• Medientyp: E-Book
  • Titel: Rock Over the Edge : Transformations in Popular Music Culture
  • Beteiligte: Beebe, Roger [HerausgeberIn]; Ben, Saunders [MitwirkendeR]; Denise, Fulbrook [MitwirkendeR]; Fulbrook, Denise [HerausgeberIn]; Gayle, Wald [MitwirkendeR]; Ian, Balfour [MitwirkendeR]; Jason, Middleton [MitwirkendeR]; John J., Sheinbaum [MitwirkendeR]; Josh, Kun [MitwirkendeR]; Lawrence, Grossberg [MitwirkendeR]; Lisa, Parks [MitwirkendeR]; Michael, Coyle [MitwirkendeR]; R. J. Warren, Zanes [MitwirkendeR]; Robert, Fink [MitwirkendeR]; Roger, Beebe [MitwirkendeR]; Saunders, Ben [HerausgeberIn]; Tony, Grajeda [MitwirkendeR]; Trent, Hill [MitwirkendeR]
  • Erschienen: Durham: Duke University Press, [2002]
    [Online-Ausgabe]
  • Umfang: 1 Online-Ressource (399 p); 8 b&w photos, 2 tables, 1 figure
  • Sprache: Englisch
  • DOI: 10.1515/9780822383376
  • ISBN: 9780822383376
  • Identifikator:
  • Schlagwörter: Rock music History and criticism ; MUSIC / Genres & Styles / Rock
  • Art der Reproduktion: [Online-Ausgabe]
  • Entstehung:
  • Anmerkungen: In English
    Mode of access: Internet via World Wide Web
  • Beschreibung: Frontmatter -- CONTENTS -- Introduction -- DISCOURSES / HISTORIES -- Reflections of a Disappointed Popular Music Scholar -- Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon -- ‘‘Think about What You’re Trying to Do to Me’’: Rock Historiography and the Construction of a Raced-Based Dialectic -- Hijacked Hits and Antic Authenticity: Cover Songs, Race, and Postwar Marketing -- NEW SPACES / NEW MAPS -- Why Isn’t Country Music ‘‘Youth’’ Culture? -- Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth -- Satellite Rhythms: Channel V, Asian Music Videos, and Transnational Gender -- The ‘‘Feminization’’ of Rock -- Rock’s Reconquista -- DESIRES / AFFECTS -- A Fan’s Notes: Identification, Desire, and the Haunted Sound Barrier -- Mourning Becomes . . . ? Kurt Cobain, Tupac Shakur, and the ‘‘Waning of A√ect’’ -- D.C. Punk and the Production of Authenticity -- Queen Theory: Notes on the Pet Shop Boys -- Index -- Contributors

    This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain.Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom.Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes
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