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Garcia, Luis-Manuel
[MitwirkendeR];
Gregor, Neil
[MitwirkendeR];
Gregor, Neil
[HerausgeberIn];
Irvine, Thomas
[MitwirkendeR];
Irvine, Thomas
[HerausgeberIn];
Kam, Lap-Kwan
[MitwirkendeR];
Nye, Sean
[MitwirkendeR];
Okazaki, Brooke McCorkle
[MitwirkendeR];
Pollock, Emily Richmond
[MitwirkendeR];
Smith, Dana
[MitwirkendeR];
Sneeringer, Julia
[MitwirkendeR];
Sprigge, Martha
[MitwirkendeR];
Ziemer, Hansjakob
[MitwirkendeR]
Dreams of Germany
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- Medientyp: E-Book
- Titel: Dreams of Germany : Musical Imaginaries from the Concert Hall to the Dance Floor
-
Enthält:
Frontmatter
CONTENTS
FIGURES AND TABLES
ACKNOWLEDGMENTS
INTRODUCTION
PART I Spaces and Moments of Affect
CHAPTER 1 "The German in the Concert Hall" Concertgoing and National Belonging in the Early Twentieth Century
CHAPTER 2 "Music Made in Hamburg" How One City's Music Scene Helped Make Rock and Roll the Lingua Franca of Youth
CHAPTER 3 "With Every Inconceivable Finesse, Excess, and Good Music" Sex, Affect, and Techno at Snax Club in Berlin
PART II The Local, the Regional, the National
CHAPTER 4 Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras
CHAPTER 5 Female Musicians and "Jewish" Music in the Jewish Kulturbund in Bavaria, 1934-38
CHAPTER 6 Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater
PART III Globalizing Musical Germanness
CHAPTER 7 Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan
CHAPTER 8 Hubert Parry, Germany, and the "North"
PART IV Fantasies, Reminiscences, Dreams, Nightmares
CHAPTER 9 Between Musicology and Mythology at the Stunde Null: Austria's 950th "Birthday" and the 50th Anniversary of Bruckner's Death
CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer's Aide -Mémoire (1983)
CHAPTER 11 Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika
INDEX
- Beteiligte: Garcia, Luis-Manuel [MitwirkendeR]; Gregor, Neil [MitwirkendeR]; Gregor, Neil [HerausgeberIn]; Irvine, Thomas [MitwirkendeR]; Irvine, Thomas [HerausgeberIn]; Kam, Lap-Kwan [MitwirkendeR]; Nye, Sean [MitwirkendeR]; Okazaki, Brooke McCorkle [MitwirkendeR]; Pollock, Emily Richmond [MitwirkendeR]; Smith, Dana [MitwirkendeR]; Sneeringer, Julia [MitwirkendeR]; Sprigge, Martha [MitwirkendeR]; Ziemer, Hansjakob [MitwirkendeR]
-
Erschienen:
New York; Oxford: Berghahn Books, [2018]
- Erschienen in: Spektrum: Publications of the German Studies Association ; 18
- Umfang: 1 Online-Ressource (320 p.)
- Sprache: Englisch
- DOI: 10.1515/9781789200331
- ISBN: 9781789200331
- Identifikator:
-
RVK-Notation:
LS 80100 : allgemein
- Schlagwörter: Music German influences ; Music History and criticism 20th century Germany ; Music Social aspects History 20th century Germany ; Music Social aspects Germany History 20th century ; Music Germany 20th century History and criticism ; National characteristics, German ; MUSIC / History & Criticism ; bavaria ; berlin ; case studies ; dance ; engaging ; europe ; fascism ; female musicians ; german concert halls ; german culture ; german democratic republic ; german music scene ; german music ; german musicians ; german society ; germany ; hamburg ; [...]
- Entstehung:
-
Anmerkungen:
In English
- Beschreibung: For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale
- Zugangsstatus: Eingeschränkter Zugang | Informationen zu lizenzierten elektronischen Ressourcen der SLUB