Entry Points: The Vera List Center Field Guide on Art and Social Justice No. 1

Medientyp: E-Book

Titel: Entry Points : The Vera List Center Field Guide on Art and Social Justice No. 1

Beteiligte: Kanwar, Amar [MitwirkendeR]; Kuoni, Carin [MitwirkendeR]; Haines, Chelsea [MitwirkendeR]; Schäfer, Christoph [MitwirkendeR]; Linyekula, Faustin [MitwirkendeR]; Haines, Chelsea [HerausgeberIn]; Ballard, Horace D [MitwirkendeR]; Samb, Issa [MitwirkendeR]; Edens, Jocelyn [MitwirkendeR]; Ribas, João [MitwirkendeR]; Kuoni, Carin [HerausgeberIn]; Wilson, Mabel O [MitwirkendeR]; Naprushkina, Marina [MitwirkendeR]; Crawford, Romi N [MitwirkendeR]; Iveković, Sanja [MitwirkendeR]; Jackson, Shannon [MitwirkendeR]; Sliwinski, Sharon [MitwirkendeR]; Rigdol, Tenzing [MitwirkendeR]; Gates, Theaster [MitwirkendeR]; Keenan, Thomas [MitwirkendeR]

Erschienen: Durham: Duke University Press, [2016]
[Online-Ausgabe]

Umfang: 1 Online-Ressource (288 p); 153 illustrations

Sprache: Englisch

DOI: 10.1515/9780822373957

ISBN: 9780822373957

Identifikator:

Schlagwörter: Aesthetics ; Art and society ; Human rights ; Social justice in art ; Urbanization ; ART / History / Contemporary (1945-)

Art der Reproduktion: [Online-Ausgabe]

Entstehung:

Anmerkungen: In English
Mode of access: Internet via World Wide Web

Beschreibung: Frontmatter -- Contents -- Part 1. The Field -- That Incorrigible Disturber of the Peace -- On Dirt -- Political in and of Art -- Ai Weiwei -- Shahidul Alam -- Karen Andreassian -- Bibliothèques Sans Frontières -- Giuseppe Campuzano -- Omar Berrada on DABATEATR Citoyen -- DABATEATR -- Etcétera -- Gugulective -- Hans Haacke -- Sandi Hilal and Alessandro Petti Campus in Camps -- Interference Archive -- Women's House -- The Sovereign Forest -- More more more . . . future -- Mosireen -- Office for Anti-Propaganda -- Our Land, Our People -- Laboratoire Agit'art -- Park Fiction -- Take to the Sea -- Part 2. Dorchester Projects -- Theaster Gates -- "Some Kind of Work Simply Needs to Happen." -- A Way of Working -- Utopian Operating Systems: Theaster's Way of Working -- Collecting Publics: The Spatial Politics of Dorchester Projects -- Gauging the Racial Times in the Work of Theaster Gates -- Neither "Black Church" nor "White Cube" -- Learning from Chicago -- Theaster Gates: A Way of Reception -- Vera List Center Prize for Art and Politics -- Nominated Projects -- Vera List Center -- Book Contributors -- Index -- Image Credits

Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center's twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project's exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School.Published by Duke University Press and the Vera List Center for Art and Politics at The New School

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