• Medientyp: E-Book
  • Titel: Palestine, Israel, and the Politics of Popular Culture
  • Beteiligte: Amy, Horowitz [MitwirkendeR]; Carol, Bardenstein [MitwirkendeR]; Elliott, Colla [MitwirkendeR]; Ilan, Pappé [MitwirkendeR]; Joseph, Massad [MitwirkendeR]; Laleh, Khalili [MitwirkendeR]; LeVine, Mark [Sonstige Person, Familie und Körperschaft]; Livia, Alexander [MitwirkendeR]; Mark, LeVine [MitwirkendeR]; Mary, Layoun [MitwirkendeR]; Melani, McAlister [MitwirkendeR]; Rebecca L., Stein [MitwirkendeR]; Salim, Tamari [MitwirkendeR]; Stein, Rebecca L [HerausgeberIn]; Swedenburg, Ted [HerausgeberIn]; Tamari, Salim [Sonstige Person, Familie und Körperschaft]; Ted, Swedenburg [MitwirkendeR]
  • Erschienen: Durham: Duke University Press, [2005]
    [Online-Ausgabe]
  • Umfang: 1 Online-Ressource (424 p); 19 illustrations
  • Sprache: Englisch
  • DOI: 10.1515/9780822386872
  • ISBN: 9780822386872
  • Identifikator:
  • Schlagwörter: Arab-Israeli conflict ; Palestinian Arabs Social conditions ; Popular culture Political aspects Palestine ; SOCIAL SCIENCE / Anthropology / Cultural & Social
  • Art der Reproduktion: [Online-Ausgabe]
  • Entstehung:
  • Anmerkungen: In English
    Mode of access: Internet via World Wide Web
  • Beschreibung: Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Popular Culture, Transnationality, and Radical History -- I HISTORICAL ARTICULATIONS -- Wasif Jawhariyyeh, Popular Music, and Early Modernity in Jerusalem -- The Palestinian Press in Mandatory Jaffa: Advertising, Nationalism, and the Public Sphere -- Post-Zionism and Its Popular Cultures -- II CINEMAS AND CYBERSPACES -- Cross/Cast: Passing in Israeli and Palestinian Cinema -- Virtual Nation: Palestinian Cyberculture in Lebanese Camps -- Is There a Palestinian Cinema? The National and Transnational in Palestinian Film Production -- III THE POLITICS OF MUSIC -- Liberating Songs: Palestine Put to Music -- Dueling Nativities: Zehava Ben Sings Umm Kulthum -- Against Hybridity: The Case of Enrico Macias/Gaston Ghrenassia -- IV REGIONAL AND GLOBAL CIRCUITS -- ‘‘First Contact’’ and Other Israeli Fictions: Tourism, Globalization, and the Middle East Peace Process -- Prophecy, Politics, and the Popular: The Left Behind Series and Christian Evangelicalism’s NewWorld Order -- Telling Stories in Palestine: Comix Understanding and Narratives of Palestine-Israel -- Sentimentality and Redemption: The Rhetoric of Egyptian Pop Culture Intifada Solidarity -- Bibliography -- Contributors -- Index

    This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace.The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
  • Zugangsstatus: Eingeschränkter Zugang