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2010 - 2019
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2000 - 2009
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1990 - 1999
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1980 - 1989
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> Ausgaben
-
(2019), 1, Seite 14-20:
Emmanuel Perrotin, Über Gallerist by Aymeric Mantoux
2019
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(2019), 3, Seite 86-95:
Picture-Perfect Lies Laurie Simmons's work explores the "fiction embedded in everything" by Sarah Moroz
2019
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(2019), 4, Seite 54-68:
Heart to Art, X-ray to Light Philipp Fürhofer by Mark Beech
2019
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(2019), 4, Seite 98-105:
Kim Chong Hak, the Korean van Gogh by Aymeric Mantoux
2019
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(2018), 10, Seite 14-19:
Alöison Jacques founder and director, Alison Jacques Gallera Anya Harrison
2018
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Special edition 2018:
Modern painters Special edition 2018 The power issue : curators who matter
2018
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(2018), 6, Seite 62-71:
The Long Trahectory of Etel Adnan by Franca Toscano
2018
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(2018), 7, Seite 68-78:
Berlin Biennale smaller and stronger by Anya Harrison
2018
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(2018), 8, Seite 68-74:
Keith Sonnier post-minimalist carnival barker by Matthew Rose
2018
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(2018), 1, Seite 120-125:
Izumi Kato: Artist with a difference by Tina Xu
2018
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(2018), 2, Seite 14-25:
Flocking Patterns of Starlings and Other Silences: the Work of Desirée Dolron by Nina Siegal
2018
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(2018), 2, Seite 88-95:
A Rebel Painter: Gérard Garouste by Tobias Grey
2018
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(2018), 2, Seite 96-106:
Jean-Michel Othoniel's Obsession with Glass, and Poetry by Aymeric Mantoux
2018
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(2018), 2, Seite 126-136:
Remembering Jack Tilton: An Atypical New York Art Dealer by Franca Toscano
2018
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(2018), 3, Seite 50-58:
One Artist on Being Collected by Another$Amy Zion
2018
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(2018), 3, Seite 112-117:
Paris through the Eyes of Daniel Templon by Sarah Moroz
2018
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(2018), 4, Seite 36-43:
Will Ryman: Making the World his Stage by Sarah Moroz
2018
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(2018), 5, Seite 14-22:
The Cautious Rise of Thaddeus Ropac by Anya Harrison
2018
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(2018), 5, Seite 24-32:
William Cordova's Consciious Alchemy Maria Elena Ortiz
2018
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(2017), 1, Seite 46-53:
Inside Abstraction Suzanne McClelland paints with data by Juliet Helmke
2017
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(2017), 1, Seite 54-63:
Murch on Murch a son remembers life with a magic realist by Walter Scott Murch
2017
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(2017), 1, Seite 64-67:
Awkward Technologies Marsha Cottrell brings a human touch to the laser printer by Margaret Carrigan
2017
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(2017), 3, Seite 50-59:
Too Cute for Comfort Rachel Maclean pushes girlishness to the grotesque by Margaret Carrigan
2017
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(2017), 3, Seite 68-77:
Batons and Barriers a portfolio by Eileen Quinlan Eileen Quinlan
2017
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(2017), 5, Seite 90-101:
Yayoi Kusama on Life, Infinity and a Major Retrospective by Nicholas Forrest
2017
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(2017), 6, Seite 48-61:
Gerhard Richter effacing memory with a dry brush by Louisa Elderton
2017
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(2017), 7, Seite 28-33:
Rescuing Keith Haring's "Tower" by Cody Delistraty
2017
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(2017), 7, Seite 48-61:
Watch the Inside of the Heart of the Other following is an excerpt from the catalogue essay by Natasha Bullock, the curator for "Pipilotti Rist: Sip my Ocean", a major new exhibition of the Swiss artist's work at the Museum of Contemporary Art, Sydney, Nov 1 - Feb 18 by Natasha Bullock
2017
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(2017), 7, Seite 94-105:
Carolee Schneemann's Kinetic Painting by Annie Godfrey larmon
2017
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(2016), 3, Seite 78-81:
Abstract Subjects Paul Huxley makes paintings that sing in a higher key by Anna McNay
2016
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(2016), 3, Seite 82-87:
Q & A with Jenni Sorkin
2016
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(2016), 4, Seite 62-69:
Trickster Aesthetics on the art and influence of David Hammons by Courtney Willis Blair
2016
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(2016), 4, Seite 70-75:
Soft Sounds Ben Vida rethinks the boudaries of composition by Thea Ballard
2016
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(2016), 4, Seite 76-81:
The Outlaw a deep space journey into Alex Becerra's hard-partying, oil-smeared, tacobelt-ed world by Michael Slenske
2016
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(2016), 6, Seite 60-63:
There Is No Center Susan Te Kahurangi King's disorienting worlds by Dan Nadel
2016
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(2016), 6, Seite 64-69:
All About My Mother a nervous Martin Creed comes to New York Rachel Corbett
2016
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(2016), 6, Seite 84-91:
More Nothing Less by Scott Indrisek
2016
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(2016), 9, Seite 42-49:
Home Life looking out the window with Marc Camille Chaimowicz by Matthew McLean
2016
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(2016), 9, Seite 60-67:
Spiritual Revival Marnie Weber casts a perverse spell by Doug Harvey
2016
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(2016), 9, Seite 68-73:
Restless Bodies Donna Huanca's ephemeral installations by Taylor Dafoe
2016
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(2016), 8, Seite 60-67:
Self-Built Man a south-of-the-border odyssey with Abraham Cruzvillegas
2016
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(2016), 8, Seite 68-71:
Jeans, Glasses, Faces, Asses Robert Bordo in conversation with Cecily Brown and Amy Sillman
2016
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(2016), 8, Seite 86-93:
David Adjaye the art world's favorite architect continues to thrive by Courtney Willis Blair
2016
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(2016), 10, Seite 52-61:
Roe Ethridgetalks about narrative, effortlessness, and Sunshine Noir by Taylor Dafoe
2016
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(2016), 10, Seite 48-51:
Social Network a Ugandan artist carves a space beyond prejudice by Sara Roffino Photographs by Zack Garlitos
2016
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(2016), 1, Seite 46-53:
The Nomad on the road with Adrián Villar Rojas and his traveling circus by Michael Slenske
2016
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(2016), 1, Seite 54-57:
Q&A with Catherine Opie Juliet Helmke
2016
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(2016), 2, Seite 52-54:
Concrete Wave introducing Theodore Boyer by Michael Slenske
2016
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(2016), 2, Seite 56-57:
Precarious Weight introducing Lauren Seiden by Scott Indrisek
2016
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(2016), 2, Seite 60-62:
Shooting the Archive spotlight Sara Cwynar by Ariela Gittlen
2016
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(2016), 2, Seite 64-67:
Q & A with Pier Paolo Calzolari by Juliet Helmke
2016
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(2015), 10, Seite 50-53:
War and Words Fiona Banner mines Hollywood, conflict, and language by Lily Le Brun
2015
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(2015), 10, Seite 62-65:
Skirting the Square$Nancy Shaver breaks boundaries with blocks by Juliet Helmke
2015
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(2015), 10, Seite 66-69:
Messy Networks tactical visibility in Ann Hirsch's horny lil feminist by Thea Ballard
2015
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(2015), 10, Seite 7073:
Q & A with Jeff Wall Hunter Braithwaite
2015
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(2015), 10, Seite 74-77:
Border Crossings Frank Auerbach's career in paint by Martin Gayford
2015
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(2015), 11, Seite 52-57:
Sculpting the Public Teresita Fernández wants you in her work by Juliet Helmke
2015
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(2015), 11, Seite 58-63:
Masks & Memory staging Rosson Crow's psychosis by Michael Slenske
2015
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(2015), 12, Seite 60-65:
True To Form Deborah Kass shakes up the canon by William J. Simmons
2015
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(2015), 12, Seite 66-69:
Intensity Is the Best Politics a Q&A with Hermann Nitsch by Scott Indrisek
2015
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(2015), 12, Seite 70-79:
Portrait of the Artist as a Young Man an Oral History of Noah Davis by Michael Slenske
2015
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(2015), 1, Seite 36-38:
A Type of Music introducing Daria Irincheeva by Scott Indrisek
2015
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(2015), 1, Seite 48-59:
A Selection of Ray Johnson Ephemera Wendy Vogel
2015
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(2015), 1, Seite 60-63:
Reel to Real Rachel Rose grapples with painting and the garden path by Wendy Vogel
2015
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(2015), 2, Seite 36-38:
Inorganic Matter introducing Alex Da Corte by Thea Ballard
2015
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(2015), 2, Seite 44-49:
Controlled Burn can Kasper Sonne reignite process-based abstraction? by Michael Slenske
2015
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(2015), 2, Seite 50-55:
Q & A with Carolee Schneemann by Wendy Vogel
2015
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(2015), 3, Seite 38-40:
Rhyme Scheme introducing Jessica Warboys by Lily Le Brun
2015
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(2015), 3, Seite 42-45:
Turning Inside Out6 Janine Antoni's new perspective on sculpture and dance by Wendy Vogel
2015
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(2015), 3, Seite 46-51:
Sonic highways Scott Benzel's mythical musical journey into the heart of the american west by Michael Slenske
2015
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(2015), 3, Seite 54-65:
Natalie Frank the dark side of the fairy tale by Linda Nochlin
2015
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(2015), 9, Seite 56-61:
Fine lines tracing five decades of David Diao's singular abstraction by Mostafa Heddaya
2015
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(2015), 9, Seite 62-65:
Tinted visions Sue De Beer mixes color & character by Juliet Helmke
2015
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(2015), 5, Seite 62-69:
Parallel logic Mika Rottenberg uses pearl manufacturing to explore structures of creativity by Thea Ballard
2015
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(2015), 5, Seite 70-73:
Dis connect the Dots making sense of Lutz Bacher's enigmatic appropriation by David Everitt Howe
2015
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(2015), 5, Seite 74-77:
Q & A with Fiona Hall Nicholas Forrest
2015
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(2015), 5, Seite 78-83:
A Conversation with Mark Bradford by Kambui Olujimi
2015
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(2015), 6, Seite 46-49:
A conversation with Yashua Klos by Kambui Olujimi
2015
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(2015), 6, Seite 68-73:
The Power of Pictures Sarah Charlesworth & the malleable image by Chloe Wyma
2015
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(2015), 6, Seite 74-81:
His Revolution Yoan Capote's intimate connection with Cuba by Michael Slenske
2015
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(2015), 6, Seite 82-85:
Material Masquerade in Xu Bing's work, things are not how they seem by Wendy Vogel
2015
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Modern painters art, architecture, design, performance, film Special issue : 500 best galleries worldwide
London, LTB Media, 2015-
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(2014), 2, Seite 54-59:
Ambiguous Objects Tobias Rehberger teases the limits of art by Alexander Forbes
2014
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(2014), 2, Seite 60-63:
Every Brushstroke Speaks Rachel Howard gives new voice to oil paint by Coline Milliard
2014
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(2014), 2, Seite 64-67:
Simon Says an artis writes himself into the picture by Heidi Zuckerman Jacobson
2014
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(2014), 3, Seite 60-65:
Taste Will Out Lari Pittman's avant-garde traditionalism by Doug Harvey
2014
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(2014), 3, Seite 66-71:
A Man of Many Parts the making of Michael Craig-Martin by Claire Wrathall
2014
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(2014), 3, Seite 72-77:
A Q&A with Eric Fischl by Sky Goodden
2014
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(2014), 4, Seite 64-73:
These Weary Territories a conversation between Matthew Barney and Okwui Enwezor Matthew Barney and Okwui Enwezor
2014
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(2014), 5, Seite 76-83:
No Love-Killers performers manifest inner life in Dara Friedman's films by Wendy Vogel
2014
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(2014), 5, Seite 84-89:
Q + A with Mel Chin by Miranda Lash
2014
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(2014), 6, Seite 52-56:
The Difference Machine Camille Henrot delves into anthropology and technology by Wend Vogel
2014
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(2014), 6, Seite 62-67:
Polymorphous Perversity in Toontown John Altoon's libidinous enthusiasms by Doug Harvey
2014
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(2014), 6, Seite 68-71:
Radical Team-Work A. L. Steiner's intensely collaborative practice by Eric Briant
2014
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(2014), 6, Seite 72-75:
Graceful Grenades Shiva Ahmadi animates tales of violence and beauty by Sehba Mohammad
2014
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(2014), 6, Seite 76-79:
House Call a tour of Louise Bourgeois's home and studio with her longtime assistant by Thea Ballard
2014
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(2014), 7, Seite 54-59:
Carroll Dunham on Genitals, Art Fairs, and Draftsmanship Scott Indrisek
2014
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(2014), 7, Seite 60-65:
Drone's-Eye View Q + A with Mark Tribe Chelsea Knight
2014
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(2014), 8, Seite 52-59:
Spiritual Hustler Danh Vo is constantly on the move and on the make by Michael Slenske
2014
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(2014), 8, Seite 66-71:
Q + A with Richard Nonas Scott Indrisek
2014
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(2014), 9, Seite 56-61:
Deep Explorer Wangechi Mutu dives into aquatic mythology by Thea Ballard. Photographs by Kristine Larsen
2014
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(2014), 9, Seite 62-65:
Blurred Lines? self and sexuality are fluid constructs for Eddie Peake by Jonathan R. Jones
2014
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(2014), 9, Seite 66-71:
Q & A with Christopher Williams Scot Indrisek
2014
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(2014), 10, Seite 62-69:
Blitzin' Out a mad trip through the Haas Brothers' world of Design by Michael Slenske
2014
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(2014), 10, Seite 72-77:
Fresh Dimensions Ahmed Alsoudani gets distance to sharpen his focus by Thea Ballard
2014
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(2014), 11, Seite 58-61:
How to Light a Show Liz Deschenes turns the gallery into a camera by Thea Ballard
2014
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(2014), 1, Seite 66-69:
A Q$A with Carrie Mae Weems by Charmaine Picard
2014
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(2013), 1, Seite 46-55:
A Tribute to Dieter Roth 7 artists respond to the master's work : Björn Roth
2013
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(2013), 1, Seite 56-61:
Map of Her World Zarina Hashmi traces a rich journey by Rachel Wolff
2013
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(2013), 2, Seite 46-48:
Different Damage itroducing Justin Matherly by Scott Indrisek
2013
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(2013), 2, Seite 50-52:
The Economy of Desire introducing Sara Jordenö by David Everitt Howe
2013
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(2013), 2, Seite 56-61:
Adel Abdessemed is he the salt or the wound? by Coline Milliard
2013
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(2013), 3, Seite 58-61:
This Is the Life introducing Oscar Murillo by Coline Milliard
2013
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(2013), 3, Seite 76-81:
The Contrarian R. B. Kitaj returns to his adopted home by Marco Livingstone
2013
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(2013), 4, Seite 48-50:
Deep into the Real introducing Anne Hardy by Coline Milliard
2013
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(2013), 4, Seite 56-59:
Hot Type Ruscha and the book by Meghan Dailey
2013
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(2013), 4, Seite 66-69:
Out of Fashion Lucy McKenzie's interiors engage art, craft, and ordinary Style by Jenny Jaskey
2013
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(2013), 4, Seite 70-74:
The Woman Does It Alone Keren Cytter and the art of multitasking by Scott Indrisek
2013
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(2013), 5, Seite 66-68:
What She Finds introducing Liz Glynn by Emily Ellis Fox
2013
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(2013), 5, Seite 80-87:
A Q&A with Tracey Emin by Coline Milliard
2013
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(2013), 6, Seite 62-65:
Art in Stereo Anri Sala composes space with music by Roos van der Lint
2013
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(2013), 6, Seite 66-69:
Philip-Lorca DiCorcia's Magic by Geoff Dyer
2013
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(2013), 6, Seite 70-83:
Rebel Dabble Babble a project by Paul McCarthy and Damon McCarthy
2013
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(2013), 7, Seite 58-63:
The Archaeologist Josephine Meckseper digs into capitalism's artifacts by Brienne Walsh
2013
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(2013), 7, Seite 64-67:
Le Corbusier's Kaleidoscope an architect's way with space by Adam Kleinman
2013
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(2013), 7, Seite 68-71:
Everywhere But the White Cube Robert Smithson's spatial effects by Alan Rapp
2013
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(2013), 8, Seite 72-77:
Fast & Furious Matthew Day Jackson and the art of mortality by Michael Slenske
2013
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(2013), 8, Seite 78-81:
Chipping Away at the Impossible Ursula von Rydingsvard and the importance of minute dissimilarities by Orit Gat
2013
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(2013), 8, Seite 82-84:
Photo Finish Taner Ceylan's fragmented fictions by Merve Unsal
2013
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(2013), 8, Seite 86-89:
Pop Renegade rediscovering Derek Boshier by Doug Harvey
2013
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(2013), 9, Seite 72-77:
Swiss Time Ugo Rondinone Slows Down to Speed Up by Brienne Walsh
2013
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(2013), 9, Seite 78-81:
Colombian Gold Olga de Amaral spins ore into art by Matthew Drutt
2013
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(2013), 9, Seite 82-87:
Tomorrow Today Elmgreen & Dragset build a home in the Victoria and Albert Museum by Claire Wrathall
2013
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(2013), 9, Seite 94-97:
Love Is All an exclusive visit to Robert Indiana's studio retreat by Benjamin Genocchio
2013
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(2013), 10, Seite 80-83:
Touch Someone Arnaldo Roche lays hands on art by Daniel Kunitz
2013
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(2013), 10, Seite 84-87:
Reflexive Faith Frances Stark believes in paying attention by Jonathan Griffin
2013
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(2013), 10, Seite 88-91:
The Long View Shoja Azari animates Persian paintings and the present by Wendy Vogel
2013
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(2013), 10, Seite 92-95:
Naked ambition a performance artist's shock tactics by David EverittHowe
2013
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(2013), 11, Seite 74-77:
Of Doubt and Disturbances the potent fragility of Amar Kanwar's archives by Emilia Terracciano
2013
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:
Modern painters art, architecture, design, performance, film Annual gallery issue ... : 500 best galleries worldwide
New York, Modern Painters, 2013-2013
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(2012), 10, Seite 62-67:
Swing State from her Ohio studio, Ann Hamilton conceives a major project for New York by Karen Archey
2012
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(2012), 3, Seite 50-52:
Of Violence and Beauty - Hayv Kahraman's women by Yasmine Mohseni
2012
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(2012), 3, Seite 68-73:
Cash, Chaos, Unicorns - Alex Bag's Adventure in Public Television by Scott Indrisek. Photographs by Ryan McGinley
2012
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(2012), 5, Seite 56-59:
Staring into Space Katie Paterson shoots for the heavens by Coline Milliard
2012
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(2012), 5, Seite 66-69:
All Together Now proximity breeds creativity for Kohei Nawa's sandwich collective by Sarah P. Hanson
2012
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(2012), 6, Seite 50-55:
Built to Scale Katrin Sigurdardottir seduces with shifted perceptions by Orit Gat
2012
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(2012), 6, Seite 60-64:
As If Not looking backto go forward with Rosemarie Trockel by Fionn Meade
2012
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(2012), 7, Seite 58-63:
Images of a people Fiona Tan puts a face on London by Coline Milliard
2012
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(2012), 7, Seite 64-71:
Fever Dream a tour of the hallucinogenic worlds of Freeman/Lowe by Michael Slenske
2012
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(2012), 7, Seite 72-75:
Getting Right With Risk Jack Goldstein both shunned and embraced art world orthodoxy by Doug Harvey
2012
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(2012), 4, Seite 40-42:
Weird Read Devin Troy Strother's taboo-busting paint experiments by Scott Indrisek
2012
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(2012), 4, Seite 48-51:
You Had To Be There Tino Sehgal creates an art of rumor and evanescant memories by Coline Milliard
2012
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(2012), 4, Seite 52-55:
Sinister Parade Nathalie Djurberg and Hans Berg's wicked birds land at the New Museum by Rachel Wolff
2012
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(2012), 4, Seite 56-61:
A Q&A with Loris Gréaud by Coline Milliard
2012
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(2012), 8, Seite 44-47:
Studio Check Adam Pendleton by Scott Indrisek
2012
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(2012), 8, Seite 54-56:
Dramatic Flair introducing Natalie Frank by Daniel Kunitz
2012
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(2012), 8, Seite 58-59:
A Tale of Two Sisters Ofri Cnaani mines the Talmud by Rachel Wolff
2012
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(2012), 8, Seite 62-65:
A Q&A with Luc Tuymans by Nav Haq
2012
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(2012), 8, Seite 76-81:
Underground Man Toby Ziegler takes over a car park by Coline Milliard
2012
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(2012), 8, Seite 82-85:
The Rise of Thing Theory on Documenta 13 by Steven Henry Madoff
2012
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(2012), 9, Seite 58-61:
Sculpture for the Eye, Paintings to be Touched Richard Artschwager's mixed messages by Charmaine Picard
2012
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(2012), 9, Seite 68-71:
Silk Road - Liang Shaoji collaborates with nature by Madeleine O'Dea
2012
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(2012), 9, Seite 72-77:
Mad World Jim Shaw's wondrous and difficult year by Doug Harvey
2012
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(2012), 1, Seite 48-49:
Defeated Stuff - Nial McClelland's weathered geometries by William Hanley
2012
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(2012), 1, Seite 58-63:
The Brutalized Eye Charline von Heyl thrives on violent juxtapositions by Scott Indrisek
2012
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(2012), 1, Seite 64-67:
Seth Siegelaub's multiple obsessions by Coline Milliard
2012
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(2012), 2, Seite 52-59:
Punks Out of the Past Mike Kelley, Jim Shaw, and destroy all monsters by Doug Harvey
2012
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(2011), 4, Seite 44-46:
Pursued by a Cloud Anton Ginzburg returns to his homeland by Andrew M. Goldstein
2011
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(2011), 4, Seite 58-63:
Crystal Flag Mariko Mori wants to bring her nature-loving art to six continents by Scott Indrisek
2011
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(2011), 4, Seite 64-66:
David Claerbout by David Ulrichs
2011
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(2011), 5, Seite 60-63:
Taking Up Space Phyllida Barlow is ready to get in your way by Coline Milliard
2011
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(2011), 6, Seite 50-52:
Abstract Expansionist introducing Analia Saban Meredith Mendelsohn
2011
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(2011), 6, Seite 54-56:
Hippie Happening Francis Upritchard surrounds herself with naked men by Coline Milliard
2011
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(2011), 6, Seite 58-62:
Richard Serra - Memory, Time, and the Value of Inquiry by Jane Panetta
2011
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(2011), 6, Seite 63-65:
A Q+A with Richard Serra Andrew M. Goldstein
2011
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(2011), 6, Seite 74-76:
Painting the Traces Koen van den Broek finally gets his debut in America by Meghan Dailey
2011
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(2011), 7, Seite 62-67:
The Alchemist Folkert de Jong transforms materials and history by Scott Indrisek
2011
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(2011), 7, Seite 68-71:
Sites to Behold why we fall for Karla Black's sculptures by Coline Milliard
2011
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(2011), 7, Seite 72-77:
Out in the desert a visit to Susan Rothenberg's New Mexico studio by Daniel Kunitz
2011
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(2011), 8, Seite 50-54:
Daniel Buren by Coline Milliard
2011
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(2011), 8, Seite 62-67:
The unknowable Michae͏̈l Borremans brings a perverse gravitas tocontemporarypainting by Roger White
2011
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(2011), 8, Seite 68-71:
A Q&A with Maurizio Cattelan by Charmaine Picard
2011
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(2011), 9, Seite 54-57:
Hopeful Disaster the drawn-on terrain of Huma Bhabba by Heidi Zuckerman Jacobson
2011
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(2011), 1, Seite 46-51:
Boundary Issues Leigh Ledare raises rough questions with family and lovers by Scott Indrisek
2011
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(2011), 2, Seite 50-57:
The Weeping Breviary Laurel Nakadate's catalogue of tears by Rick Moody
2011
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(2011), 3, Seite 40-42:
Almost Famous a Japanese artist bares all by Tamsen Greene
2011
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(2011), 3, Seite 60-64:
Space Invader Mike Nelson charts wild and exotic territories by Coline Milliard
2011
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(2010), 1, Seite 30-32:
The Hyperreal World of Susan Collis by Coline Milliard
2010
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(2010), 1, Seite 40-42:
Tourist Attractions Ewan Gibbs twists the familiar by Marina Cashdan
2010
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(2010), 1, Seite 48-51:
Holding Pattern Louise Despont's esoteric geometries express the unseen energy of the cosmos by Andrea Codrington
2010
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(2010), 2, Seite 32-34:
Live Souls Slater Bradley's art takes on fandom, from the inside by Marina Cashdan
2010
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(2010), 3, Seite 24-27:
Chris Ofili and Beauty thinking philosophically about visually great stuff Matthew Collings
2010
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(2010), 3, Seite 28-30:
Strong Language Jules de Balincourt's dynamic visual lexicon is a ecclectic as it is daring Rachel Wolff
2010
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(2010), 3, Seite 32-34:
Mud, Sweat, and Oil Paint Kazuo Shiraga's alternate modernism Tamsen Greene
2010
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(2010), 3, Seite 36-38:
Open Spaces Matthias Weischer confronts us with a Leipzig all his own Alexander Wolf
2010
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(2010), 3, Seite 48-50:
Wild Style - Rokni Haerizadeh an Iranian expatriate's paintings reflect the mood of his homeland Arsalan Mohammad
2010
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(2010), 3, Seite 56-61:
Out of the Zoo - Adrian Ghenie an artist comes to terms with his homeland's volatile past by Matt Price
2010
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(2010), 4, Seite 30-32:
Cultivation Cathedral Thomas Heatherwick spreeds U.K.'s seeds at the Shanghai Expo Marina Cashdan
2010
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(2010), 5, Seite 60-63:
After the Blaze a fire destroyed the archive of Helio Oiticica - which Oiticica survived? by Lyle Rexer
2010
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(2010), 3, Seite 52-54:
Come to the Cabaret - Stefanie Gutheil a German artist's colorful menagerie Marisa Bartolucci
2010
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(2009), 1, Seite 56-59:
A Very Beautiful Day After Tomorrow Luca Buvoli about his "Meta-Futurist" project Christine Poggi
2009
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(2009), 3, Seite 56-59:
Pencil of Nature interview James Welling Jeremy Sigler
2009
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(2009), 3, Seite 60-65:
After the Fact photographer Sophie Ristelhueber has made war-torn regions her speciality... by Claire Barliant
2009
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(2009), 4, Seite 42-47:
Bruce Nauman the man who would not be king by Robert Storr
2009
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(2009), 4, Seite 48-53:
Ragnar Kjartansson what do you do with a drunken painter? by Jeff Byles
2009
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(2009), 4, Seite 60-65:
Mark Lewis exploring the mirage behind the movie star by Laura Mulvey
2009
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(2009), 5, Seite 32-34:
Live Forever Marco Papa's interdisciplinary, participatory practice yields surprising results by Ara Merjian
2009
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(2009), 5, Seite 44-51:
Painting paradox Charline von Heyl by Claire Barliant and Christopher Turner
2009
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(2009), 7, Seite 30-32:
United Nations the multifarious practice of N. S. Harsha takes his viewers across many lands by Coline Milliard
2009
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(2009), 7, Seite 38-40:
Remastered exploring the audio experiments of international video artist Doug Aitken by Jori Finkel
2009
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(2009), 8, Seite 28-30:
Snapshot of a Song Shirin Neshat refocuses her lens on the legacy of Laos by Erica Orden
2009
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(2009), 8, Seite 48-57:
Tim Burton hailing filmdom's oddest artist by Marina Cashdan
2009
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(2009), 8, Seite 58-67:
McCarthyism portfolio curated by Paul McCarthy
2009
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(2009), 9, Seite 30-33:
Flink of an Eye - Navid Nuur by James Westcott
2009
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(2009), 9, Seite 38-40:
Back to Black finding the color in Rana Begum's work by Jyoti Dhar
2009
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(2009), 9, Seite 56-63:
At Work the chores and magic at Jeff Koons, Inc. by Samantha Peale
2009
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(2008), 2, Seite 66-73:
Do Not Go Genitally - Dorothy Iannone Melissa Logan
2008
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(2008), 3, Seite 38-40:
Portrait of Silicon Valley Gabriele Basilico's latest urban landscapes Jeff Byles
2008
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(2008), 3, Seite 74-77:
Animating the Void the Reenactments of Mario Garcia Torres by Eva Scharrer
2008
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(2008), 5, Seite 34-37:
Angry Men in Munich a strange and winding line links Jochen Klein to lots of colorful Germans Mathew Collings
2008
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(2008), 5, Seite 56-58:
Introducing Tim Roda Dan Torop
2008
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(2008), 5, Seite 72-79:
Blood Ties - Louise Bourgeois by Duncan MacMillan
2008
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(2008), 10, Seite 74-79:
Photo Op - Catherine Opie A. M. Homes
2008
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(2008), 11, Seite 52-54:
Petra Trenkel by Ara Merjian
2008
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(2008), 11, Seite 56-58:
Simone Leigh by Quinn Latimer
2008
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(2008), 11, Seite 70-77:
Hors Livre - Brian Dettmer George Landow
2008
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(2008), 11, Seite 78-81:
Radioactive - Lisa Ruyter by Christopher Turner
2008
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(2008), 11, Seite 82-85:
The Mathematical Sublime - Ryoji Ikeda Martin Herbert
2008
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(2008), 11, Seite 86-91:
Mr. Big Stuff - Anish Kapoor Sarah Kent
2008
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(2008), 7-8, Seite 46-48:
Alex Schweder by Jeff Byles
2008
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(2008), 7-8, Seite 60-65:
A View to Kill For why so many of Hollywood's villains live in houses designed by John Lautner? by Jon Yoder
2008
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(2008), 9, Seite 70-72:
Eli Petel by Nuit Banai
2008
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(2008), 9, Seite 80-81:
Welcome to Amerika Martin Kippenberger's Kafka-inspired installation at MoCA in Los Angeles Brian Dillon
2008
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(2008), 9, Seite 82-85:
Urge Overkill Tony Oursler talks about phone sex, cigarettes, and money David Rimanelle
2008
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(2008), 9, Seite 98-103:
The New Cultural Revolution the threat of artistic censorship in China has (almost) disappeared Barbara Pollack
2008
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(2007/2008), 12/1, Seite 76-81:
Louder Than Words the films and videos of Lawrence Weiner by Liz Kotz
2007
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(2007/2008), 12/1, Seite 82-85:
Into Thin Air the strange career of Gino De Dominicis by Massimiliano Gioni
2007
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(2007), 2, Seite 66-73:
Cult of Lateral Thinking Splits, Doubles, and Sleight of Hand in the Work of Joan Jonas by Judith Rodenbeck
2007
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(2007), 3, Seite 64-69:
In the Studio with the Gifted Amateur Rodney Graham practices painting by Sheperd Steiner
2007
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(2007), 3, Seite 78-83:
Water Colored demons and detritus in Yun-Fei Ji's restive landscapes by Francine Prose
2007
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(2007), 3, Seite 84-89:
The distance Between the political peregrinations of Francis Aly͏̈s by Herbert Martin
2007
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(2007), 4, Seite 40-43:
A Sidelong Seduction nostalgia and kitsch in Boris Mikhailov's photomontages Brian Dillon
2007
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(2007), 4, Seite 56-58:
Martin Soto Climent Quinn Latimer
2007
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(2007), 4, Seite 60-62:
Varda Caivano Martin Coomer
2007
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(2007), 4, Seite 66-73:
In Praise of Blandness finding perfection in the neutrality of Andreas Gursky's photographs by Jeremy Millar
2007
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(2007), 4, Seite 74-79:
Heil Mary interview Mary Heilmann by Jack Pierson
2007
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(2007), 4, Seite 80-83:
Making It Look Easy the informal formalism of Mary Heilmann by Alexander Dumbadze
2007
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(2007), 4, Seite 84-91:
The Naked and the Dead Wang Qingsong fakes the truth in China by Matthew Collings
2007
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(2007), 7-8, Seite 44-46:
Introducing Shannon Ebner Dan Torop
2007
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(2007), 7-8, Seite 48-50:
Introducing Demetrius Oliver Nick Stillman
2007
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(2007), 7-8, Seite 52-61:
This Is How It Was - Robert Gober Elisabeth Sussman
2007
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(2007), 7-8, Seite 66-71:
Sol LeWitt Sarah Kent
2007
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(2007), 10, Seite 66-75:
Unnatural Resources Luc Tuymans on fighting the literal and mistrusting images; interview by Yasmine Van Pee
2007
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(2007), 10, Seite 76-81:
Under the Volcano history and what we make of it in the work of Matthew Monahan by Malik Gaines
2007
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(2007), 11, Seite 54-56:
Introducing John Gerrard Joseph R. Wolin
2007
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(2007), 11, Seite 58-60:
Introducing Naotaka Hiro Catherine Taft
2007
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(2007), 11, Seite 78-83:
Optical Disillusion the films of Rosalind Nashashibi by Alexander Dumbadze
2007
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(2007), 11, Seite 84-88:
Hell Is Other People Erik van Lieshout's Agony of Communication by Tony Pearson
2007
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19(2006), 2, Seite 66-69:
Trash Talking how Martin Kippenberger found success in failure Marcus Verhagen
2006
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19(2006), 2, Seite 70-77:
Close Encounters Tony Oursler's Alien Invasion Karen Wright
2006
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19(2006), 2, Seite 86-91:
Silent Witness Rineke Dijkstra on how to take a photo Jason Oddy
2006
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19(2006), 2, Seite 92-94:
The Modest Master Thomas Nozkowski's elusive paintings John Yau
2006
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Coutured Colector at home with Jean-Charles Castelbajac by Bethan Cole
2006
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19(2006), 3, Seite 66-73:
Keeping It Real Peter Doig on postcards, painting and figurative art by Karen Wright
2006
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19(2006), 3, Seite 80-85:
Masquerade Ugo Rondinone uncovered Morgan Falconer
2006
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19(2006), 4, Seite 54-61:
The Eyes of the Storm Kara Walker on Hurricans, Heroes and Villains by David D'Arcy
2006
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19(2006), 4, Seite 72-79:
Kerouac & Me George Condo interviewed by Karen Wright
2006
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19(2006), 4, Seite 80-83:
Air Appearent on the street with Gordon Matta Clark - a memoir by Ed Baynard
2006
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19(2006), 5, Seite 78-83:
Stargazing David Lachapelle's celebrations of celebrity Geoff Nicholson
2006
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19(2006), 5, Seite 84-87:
High Roller art on the slopes with Yutaka Sone Benjamin Weissman
2006
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19(2006), 6, Seite 64-71:
Jeff Koons Karen Wright and Anouchka Roggeman
2006
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19(2006), 6, Seite 80-85:
Talking in Colour Howard Hodgkin hates to discuss his paintings Toby Litt
2006
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19(2006), 7-8, Seite 94-97:
America's Most Wanted sharing the light with Tomas Kinkade by Andrew Wilson
2006
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19(2006), 9, Seite 62-69:
A Dialogue on Blood & Iron on Joseph Beuys Matthew Barney and Arthur C. Danto
2006
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19(2006), 9, Seite 70-73:
Insides Out Kiki Smith dismembers body and mind by Siri Hustvedt
2006
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Against Nature flora, fauna, and diamond-encrusted crustaceans in Raqib Shaw's studio by Martin Herbert
2006
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Tattooed Leviathan Gabriel Orozco's Inscribed Andalucian Whale by Philip Hoare
2006
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19(2006), 10, Seite 80-85:
Belgian Artist, Presumed Dead, Alive in Brazil Marcel Broodthaers resurrected at the Sao Paulo Biennial by Martin Herbert
2006
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19(2006), 10, Seite 86-89:
Down the Chute at Tate Modern Carsten Höller's London Tubes by Karen Wright
2006
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19(2006), 11, Seite 76-79:
Body Doubles Person and Persona in Charles Atlas's Portraits by Jennifer Krasinski
2006
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18(2005), 1, Seite 38 - 41:
Matali Crasset - Design for Life after Starck, the new French Revolution Philip Jodidio
2005
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18(2005), 1, Seite 42 - 44:
No boundaries, no limits the architecture of Lina Bo Bardi Joshua Mack
2005
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18(2005), 1, Seite 52 - 53:
Foreign Correspondences Marine Hugonnier's ongoing journey of art production Sally O'Reilly
2005
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18(2005), 1, Seite 54 - 55:
Sex and Power Hilary Harkness's violent femmes Ana Finel Honigman
2005
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18(2005), 1, Seite 68 - 71:
Muses and Mirrors the remarkable subjects of Andrea Modica and Debbie Fleming Caffery Vince Aletti
2005
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18(2005), 1, Seite 74 - 77:
Time Stands Still at work with Daan van Golden Karen Wright
2005
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18(2005), 1, Seite 92 - 95:
Caro and the critics Norbert Lynton
2005
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18(2005), 2, Seite 44 - 45:
You Must Remember This Ann Craven's mnemonic devices by Barbara Pollack
2005
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Collections and Connections Mathieu Mercier - modern art for a modern life by Mark Rappolt
2005
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18(2005), 2, Seite 48 - 49:
Pattern Recognition Toby Ziegler's compound landscapes by Sally O'Reilly
2005
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18(2005), 2, Seite 52 - 59:
Paint it like it is what Damien did next - interview by Martin Gayford
2005
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18(2005), 2, Seite 60 - 63:
You Shall Go to the Ball Meret Oppenheim by Leslie Dick
2005
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18(2005), 2, Seite 72 - 75:
Preemptive Strike Lisa Yuskavage's very weird women Francine Prose
2005
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18(2005), 2, Seite 76 - 81:
Under the Influence introducing Norbert Bisky by Karen Wright
2005
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18(2005), 2, Seite 82 - 85:
Black ist the colour - James Rielly Ian MacMillan
2005
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Litle Boy Boom Takashi Murakami and his protégés invade New York Terra R. Myers
2005
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18(2005), 4, Seite 66 - 71:
Wagner from Mars - Guillermo Kuitca Karen Wright
2005
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Painting the Body Electric - Atsuko Tanaka Edward M. Gomez
2005
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18(2005), 4, Seite 90 - 63:
Being and nothingness - Ori Gersht Mark Rappolt
2005
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18(2005), 4, Seite 94 - 97:
Make Your Own Damn Art democracy on the cheap with Bob & Roberta Smith Sally O'Reilly
2005
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18(2005), 5, Seite 43 - 45:
All smiles in central park with Christo and Jeanne-Claude Karen Wright
2005
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18(2005), 5, Seite 48 - 49:
Pushing All The Right Buttons Martin Le Chevallier's video art by Christopher Mooney
2005
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Some Notes Towards the Exhaustion of Photography Martina Mullaney's "Turn In" by Jonathan T. D. Neil
2005
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18(2005), 5, Seite 52 - 53:
An Extra Ordinary Performance? the actions of Mark McGowan by J. J. Charlesworth
2005
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Real Time Players Bill Viola and Peter Sellars' new production of "Tristan and Isolde" by Clara Young
2005
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18(2005), 5, Seite 68 - 73:
Bone Idol killing time with Ricky Swallow Martin Herbert
2005
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18(2005), 5, Seite 74 - 77:
Jeremy Deller and Alan Kane's Folk Archive Sam Jacob
2005
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18(2005), 5, Seite 78 - 81:
21st century bestiary Gregory Colbert's "Ashes and Snow" Joseph Giovannini
2005
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18(2005), 5, Seite 84 - 87:
Awop Bopa Loobop Zobop Bam Boom Jim Lambie's recycled pop Ian MacMillan
2005
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18(2005), 5, Seite 88 - 93:
Sturtevant - Even better than the real thing? Karen Wright
2005
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18(2005), 6, Seite 34 - 37:
Letters and Luggage Tracey Emin unpacks her thoughts on love, God and needlework by Karen Wright
2005
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18(2005), 6, Seite 38 - 43:
The iceberg cometh Herzog & de Meuron bring some Swiss cool to Minneapolis Marcus Field
2005
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18(2005), 6, Seite 58 - 59:
Out of the Picture Ian Kiaer's endless art by Charles Darwent
2005
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18(2005), 6, Seite 60 - 61:
Blunting the Cutting Edge Felix Gmelin's reevaluation of revolution by Amanda Coulson
2005
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18(2005), 6, Seite 66 - 73:
We Will Do Our Worst Gilbert & George take on the Venice Biennale by Martin Gayford
2005
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18(2005), 6, Seite 74 - 79:
From windscreen to widesreen on set with Ed Ruscha Hal Foster
2005
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18(2005), 6, Seite 80 - 83:
Enter the Dragon Cai Guo-Qiang breathes new fire into Venice Barbara Pollack
2005
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18(2005), 6, Seite 84 - 86:
Things that go bump in the night Mark Wallinger bears all Sally O'Reilly
2005
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18(2005), 6, Seite 89 - 91:
Too good to be true? Phil Hale - struggle and strimming by Toby Litt
2005
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18(2005), 6, Seite 98 - 103:
Live Through This Frida Kahlo's transcendent paintings Jeanette Winterson
2005
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18(2005), 7-8, Seite 34 - 37:
Benditlike... Chris Cunningham's "Rubber Johnny" Jonathan Romney
2005
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18(2005), 7-8, Seite 38 - 41:
Décosterd & Rahm - taking architecture to another dimension Philip Jodidio
2005
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18(2005), 7-8, Seite 50 - 51:
Between Embroidery And Suture Jukia Chiang's stitches in time by Jonathan T. D. Neil
2005
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18(2005), 7-8, Seite 52 - 53:
How Not to Waste Space Jan De Cock's unmonumental monuments by Amanda Coulson
2005
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18(2005), 7-8, Seite 54 - 55:
Significant Others Luke Oxley simple sign man by Mark Rappolt
2005
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18(2005), 7-8, Seite 58 - 63:
The Autobiography of Paul McCarthy Benjamin Weissman
2005
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18(2005), 7-8, Seite 64 - 69:
Big in Bilbao Richard Serra returns to the Guggenheim by Martin Gayford
2005
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18(2005), 7-8, Seite 74 - 79:
Kiki & Me Kiki Smith - glad to be a terrror Steven Sherrill
2005
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18(2005), 7-8, Seite 80 - 83:
The Shock of the Old Miroslav Tichý exposed Roman Buxbaum
2005
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Small Work Big Picture Richard Tuttle in New Mexico Karen Wright
2005
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18(2005), 9, Seite 36 - 39:
Changing Lanes Saul Fletcher comes to a fork in the road Vince Aletti
2005
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18(2005), 9, Seite 44 - 47:
Medicine Man Mathieu Lehanneur's fantastic pharmaceuticals Clara Young
2005
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18(2005), 9, Seite 56 - 57:
Epistemic Threads Angelo Filomeno's unnatural history by Jonathan T. D. Neil
2005
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18(2005), 9, Seite 58 - 59:
Slow Time Tomma Abts's old-fashioned modernity by Barry Schwabsky
2005
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18(2005), 9, Seite 60 - 61:
Hit and Run Reading Martina Hoogland Ivanow by Roger Tatley
2005
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18(2005), 9, Seite 68 - 73:
Crazy for You Candice Breitz on pop idols & portraiture by Christy Lange
2005
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18(2005), 9, Seite 78 - 81:
Estate Sales & Fairy Tales Life after death with the Kabakovs by Karen Wright
2005
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Nothing to see here - Jörg Sasse by Jason Oddy
2005
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18(2005), 9, Seite 100 - 103:
Hindsight Jean Hélion's Récits et commentaires by Deborah Rosenthal
2005
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18(2005), 10, Seite 74 - 79:
Big Bang Keith Tyson on cause and effect by Martin Herbert
2005
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18(2005), 10, Seite 80 - 83:
Back to the Wall rereading Jeff's prose poems Vince Aletti
2005
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18(2005), 10, Seite 96 - 99:
California dreaming Jorge Pardo launches his latest flight of fancy by Karen Wright
2005
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18(2005), 11, Seite 48 - 50:
Being Digital John Maeda on computers, collectors and commerce by Mark Rappolt
2005
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18(2005), 11, Seite 62 - 63:
Chloe Piene on leaps of faith Joshua Mack
2005
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18(2005), 11, Seite 64 - 65:
David Altmejd on gothic horrors and crystal methods Jonathan T. D. Neil
2005
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18(2005), 11, Seite 66 - 67:
John Beech waste and space Marcus Verhagen
2005
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18(2005), 11, Seite 80 - 85:
Dark Silent Type an afternoon at Raymond Pettibon's Benjamin Weissman
2005
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18(2005), 11, Seite 86 - 89:
The Reis Stuff the world according to Pedro by Karen Wright
2005
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17(2004), 1, Seite 50 - 57:
Richard Misrach - Photographs from "On the Beach" Geoff Dyer
2004
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17(2004), 1, Seite 70 - 75:
Out of the Shadows - Daido Moriyama Mark Holborn
2004
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17(2004), 1, Seite 76 - 79:
An Autobiography of Seeing - Stephen Shore Aaron Schuman
2004
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17(2004), 1, Seite 80 - 83:
Artist/Photographer (female) Seeks People for Portraits - Katy Grannan Ana Finel Honigman
2004
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17(2004), 2, Seite 44 - 46:
Last Man Standing - Breon O'Casey Ruth Guilding
2004
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17(2004), 2, Seite 66 - 71:
(Re)Birth of a Star - Lee Bontecou is back with a bang Karen Wright
2004
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17(2004), 2, Seite 72 - 77:
Ed Kienholz - Expert Steven Sherrill
2004
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17(2004), 2, Seite 78 - 81:
Lions in the Mud the alchemy and mythology of David Smith Lance Esplund
2004
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17(2004), 2, Seite 82 - 87:
Lives of the Bohemians on my father's painting Jonathan Lethem
2004
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17(2004), 2, Seite 88 - 91:
Myth Breaker - Don Suggs Doug Harvey
2004
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17(2004), 2, Seite 92 - 95:
The Breach of His Own Flesh - Andre Masson Deborah Rosenthal
2004
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17(2004), 2, Seite 96 - 98:
Dieter Roth - Food for Thought Julian Kreimer
2004
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17(2004), 2, Seite 103 - 105:
Machine-Powered Pictures Sarah Morris is gripped by the grid Jason Oddy
2004
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17(2004), 3, Seite 58 - 61:
Eat the Top Lip First Dana Schutz - Consuming Passions April Reynolds
2004
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17(2004), 3, Seite 78 - 81:
You Take My Place in this Showdown put on some Glenn Brown and press play Ian MacMillan
2004
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17(2004), 3, Seite 86 - 89:
The Painter and his Tools Caio Fonseca at work in Italy Karen Wright
2004
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17(2004), 3, Seite 90 - 93:
Necessary Leaps - Welcome to the world of Richard Allen Morris Siri Hustvedt
2004
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17(2004), 3, Seite 94 - 95:
What do you get when you cross a duck with a rabbit? Simon Bill will leave you lost for words Charles Darwent
2004
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17(2004), 3, Seite 100 - 101:
Arse, Eggs and Mr Sheen Moustaches Paul Noble tackles the fundament of design Charles Holland
2004
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17(2004), 3, Seite 102 - 106:
Walks Around Brancusi presentational swings and optical rounabouts Trevor Winkfield
2004
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16(2003), 1, Seite 22 - 25:
Mud Upwards Interview Antony Gormley Martin Gayford
2003
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16(2003), 1, Seite 54 - 61:
Ed Is on No Side where do Ed Ruscha's words come from, and where are they going? Geoff Nicholson
2003
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16(2003), 1, Seite 90 - 93:
Romance of the Rose little known but legendary, the slow art of Jay DeFeo... Carter Ratcliff
2003
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16(2003), 1, Seite 98 - 99:
Art and Entropy science and pseudo-science provide the artistic springs for sculptor Richard Dupont Nick Paumgarten
2003