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Hollweg, Brenda [VerfasserIn]; Krstić, Igor [VerfasserIn] ; Avezzù, Giorgio [MitwirkendeR]; Barriga, Susana [MitwirkendeR]; Blümlinger, Christa [MitwirkendeR]; Bohr, Marco [MitwirkendeR]; Canet, Fernando [MitwirkendeR]; Elsaesser, Thomas [MitwirkendeR]; Feldman, Ilana [MitwirkendeR]; Fidotta, Giuseppe [MitwirkendeR]; Greenhalgh, Cathy [MitwirkendeR]; Hollweg, Brenda [MitwirkendeR]; Kilroy, Peter [MitwirkendeR]; Krstic, Igor [MitwirkendeR]; Minh-ha, Trinh T. [MitwirkendeR]; O’Farrell, Tim [MitwirkendeR]; Piotrowska, Agnieszka [MitwirkendeR]; Rascaroli, Laura [MitwirkendeR]; Tianqi Yu, Kiki [MitwirkendeR]; Trinh Thi, Nguyen [MitwirkendeR]; Wang, Bo [MitwirkendeR]

World Cinema and the Essay Film

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  • Medientyp: E-Book
  • Titel: World Cinema and the Essay Film : Transnational Perspectives on a Global Practice
  • Enthält: Frontmatter
    CONTENTS
    List of Figures
    Acknowledgements
    Notes on the Contributors
    Introduction
    PART ONE CINEPHILIC DIALOGUES
    1. The Essay Film and its Global Contexts: Conversations on Forms and Practices
    2. Essay Films about Film: The ‘Filmed Correspondence’ between José Luis Guerin and Jonas Mekas
    PART TWO MOBILITIES AND MOVEMENTS
    3. Accented Essay Films: The Politics and Poetics of the Essay Film in the Age of Migration
    4. Cottonopolis: Experimenting with the Cinematographic, the Ethnographic and the Essayistic
    5. The World Essay Film and the Politics of Traceability
    PART THREE LABORATORY OF MEMORIES
    6. Memory as a Motor of Images: The Essayistic Mode in Apichatpong Weerasethakul’s Variations of Uncle Boonmee
    7. ‘Time Turning into Space’: Innocence of Memories’ Prismatic Istanbul
    8. Lovers in Time: An Essay Film of Contested Memories
    PART FOUR LANDSCAPES OF TRAUMA
    PART FOUR LANDSCAPES OF TRAUMA 9. No Man’s Zone: The Essay Film in the Aftermath of the Tsunami in Japan
    10. ‘Image-writing’: The Essayistic/Sanwen in Chinese Nonfiction Cinema and Zhao Liang’s Behemoth
    PART FIVE ARCHIVAL EFFECTS
    11. Indigenous Australia and the Archive Effect: Frances Calvert’s Talking Broken as Essay Film
    12. Between Autobiography, Personal Archive and Mourning: David Perlov’s Diary 1973–1983 in Tel Aviv
    AFTERIMAGES: A PHOTO-ESSAY
    Strangely Real: A Reassemblage from the Film Forgetting Vietnam
    Index
  • Beteiligte: Hollweg, Brenda [VerfasserIn]; Avezzù, Giorgio [MitwirkendeR]; Barriga, Susana [MitwirkendeR]; Blümlinger, Christa [MitwirkendeR]; Bohr, Marco [MitwirkendeR]; Canet, Fernando [MitwirkendeR]; Elsaesser, Thomas [MitwirkendeR]; Feldman, Ilana [MitwirkendeR]; Fidotta, Giuseppe [MitwirkendeR]; Greenhalgh, Cathy [MitwirkendeR]; Hollweg, Brenda [MitwirkendeR]; Kilroy, Peter [MitwirkendeR]; Krstic, Igor [MitwirkendeR]; Krstić, Igor [VerfasserIn]; Minh-ha, Trinh T. [MitwirkendeR]; O’Farrell, Tim [MitwirkendeR]; Piotrowska, Agnieszka [MitwirkendeR]; Rascaroli, Laura [MitwirkendeR]; Tianqi Yu, Kiki [MitwirkendeR]; Trinh Thi, Nguyen [MitwirkendeR]; Wang, Bo [MitwirkendeR]
  • Erschienen: Edinburgh: Edinburgh University Press, [2022]
  • Umfang: 1 Online-Ressource (264 p.); 40 B/W illustrations
  • Sprache: Englisch
  • DOI: 10.1515/9781474429269
  • ISBN: 9781474429269
  • Identifikator:
  • Schlagwörter: Experimental films History and criticism ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / General
  • Entstehung:
  • Anmerkungen: In English
  • Beschreibung: Explores the essay film as a global film practiceWorld Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert’s work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.Key features Includes well-known and fresh voices of essay film practice from around the world Features examples from essay film practice as researchContains interviews with non-western filmmakers, in-depth case studies of global essay film practice and self-reflexive essays by scholars and film practitioners Includes case studies of works by:John AkomfrahNoël Burch and Allan SekulaFrances CalvertToshi FujiwaraGrant GeeAmos GitaiCathy GreenhalghJosé Luis GuerínJonas MekasAngela MelitopoulosLuc MoulletNguyen Trinh ThiDavid PerlovAgnieszka PiotrowskaApichatpong Weerasethakul and Zhao Liang
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