Transformation and Tradition in 1960s British Cinema

Medientyp: E-Book

Titel: Transformation and Tradition in 1960s British Cinema

Enthält: Frontmatter
CONTENTS
FIGURES
ACKNOWLEDGEMENTS
INTRODUCTION
PART ONE. STRUCTURES AND COMPANIES
1. DISTRIBUTION AND PRODUCTION: THE BRITISH MAJORS
2. AMERICAN INVOLVEMENT IN UK FILM PRODUCTION
3. PUBLIC SUPPORT IN A CHANGING CLIMATE
4. THE VERTICALLY INTEGRATED INDEPENDENT
5. LOW-BUDGET INDEPENDENT PRODUCTION
PART TWO. CREATIVE AGENCY
6. SCREENWRITING
7. DIRECTING
8. PRODUCTION DESIGN
9. COSTUME DESIGN
10. CINEMATOGRAPHY
11. EDITING
PART THREE. MEDIA CONVERGENCE
12. FILM AND TELEVISION
13. FILM AND TV ADVERTISING
14. FILM AND POP MUSIC
CONCLUSION
APPENDICES
BIBLIOGRAPHY
INDEX

Beteiligte: Farmer, Richard [VerfasserIn]; Farmer, Richard [MitwirkendeR]; Mayne, Laura [VerfasserIn]; Mayne, Laura [MitwirkendeR]; Petrie, Duncan [VerfasserIn]; Petrie, Duncan [MitwirkendeR]; Williams, Melanie [MitwirkendeR]

Erschienen: Edinburgh: Edinburgh University Press, [2022]

Umfang: 1 Online-Ressource (416 p.); 16 B/W illustrations

Sprache: Englisch

DOI: 10.1515/9781474423137

ISBN: 9781474423137

Identifikator:

Schlagwörter: Motion pictures Great Britain 20th century History ; Nineteen sixties ; Film, Media & Cultural Studies ; HISTORY / Europe / Great Britain / General

Entstehung:

Anmerkungen: In English

Beschreibung: An in-depth reassessment of the nature and significance of British cinema and the British film industry during the 1960sOver half a century on, the 1960s continue to generate strong intellectual and emotional responses – both positive and negative – and this is no less true in the arena of film. Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in that dramatic decade. Transformation and Tradition in 1960s British Cinema is the first scholarly volume on this period of British cinema for more than twenty-five years. It provides a major reconsideration of the period by focusing on the central tensions and contradiction between novelty/revolution and continuity/tradition during what remains a highly contentious period of cultural production and consumption. Key featuresExplores the British film industry, production, distribution and state support during the 1960s Examines creative agency, production cultures and the contribution made by key types of creative practitioner to British films of the decade Investigates British cinema’s connections with television, advertising and pop music

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