• Medientyp: Buch; unbewegtes Bild
  • Titel: Hot art, Cold War : Southern and Eastern European writing on American art 1945-1990
  • Beteiligte: Hopkins, Claudia [HerausgeberIn]; Whyte, Iain Boyd [HerausgeberIn]
  • Erschienen: New York; London: Routledge, Taylor & Francis Group, 2021
  • Umfang: xxiv, 642 Seiten; Illustrationen; 26 cm
  • Sprache: Englisch
  • ISBN: 0367437872; 9780367437879
  • RVK-Notation: LH 61060 : Kunstvergleichung und Kunstkritik
    LO 94030 : allgemein
  • Schlagwörter: Südeuropa > Osteuropa > Kunstkritik > Geschichte 1945-1990
    USA > Kunst > Geschichte 1945-1990
    USA > Kunst > Rezeption > Ostblock > Ost-West-Konflikt
  • Entstehung:
  • Anmerkungen: Includes bibliographical references and index
  • Beschreibung: Ten years of painting and sculpture at the Tate Gallery / Fernando Pernes ; translated from Portuguese by Ruth Rosengarten -- Frontier art / Francesco Alinovi ; translated from Italian by Lucinda Byatt -- Between Las Vegas and Golgotha / Hermann Raum ; translated from German by Margarethe Clausen.

    "Hot Art, Cold War - Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism"--

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