• Medientyp: E-Book
  • Titel: Barthes/Burgin
  • Beteiligte: Bishop, Ryan [VerfasserIn]; Bishop, Ryan [MitwirkendeR]; Burgin, Victor [MitwirkendeR]; Foster, Stephen [MitwirkendeR]; Manghani, Sunil [VerfasserIn]; Manghani, Sunil [MitwirkendeR]
  • Erschienen: Edinburgh: Edinburgh University Press, [2022]
    [Online-Ausgabe]
  • Umfang: 1 Online-Ressource (128 p); 27 colour illustrations
  • Sprache: Englisch
  • DOI: 10.1515/9781474415545
  • ISBN: 9781474415545
  • Identifikator:
  • Schlagwörter: Drawing Exhibitions 21st century ; Drawing 21st century Exhibitions ; Photography, Artistic Exhibitions 21st century Exhibition catalogs Interviews Exhibition catalogs Exhibition catalogs ; Photography, Artistic 21st century Exhibitions ; ART / Individual Artists / General
  • Art der Reproduktion: [Online-Ausgabe]
  • Entstehung:
  • Anmerkungen: In English
    Mode of access: Internet via World Wide Web
  • Beschreibung: Frontmatter -- Contents -- Acknowledgements -- Preface -- Barthes, Burgin, Barre oblique -- Works on Paper by Roland Barthes -- An Exercise in Drawing -- Reading Barthes -- A Place to Read -- Still Moving -- Prairie -- Belledonne

    A new critical consideration of the writings and works of Roland Barthes and Victor BurginThe influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality.Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting.This book accompanied an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition played with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z).Key FeaturesPublished as the official catalogue of the exhibition of the same name that is being held at the John Hansard Gallery in Southampton, as well as a stand-alone art and philosophy bookOver 20 full-colour illustrations, including newly commissioned work by Victor Burgin and images of Barthes' work on paperContains newly commissioned text by Victor Burgin and unpublished conversations with him on his recent projection works and their theoretical implications
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