
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(2015), 172, Seite 152-155:
Landscape Artist Nicholas Mangan's exploration of raw materials and social change by Max Andrews
2015
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(2015), 172, Seite 158-163:
Whole Earth Herman de Vries's Dutch Pavilion in Venice by Jörg Heiser
2015
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(2015), 173, Seite 120-123:
Communal Efforts cooperation and dissent in Koki Tanaka's precarious tasks by Andrew Maerkle
2015
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(2015), 174, Seite 196-201:
Lopped and Hewed the 'monstrous homunculi' of Enrico David Brian Dillon
2015
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(2015), 175, Seite 112-117:
House Work Claes Oldenburg is amongst the most important American artists of the past half-century Dan Fox
2015
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(2015), 175, Seite 130-135:
Influences: Emily Jacir ...the evolution of Emily Jacir's artistic imagination Kaelen Wilson-Goldie
2015
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(2015), 174, Seite 212-215:
Trying to Escape a Pattern on Elizabeth Price's new two-screen, HD video installation, K Lavinia Greenlaw
2015
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(2015), 174, Seite 216-221:
My Influences Nathalie Du Pasquier
2015
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(2015), 168, Seite 92-95:
Both Ways Viviane Sassen talks Aaron Schuman
2015
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(2015), 168, Seite 128-132:
A Tension of moods Kai Althoff's recent work by Michael Bracewell
2015
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(2015), 170, Seite 124-127:
Local Colour Simon Ling and plein-air painting in east London by Josephine New
2015
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(2015), 171, Seite 192-197:
Exorcisms of the Self connections across time and place in the work of Danh Vo by Jörg Heiser
2015
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(2015), 168, Seite 124-127:
Eyes and Ears Diego Perrone's audio, visual world by Barbara Casavecchia
2015
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(2015), 169, Seite 124-127:
Ill-Begotten Treasures wolf-whistling at fallen angels in Lukas Duwenhögger's imagined work by Charlie Fox
2015
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(2015), 169, Seite 128-135:
Fibre Is My Alphabet ...Sheila Hicks about the 60-year evolution of her artistic language Jennifer Higgie
2015
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(2015), 170, Seite 100-105:
The Walker the transcontinental journeys of Brazilian artist Paulo Nazareth Gideon Lewis-Kraus
2015
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(2015), 173, Seite 144-149:
This Corrosion Lara Favaretto exploring the nuances of death and disappearence by Barbara Casavecchia
2015
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(2015), 174, Seite 232-237:
Room with a View art history meets domestic life in the paintings of Jonas Wood by Ian Chang
2015
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(2015), 174, Seite 244-248:
Locally Sourced Jace Clayton
2015
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(2015), 170, Seite 86-91:
The Retouch relating bodily sensations to virtual spaces in the photographs of Lucas Blalock by Brian Sholis
2015
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(2015), 169, Seite 118-121:
Photo Finish social division and artistic engagement in the work of Mohamed Bourouisa by Vivian Sky Rehberg
2015
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(2015), 170, Seite 106-111:
Free Forms Ida Ekblad talks about painting, drifting, emptiness and energy Zoe Pilger
2015
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(2015), 168, Seite 88-91:
One Take in the first of a new series focusing on a single work, Pierre Huyghe's latest film, Human Mask Jennifer Higgie
2015
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(2014), 167, Seite 132-135:
The Cartoon Network illustration and art history collide in Sanya Kantarovsky's paintings by Scott Roben
2014
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(2014), 162, Seite 116-121:
Exit Ghosts phantoms and immaterial labour in the films of Agnieszka Kurant by Agnieska Gratza
2014
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(2014), 163, Seite 140-147:
Paloma Varga Weisz: My Influences from her father's illustrations of Jean Cousteau's poetry to Lucas Cranach, Giorgio de Chirico and Gerhard Merz, the german artist discusses the evolution of her pictorial language and Jennifer Higgie responds to her 'heart-breaking hallucinations' Paloma Varga Weisz, Jennifer Higgie
2014
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(2014), 163, Seite 174-179:
Said & Done Cally Spooner's work explores how technology and new media are making performers of us all by alice Butler
2014
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(2014), 164, Seite 144-147:
Changed States collaboration and conflict in the work of Eric Baudelaire by Ellen Mara De Wachter
2014
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(2014), 166, Seite 222-225:
Cultural Currency how Andra Ursuta's sculptures play with national stereotypes by Summer Guthery
2014
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(2014), 165, Seite 106-113:
Magnificent Obsession time-travelling with Pablo Bronstein Charlie Fox
2014
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(2014), 165, Seite 134-139:
The History Man Rashid Johnson talks to Tom Morton about fiction, humour and homage Tom Morton
2014
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(2014), 161, Seite 104-109:
Iconoclash Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly "his" by Pablo Larios
2014
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(2014), 161, Seite 118-123:
In search of Stanley Brouwn by Oscar van den Boogaard
2014
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(2014), 163, Seite 162-167:
Mergers & Acquisitions Xu Zhen and his cultural production organization, Madeln Company by Colin Chinnery
2014
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(2014), 164, Seite 168-171:
Always in the present the role of words and objects in the work of Jason Dodge Dominikus Müller
2014
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(2014), 167, Seite 136-139:
In its Place decoding Uri Aran's mysterious work-tables by Declan Long
2014
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(2014), 160, Seite 116-121:
What You See visibility, identity and black people on Mars - Kerry James Marshall in conversation Ellen Mara De Wachter
2014
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(2014), 163, Seite 154-157:
Everywhere At Once Ken Okiishi: painting in the age of Instagram by David Everitt Howe
2014
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(2014), 166, Seite 226-231:
What's Not to Like? how Darren Bader has pushed the readymade to its extreme by Domenick Ammirati
2014
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(2014), 166, Seite 246-252:
Strike a Pose the consistently inconsistent career of Scottish artist Bruce McLean by Colin Perry
2014
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(2014), 167, Seite 114-119:
After the End with mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurabn America by Jonathan Griffin
2014
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(2014), 167, Seite 124-131:
A Wall to Object to ...the relationship between image and painting in the work of Marlene Dumas Caoimhín Mac Giolla Léith
2014
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(2014), 160, Seite 122-125:
Imitation of Life animating archives in the "queer archaeology" of Berlin-based duo Pauline Boudry / Renate Lorenz by Christy Lange
2014
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(2014), 161, Seite 124-131:
Known Unknowns on useful mistakes, ikebana and messy cultural assumptions in the work of Camille Henrot Dan Fox
2014
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(2014), 161, Seite 136-139:
This New World Muriel Cooper . a graphic design pioneer whom anticipated the digital revolution by Markus Weisbeck
2014
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(2014), 163, Seite 168-173:
Only the lonely Dan Fox talks to Michael Smith about minimalism, comedy and failure Dan Fox
2014
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(2014), 163, Seite 192-195:
What Am I Doing Here? Luca Vitone and the contemporary Italian landscape by Barbara Casavecchia
2014
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(2013), 152, Seite 108-113:
Men Without Women the paintings, drawings and animations of Tala Madani by Aram Moshayedi
2013
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(2013), 152, Seite 126-131:
My Influences Eli Sudbrack
2013
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(2013), 153, Seite 100-105:
A Step Out of Time Sylvia Sleigh's extraordinary 'history pictures' ba Quinn Latimer
2013
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(2013), 152, Seite 132-139:
The Whole Thing ...Cuban-American painter Carmen Herrera about her 80 years of making art David Batchelor
2013
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(2013), 152, Seite 140-145:
Taken for Wonders how Paul Elliman responds to the spaces, objects, words and sounds that surround him by Jennifer Kabat
2013
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(2013), 153, Seite 138-144:
Strolling with the Zeitgeist Brian O'Doherty
2013
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(2013), 154, Seite 110-115:
Code Maker the hermetic, inventive world of Thomas Scheibitz by Kirsty Bell
2013
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(2013), 154, Seite 124-127:
Social Works Keith Coventry's fusion of cultural commentary and Modernist art by Michael Bracewell
2013
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(2013), 152, Seite 116-121:
House & Home ...the changing American landscape in the photographs of Robert Adams Michael Famighetti
2013
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(2013), 153, Seite 106-111:
My Influences Alexandra Bachzetsis
2013
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(2013), 155, Seite 162-167:
In Your Hrad on the surreal, oddly familiar work of Nicole Eisenman Jennifer Higgie
2013
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(2013), 155, Seite 186-191:
Organic Systems Argentinian artist Adrián Villar Rojas talks about creating with clay, sculture-as-fim and team-work Kathy Noble
2013
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(2013), 159, Seite 114-119:
Rules of Attraction the uncomfortable world of Marlene McvCarty by Jennifer Kabat
2013
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(2013), 159, Seite 136-139:
Another Chapter biography and timeliness in the work of Moshekwa Langa Sean O'Toole
2013
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(2013), 159, Seite 140-143:
Ways of Knowing on the installations, sculptures and drawings of Diango Hernández Timotheus Vermeulen
2013
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(2013), 158, Seite 226-231:
Bik Van der Pol artists as undercover agents by Nick Aikens
2013
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(2013), 158, Seite 188-193:
Peculiar Galaxies the recent work of the legendary and elusive California-based artist Lutz Bacher Caoimhín Mac Giolla Léith
2013
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(2013), 158, Seite 194-199:
My Influences - Philippe Parreno Jennifer Higgie
2013
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(2012), 146, Seite 86-91:
A Life in a Day the fictitious portraits of Lynette Yiadom-Boakye by Jennifer Higgie
2012
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(2012), 146, Seite 122-129:
Mike Kelley (1954-2012): Ten Tributes friends and collaborators remember his life and work John C. Welchman, Monica Bonvicini
2012
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(2012), 149, Seite 120-127:
Designs for Life Theastwer Gates is an artist, musician and activist based in Chicago Mark Godfrey
2012
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(2012), 147, Seite 152-157:
Coming to Life spirits and objecthood - on the "Black Forest vooddoo" of Geoffrey Farmer's mirages and micro-events Jan Verwoert
2012
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(2012), 150, Seite 180-189:
Various Elements - Jimmie Durham Kirsty Bell
2012
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(2012), 150, Seite 190-195:
My Influences Geta Brătescu
2012
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(2012), 150, Seite 206-215:
For This Thing To Happen Roe Ethridge's work circulates in the worlds of fashion, commercial and art photography Christy Lange
2012
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(2012), 150, Seite 240-244:
A Lot of Small Things Thomas Lommée's inclusive approach to modular design by Emily King
2012
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(2012), 145, Seite 118-123:
Life Study the story of Los Angeles-based artist Kaari Upson's long-term "Larry Project" by Jonathan Griffin
2012
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(2010), 142, Seite 190-193:
Notes & Queries the collaborations and performances of Dora García by Max Andrews
2011
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(2010), 142, Seite 182-189:
Talking Pictures Yto Barrada juggles her work as an artist with running a cinémathèque in Tangier Jennifer Higgie
2011
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(2011), 143, Seite 90-95:
On Display Elad Lassry makes sculptures that,m in his words, "happen to be photographs" Mark Godfrey
2011
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(2011), 143, Seite 114-119:
Set Pieces Barbara Kasten has been creating inventive and influential images for more than 40 years Anthony Pearson
2011
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(2010), 140, Seite 188-193:
On Reflection Lee Ufan talks about his five decades as an artist, writer and philosopher Melissa Chiu
2011
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(2010), 139, Seite 104-107:
Frontier Spirits myth, ghosts and borders in the work of Mikala Dwyer by Anthony Byrt
2011
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(2010), 140, Seite 146-151:
Body Image the sculptures and installations of Anthea Hamilton stage the complexities of interpretation and desire by Martin Herbert
2011
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(2010), 137, Seite 128-131:
The Other Eye of Sam Wagstaff the little-known photographs of a pioneering photography collector by Jennifer Bornstein
2011
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(2010), 133, Seite 112-115:
Chaos Theory - Emily Wardill by Jennifer Higgie
2010
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(2010), 134, Seite 188-193:
What Goes Around imagination as a form of resistance in the work of Klaus Weber by Kirsty Bell
2010
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(2010), 134, Seite 200-203:
Follow Me social histories and spectral fictions in the films of Elizabeth Price by Sam Thorne
2010
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(2010), 135, Seite 106-111:
Spirited Away occultist, mystic and painter: the life and legacy of Hilma af Klint by Ronald Jones and Liv Stoltz
2010
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(2010), 130, Seite 108-111:
Between Me and You recuperation and representation in the work of Giulia Piscitelli by Pádraig Timoney
2010
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(2010), 131, Seite 118-121:
Cut it Out Tariq Alvi's collages and sculptures explore the politics of sexual and cultural value systems by Dominic Eichler
2010
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(2010), 135, Seite 90-95:
A Northern Soul the evolution of an artist and musician by Linder
2010
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(2010), 132, Seite 126-131:
Different Voices memory, exile and cultural heritage in the films of Fiona Tan by Brian Dillon
2010
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(2010), 133, Seite 108-111:
The Volcano Lover - Ming Wong Dominic Eichler
2010
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(2010), 133, Seite 122-126:
Parts & Labour New York-based artist Amy Sillman talks about dandyism, comedy and the legacy of Abstract Expressionism Matt Saunders
2010
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(2010), 134, Seite 214-219:
Time & Tide on the occasion of a major touring retrospective, Lynda Benglis talks about her 40-year career Marina Cashdan
2010
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(2010), 134, Seite 220-221:
The legacy of Lynda Benglis and her current retrospective&hby Vivian Rehberg
2010
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(2010), 129, Seite 98-103:
How it Appears - Zhang Huan by Carol Yinghua Lu
2010
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(2009), 126, Seite 192-195:
Letting Go employing diverse media, the art of Lara Favaretto unearths the romance and possibility buried in futility by Tom Morton
2009
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(2009), 127, Seite 102-105:
Home Away from Home novelist and artist Douglas Coupland's pop-modern second residence in West Vancouver by Shumon Basar
2009
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(2009), 127, Seite 112-117:
State of the Nation American artist Jonathan Horowitz employs contemporary culture as his medium by Kirsty Bell
2009
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(2009), 126, Seite 164-169:
Men Swallowing Swords, Men Blowing Out Candles - John Baldessari by Benjamin Weissman
2009
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(2009), 124, Seite 132-137:
Secret Society cracking the codes of Conceptual Art by Jan Verwoert
2009
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(2009), 124, Seite 172-177:
Out of Space since the 1960s, Joan Jonas has been exploring the possibilities of video and performance art Alvin Curran
2009
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(2009), 123, Seite 82 - 85:
Mind's Eye the animism and imagination of Phillip Allen's painterly abstractions by Martin Herbert
2009
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(2009), 123, Seite 86-91:
Ms. and Mister Lonely a museum show andd feature film signal the return of Alex Bag and Harmony Korine... by Bruce Hainley
2009
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(2009), 121, Seite 142-147:
Use & Value innovative and influential Swiss designer and artist Janette Laverrrière turns 100 this year Vivian Rehberg
2009
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(2009), 122, Seite 74-79:
Signs of Life - Rivane Neuenschwander&hby Sam Thorne
2009
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(2009), 122, Seite 80-85:
Fault Lines - Amar Kanvar by Sean O'Toole
2009
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(2009), 122, Seite 98-101:
Who is Sterling Ruby? Julian Myers
2009
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(2008), 113, Seite 122-125:
I Am an Image - Shirana Shahbazi by Christy Lange
2008
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(2008), 114, Seite 144-149:
Tales from the City - Clemens von Wedemeyer by Polly Staple
2008
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(2008), 114, Seite 126-131:
War and Peace Israeli artist Yael Bartana asks: What is this place were I grew up? by Ronald Jones
2008
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(2008), 114, Seite 136-143:
Schorr Edits Mikhailov Collier Schorr
2008
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(2008), 113, Seite 142-145:
Kiss and Tell - Jiří Kovanda by Noemi Smolik
2008
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(2008), 113, Seite 136-141:
Finding the Right Darkness Zoe Leonard's photographs and sculptures meditate on wonder and loss by Jenni Sorkin
2008
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(2008), 115, Seite 124-129:
Motion Pictures Mark Lewis' meditative films fuse pictorial tradition with the art of movement by David Campany
2008
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(2008), 115, Seite 136-141:
In the Hands of God Kris Martin's explorations of faith and time employ myriad materials... by Jens Hoffmann
2008
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(2008), 115, Seite 130-135:
Access All Areas Taryn Simon's photographs of restricted locations reveal an unsettling side to the American Dream by Christy Lange
2008
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(2008), 115, Seite 150-155:
Looking Out Rosalind Nashashibi's films and photographs observe the nuances of everyday life around the world by Martin Herbert
2008
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(2008), 115, Seite 114-119:
Ways of Seeing Marine Hugonnier's films explore what the artist describes as an "anthropology of images" by Lars Bang Larsen
2008
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(2008), 116, Seite 172-177:
Where to Begin? - Ryan Gander by Dan Fox
2008
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(2008), 116, Seite 186-191:
Doors of Perception - Loris Gréaud by Vivian Rehberg
2008
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(2008), 116, Seite 212-217:
Time and Space the sculptures of Polish artist Monika Sosnowska respond to architecture, memory and emotion by Kirsty Bell
2008
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(2008), 117, Seite 146-151:
Social Patterns in his sculptures, collages and films, Bojan Sarcevic explores the "ghost haunting modernity" by Jennifer Allen
2008
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(2008), 117, Seite 172-175:
This Life - Lynn Hershman Leeson by Amelia Jones
2008
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(2008), 118, Seite 244-251:
The Producer - Seth Price by Polly Staple
2008
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(2008), 118, Seite 260-267:
Seeing is Being - Bridget Riley by Michael Bracewell
2008
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(2008), 119, Seite 152-157:
Here, there and everywhere - Melik Ohanian by Vivian Rehberg
2008
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(2008), 119, Seite 160-165:
Shape Shifter ambiguity, concealment and eroticism lurk in the shadows of Victor Man's paintings and installations by Tom Morton
2008
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(2008), 119, Seite 166-171:
The Embarrassing Truth - Matthew Brannon by Jennifer Higgie
2008
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(2008), 119, Seite 180-183:
After and Before political engagement in art from the USA and Silvia Kolbowski's ambitious new work by Christopher Bedford
2008
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(2007), 106, Seite 106-113:
Tales of the Unexpected - Paola Pivi by Martin Herbert
2007
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(2007), 106, Seite 126-131:
Networking - Stephen Willats by Tom Morton
2007
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(2007), 108, Seite 208-213:
Makin Do Tue Greenfort is an artist and environmentalist... by Dominic Eichler
2007
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(2007), 108, Seite 224-227:
City Limits - Lara Almarcegui by Tom Morton
2007
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(2007), 110, Seite 262-267:
Free Style - Pádraig Timoney by Dominic Eichler
2007
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(2007), 107, Seite 122-129:
Light and Dark David Lynch's first digital video, INLAND EMPIRE, is his most experimental wor in years by Kristin M. Jones
2007
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(2007), 107, Seite 130-135:
The Body Politic Mary Kelly Ian White
2007
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(2007), 109, Seite 136-139:
Documenta Roger M. Buergel and Ruth Noack's much-anticipated documenta 12 opened to strong criticism Jörg Heiser
2007
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(2007), 109, Seite 148-153:
Start from Scratch - Achille Castiglioni by Emily King. Photographs by Nigel Shafran
2007
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(2007), 109, Seite 154-159:
Second Sight - Susan Hiller by Brian Dillon
2007
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(2007), 111, Seite 120-127:
The Shape of Things - Charles Ray by Tom Morton
2007
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(2007), 106, Seite 120-125:
Story Telling - Matthew Buckingham by Melissa Gronlund
2007
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(2007), 106, Seite 136-141:
Image Search - Dana Schutz by Steven Stern
2007
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(2007), 110, Seite 232-237:
Moving Targets - Rachel Harrison by Jennifer Allen
2007
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(2007), 110, Seite 244-247:
The Self-Preservation Society - Nedko Solakov by Christy Lange
2007
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(2007), 107, Seite 118-121:
Turning So Many Corners - Renata Lucas by Lisette Lagnado
2007
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(2007), 108, Seite 196-203:
Protest and Survive - Gustav Metzger Mark Godfrey
2007
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(2007), 108, Seite 204-207:
Trumpets and Turtles Jennifer Allora and Guillermo Calzadilla's videos and installations... by Sally O'Reilly
2007
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(2007), 110, Seite 228-231:
Risk Assessment - Micol Assae͏̈l by Polly Staple
2007
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Double Life - Cathy Wilkes by Will Bradley
2007
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(2007), 105, Seite 160-163:
Public Works - Annika Eriksson by Christy Lange
2007
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(2007), 105, Seite 168-173:
Past, Present and Future - Michaela Melián by Jan Verwoert
2007
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(2007), 105, Seite 140-147:
Distant Relations Collier Schorr's photographs and collages question what we look at - and why by Dominic Eichler
2007
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(2007), 107, Seite 110-117:
Time's Fool - George Condo by Jennifer Higgie
2007
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(2007), 109, Seite 168-175:
Double Take the first major retrospective of Canadian artist Stan Douglas opens this September in Stuttgart Robert Enright
2007
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(2007), 111, Seite 160-165:
Once in a Lifetime - Michael Fullerton by Sam Thorne
2007
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(2006), 97, Seite 112-119:
Tomorrow Never Comes - Mike Kelley by Steven Stern
2006
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Found and Lost - Abraham Cruzvillegas by Tom Morton
2006
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(2006), 102, Seite 196-205:
The Odd Couple Peter Fischli and David Weiss Jörg Heiser
2006
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Terminally New - Tomma Abts by Tom Morton
2006
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(2006), 97, Seite 126-129:
Track and Field - Daria Martin by Kirsty Bell
2006
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(2006), 97, Seite 130-133:
Making History - Omer Fast by Mark Godfrey
2006
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(2006), 97, Seite 134-139:
Different Strokes - Richard Hawkins by Alex Farquharson
2006
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Definitely, Maybe - Angela Bulloch by Tom Morton
2006
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(2006), 99, Seite 124-129:
Light Years Mark Godfrey talks to Anthony McCall Mark Godfrey
2006
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(2006), 99, Seite 136-141:
Form Follows Function - Marjetica Potrc by Jennifer Higgie
2006
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Life Class - Yvonne Rainer Chrissie Iles
2006
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(2006), 102, Seite 218-223:
Body Language - Hilary Lloyd by Jan Verwoert
2006
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(2006), 102, Seite 232-237:
All That is Solid - Martin Boyce by Martin Herbert
2006
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(2006), 98, Seite 114-119:
Who Loves the Sun? - Jonas Mekas by Jan Verwoert
2006
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(2006), 98, Seite 136-139:
Writing on the Wall - Dan Perjovschi by Catrin Lorch
2006
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(2006), 99, Seite 142-145:
Stranger than Fiction - Sean Snyder by Dominic Eichler
2006
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(2006), 100, Seite 250-255:
On the Road - David Lamelas Ian White
2006
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(2006), 103, Seite 118-125:
Inside Out - Maria Lassnig Jörg Heiser
2006
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The World's a Stage truth, fiction and representation in the films and photographs of Irish artist Gerard Byrne Dan Fox
2006
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(2006), 103, Seite 130-135:
The Days of Our Lives - Jutta Koether by Jan Verwoert
2006
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Classified Information - Peter Piller by Dominic Eichler
2006
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Reference Material - Helen Mirra by Peter Eleey
2006
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Call of the Wild - David Thorpe by Tom Morton
2005
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Secrets and Lies - Philippe Perrot by Tom Morton
2005
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(2005), 89, Seite 82 - 87:
Enigma Variations Michae͏̈l Borremans explores the potent significance of painting... by Jennifer Higgie
2005
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Demand the Impossible John Stezaker in conversation Michael Bracewell
2005
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(2005), 93, Seite 108 - 115:
The Seeming and the Meaning - Rosemarie Trockel by Jörg Heiser
2005
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(2005), 93, Seite 116 - 119:
The Other Side - Trisha Donnelly by Jan Verwoert
2005
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(2005), 94, Seite 196 - 201:
Minority Report - Phil Collins by Alex Farquharson
2005
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Bringin' it All Back Home - Martha Rosler Christy Lange
2005
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(2005), 88, Seite 78 - 81:
Shooting the Archaeozoic Robert Smithson's adventures in time travel on the road to Rozel Point by Michael Ned Holte
2005
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Close Watch - Marc Camille Chaimowicz by Dan Fox
2005
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(2005), 88, Seite 102 - 107:
Time Has Told Me - Tacita Dean by Mark Godfrey
2005
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Come Together - Carol Bove by Tom Morton
2005
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Heroes and Villains - Thomas Schütte by Jörg Heiser
2005
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Infinite Jester - Maurizio Cattelan by Tim Morton
2005
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(2005), 94, Seite 184 - 187:
Strong Current - Phil Collins by Dominic Eichler
2005
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(2005), 94, Seite 188 - 191:
Let It Grow - Bonnie Sherk by Will Bradley
2005
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(2005), 94, Seite 202 - 207:
The Bigger Picture - Morgan Fisher by Bruce Hainley
2005
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Note to Self - Allen Ruppersberg by Steven Stern
2005
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Hans-Peter Feldmann in conversation Kaspar König
2005
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(2005), 91, Seite 94 - 97:
One Atom That Was You - Christina Mackie by Sally O'Reilly
2005
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(2005), 90, Seite 72 - 77:
Welcome to the Real World - Rirkrit Tiravanija by Dan Fox
2005
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Taking a Line for a Walk - Roman Ondák by Jan Verwoert
2005
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(2005), 90, Seite 88 - 93:
Don't Fence Me In - Andrea Zittel by James Trainor
2005
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The Observer - Sharon Lockhart by Michael Ned Holte
2005
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Make & Do - Konstantin Grcic Emily King
2005
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An Actor Prepares - Catherine Sullivan by Catherine Wood
2005
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Time & Place - Marepe by Peter Eleey
2005
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Conditional Tense - Yang Fudong by Chris Berry
2005
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(2005), 92, Seite 140 - 145:
As Eloquence Appears - Frances Stark by Benjamin Weissman
2005
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The Collector - Hans-Peter Feldmann by Dominic Eichler
2005
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We Can Build You - Christoph Büchel by Tim Morton
2005
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Mata Hari Takes a Picture Louise Lawler by Bruce Hainley
2004
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Road to Ruin - Mark Handforth by James Trainor
2004
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Before and After Science - Carsten Höller by Alex Farquharson
2004
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(2004), 85, Seite 96 - 99:
Energy Fools the Magician - Paul Etienne Lincoln by Peter Eleey
2004
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(2004), 82, Seite 50 - 53:
The illuminated man Emily King talks to Ingo Maurer, pioneer of lighting design Emily King
2004
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(2004), 82, Seite 56 - 61:
Voice over on Pierre Bismuth Morgan Falconer
2004
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(2004), 82, Seite 62 - 63:
This is Jörg Heiser on Tino Sehgal Jörg Heiser
2004
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What is the object? on the Donald Judd retrospective at Tate Modern James Meyer
2004
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(2004), 82, Seite 74 - 75:
Double life on Milena Dragicevic Tom Morton
2004
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(2004), 82, Seite 76 - 79:
The enclosure business on Cedric Price Jonathan Bell
2004
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(2004), 82, Seite 80 - 81:
Futures and pasts on Michael Fullerton Will Bradley
2004
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Roll With It - Urs Fischer by Tom Morton
2004
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(2004), 86, Seite 142 - 145:
Women on the Verge - Lisa Yuskavage by Jennifer Higgie
2004
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Private eye on Alan Michael Tom Morton
2004
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Earth is the alien planet Doug Aitken talks to Ed Ruscha Doug Aitken
2004
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The league of gentlemen on Enrico David Martin Herbert
2004
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The mind's eye on Luke Fowler Dan Fox
2004
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(2004), 81, Seite 76 - 79:
O brother, where art thou? on Erik van Lieshout Dominic Eichler
2004
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Team spirit on Philippe Parreno Tom Morton
2004
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After the rehearsal on Johanna Billing Olivia Plender
2004
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In the line of fire on Jeppe Hein Kirsty Bell
2004
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Ain't no such thing as Superman on William Pope.L James Trainor
2004
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Only connect on Gabriel Kuri Kate Bush
2004
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The darkness on cameron Jamie Alex Farquharson
2004
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Back to reality on Xavier Veilhan's Le Projet Hyperréaliste Tom Morton
2004
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Table of contents on Kirsten Pieroth Kirsty Bell
2004
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In the flesh on Carol Rama Jennifer Higgie
2004
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(2004), 84, Seite 114 - 115:
A different drum on David Zink Yi Dominic Eichler
2004
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Space oddity on Erik Steinbrecher Bert Rebhandl
2004
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Night for day on Dirk Bell Jennifer Higgins
2004
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The enigma machine on Bruce Conner George Pendle
2004
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(2004), 81, Seite 66 - 71:
The uses of enchantment on Karen Kilimnik Steven Stern
2004
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(2004), 81, Seite 72 - 75:
Out of time on Haluk Akakçe Alex Farquharson
2004
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I do not want to paint music on Katy Dove Dan Fox
2004
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Hear Here - In Coversation with Bruce Nauman Joan Simon
2004
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Always crashing in the same car on Arnold Odermatt Jennifer Higgie
2003
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(2003), 74, Seite 62 - 63:
Black magic mind war on Mark Titchner Mark Beasley
2003
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(2003), 74, Seite 74 - 79:
Hirsch Perlman saved from avalanche by Ben Weissman
2003
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(2003), 74, Seite 84 - 85:
Something old, something new on Katja Strunz Dominic Eichler
2003
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The thrill of it all on Richard Hamilton Dan Fox
2003
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Taking stock on Claes Oldenburg's "The Store" Steven Stern
2003
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Private lives on Neal Tait Jennifer Higgie
2003
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The right stuff talk to Phillip King James Roberts
2003
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The Vortex on Victoria Morton Martin Herbert
2003
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Under the influence on Rebecca Warren Jennifer Higgie
2003
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A secret history on Walid Raad Saul Anton
2003
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Networking on Adam Dant Tom Morton
2003
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Man of the world on Jun Yang Bert Rebhandl
2003
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Going solo on Jitka Hanzlová Kristin M. Jones
2003
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Guys and dolls on Morton Bartlett Alex Farquharson
2003
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Body of work on Eva Hesse Anne Michaels
2003
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Eclipse on Spencer Finch Charles LaBelle
2003
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For your pleasure on Wilhelm Sasnal Mark Landsman
2003
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Under construction on Michael Beutler Ronald Jones
2003
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Mining for gold on Jeremy Deller Tom Morton
2003
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Home truths on Deimantas Narkevičius Jan Verwoert
2003
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Notes from the underground on Daniel Roth Daniel Birnbaum
2003
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Just for kicks on Eric Wesley Julian Myers
2003
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The many moons of an amateur astronomer on Russell Crotty Benjamin Weissman
2003
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Social work on Pawel Althamer Will Bradley
2003
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Eleven encounters with Bodys Isek Kingelez apologies to Edmund Morris by Dave Eggers
2003
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The state we're in on Lucy McKenzie Jan Verwoert
2003
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(2003), 78, Seite 102 - 105:
With a little help from my friends on Annika Ström Jennifer Higgie
2003
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Ordinary madness Albert Oehlen talks Jörg Heiser and Jan Verwoert
2003
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(2003), 78, Seite 112 - 115:
On the waterfront on Dominique Gonzalez-Foerster Tom Morton
2003
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(2003), 78, Seite 116 - 117:
Rates of exchange on Mark Grotjahn James Trainor
2003
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Like a rolling stone on Sam Durant Dan Fox
2003
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A song in my heart on Friedrich Kunath Dan Fox
2003
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Dark matter on Claire Barclay Tom Morton
2003
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Send in the clouds Dan Graham Chrissie Iles
2003
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One piece at a time on Chris Johanson Michael Wilson
2003
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In the beginning on Charles Avery Tom Morton
2003
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(2003), 75, Seite 60 - 65:
Life and times on Aleksandra Mir Will Bradley
2003
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Hotel Yugoslavia on Marko Lulic Jan Verwoert
2003
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Slices of life on Thomas Scheibitz Jörg Heiser
2003
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Adaptation on Franz West Jan Verwoert
2003
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Fantastic voyage on Kerstin Kartscher Dominic Eichler
2003
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The Time of the Signs Phil Bains talks to Margaret Calvert Phil Bains
2003