Beschreibung:
Music and Avant-Garde Discourse in Inter-War Czechoslovakia -- From the Monkey Mountains: The Body, the Grotesque, and Carnival -- Suite for Piano, Op. 13 (1935) : Neoclassical Tendencies -- Rhythmic Layers and Musical Form : Janáčekian Elements in Haas's Compositional Practice -- Haas's Charlatan : A Tragi-Comedy about Old Comedians, Modern Individualists, and Uncanny Doubles -- Four Songs on Chinese Poetry : Grief, Melancholy, Uncanny Reflections, and Vicious Circles in Songs from Terezín.