• Medientyp: E-Book; Hochschulschrift
  • Titel: The invention of ›Outsider Art‹ : experiencing practices of othering in contemporary art worlds in the UK
  • Enthält: Frontmatter
    Contents
    1. Introduction
    2. Methodology and Research Design
    3. Theoretical Contextualisation of 'Outsider Art' in Cultural Anthropology
    4. Historical Readings and Discursive Genealogies of 'Outsider Art'
    5. Contemporary Discourses and Media Representations of 'Outsider Art' in the UK
    6. Introducing the Individual Behind the 'Outsider'
    7. Conclusion
    References
    Media Sample Listed by Source
    List of Figures
    Acknowledgments
  • Beteiligte: Scherr, Marion [Verfasser:in]
  • Erschienen: Bielefeld: transcript Verlag, [2022]
  • Erschienen in: Image ; 212
  • Umfang: 1 Online-Ressource (299 Seiten)
  • Sprache: Englisch
  • DOI: 10.1515/9783839462508
  • ISBN: 9783839462508
  • Identifikator:
  • Schlagwörter: ART / European ; Art Brut ; Art History of the 21st Century ; Cultural Anthropology ; Culture ; Disability ; European Art ; Exclusion ; Fine Arts ; Image ; Stigma ; Hochschulschrift
  • Entstehung:
  • Hochschulschrift: Dissertation, Carl von Ossietzky Universität Oldenburg, 2021
  • Anmerkungen: This work is based on the author’s PhD thesis submitted in fulfilment of the requirements for the degree of doctor of philosophy (Dr. phil.) to Carl von Ossietzky Universität Oldenburg in 2021
    In English
  • Beschreibung: What does it mean to be called an »outsider«? Marion Scherr investigates structural inequalities and the myth of the Other in Western art history, examining the role of ›Outsider Art‹ in contemporary art worlds in the UK. By shifting the focus from art world professionals to those labelled »Outsider Artists«, she counteracts one-sided representations of them being otherworldly, raw, and uninfluenced. Instead, the artists are introduced as multi-faceted individuals in constant exchange with their social environment and as employing diverse strategies in dealing with their exclusion. The book reframes their voices and artworks as complex, serious and meaningful cultural contributions, and challenges their attested Otherness in favour for a more inclusive, all-encompassing understanding of art
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