The New Extremism in Cinema: From France to Europe

Medientyp: E-Book

Titel: The New Extremism in Cinema : From France to Europe

Enthält: Frontmatter
Contents
Acknowledgements
Chapter 1 Introduction
Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema
Part 1 French Cinema and the New Extremism
Chapter 3 The Wounded Screen
Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism
Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont’s Twentynine Palms in the Context of European Cinematic Extremism
Part II Becoming Animal: Posthumanism and the New Extremism
Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life
Chapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/Export
Chapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real
Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?
Chapter 10 Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain
Chapter 11 ‘Sex and Violence from a Pair of Furies’: The Scandal of Baise-moi
Chapter 12 ‘Close Your Eyes and Tell Me What You See’: Sex and Politics in Lukas Moodysson’s Films
Part IV Ethics and Spectatorship in the New Extremism
Chapter 13 Lars von Trier’s Dogville: A Feel-Bad Film
Chapter 14 A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold
Chapter 15 Interrogating the Obscene: Extremism and Michael Haneke
Chapter 16 On the Unwatchable
Afterword
Chapter 17 More Moralism from that ‘Wordy Fuck’
Notes on Contributors
Works Cited
Index

Beteiligte: Horeck, Tanya [VerfasserIn]; Archer, Neil [MitwirkendeR]; Barker, Martin [MitwirkendeR]; Beugnet, Martine [MitwirkendeR]; Chamarette, Jenny [MitwirkendeR]; Coulthard, Lisa [MitwirkendeR]; Goddard, Michael [MitwirkendeR]; Grønstad, Asbjørn [MitwirkendeR]; Hickin, Daniel [MitwirkendeR]; Horeck, Tanya [MitwirkendeR]; Kendall, Tina [VerfasserIn]; Kendall, Tina [MitwirkendeR]; Larsson, Mariah [MitwirkendeR]; Lübecker, Nikolaj [MitwirkendeR]; Quandt, James [MitwirkendeR]; Wheatley, Catherine [MitwirkendeR]; Wimmer, Leila [MitwirkendeR]

Erschienen: Edinburgh: Edinburgh University Press, [2022]

Umfang: 1 Online-Ressource (248 p.)

Sprache: Englisch

DOI: 10.1515/9780748647095

ISBN: 9780748647095

Identifikator:

Schlagwörter: Motion pictures -- Europe -- History ; Motion pictures Europe History ; Sex in motion pictures ; Violence in motion pictures ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / General

Entstehung:

Anmerkungen: In English

Beschreibung: Explosive images of sex and violence in films by directors such as Catherine Breillat, Gaspar Noé, Michael Haneke and Lars von Trier have attracted media attention for the ways in which they seek to shock and provoke the spectator into powerful affective and visceral responses.This first collection of essays devoted to the new extremism in contemporary European cinema critically interrogates this highly contentious body of work and demonstrates that these films and the controversies they engender are indispensable to the critical task of rethinking the terms of spectatorship. Through critical discussions of key films and directors, this book sheds new light on cutting-edge debates in Film Studies regarding sexuality, violence and spectatorship, affect and ethics, and the political dimensions of extreme cinema.Including important new work from internationally renowned scholars Martin Barker and Martine Beugnet, as well as combining a range of approaches to extreme cinema across audience research and theories of spectator ship, this exploration of the darkest side of cinema will be an invaluable resource for film scholars and students

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