Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice

Medientyp: E-Book

Titel: Curating Live Arts : Critical Perspectives, Essays, and Conversations on Theory and Practice

Enthält: Frontmatter
Contents
Illustrations
PROLOGUE Bethinking One's Own Strengths: The Performative Potential of Curating
Acknowledgments
A Collective Introduction
A NOTE ON CURATORIAL STATEMENTS A Third Space: Chasing the Intangible
PART I Historical Framings
CHAPTER 1 From Content to Context: The Emergence of the Performance Curator
PRACTICAL SPACE Curiosity and Intuition
CHAPTER 2 Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969 / Venice 2013
CHAPTER 3 Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders
CHAPTER 4 Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse
PRACTICAL SPACE Untitled
CHAPTER 5 The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics
CHAPTER 6 The Curatorial Chronotope
PRACTICAL SPACE Layers
CHAPTER 7 More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance
PART II Ethical Proposals
CHAPTER 8 Dancing the Museum
CHAPTER 9 Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States
PRACTICAL SPACE Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator
CHAPTER 10 Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced
CHAPTER 11 Email to a Curator: An Introduction to The Curators' Piece
PRACTICAL SPACE Curating Liveness
CHAPTER 12 Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe
PART III The Artist-Curators
CHAPTER 13 The Artist-Curator, or the Philosophy of "Do-It-Yourself"
EMBODIED SPACE "Soft-Curation," Pollination, and Rhizomes
CHAPTER 14 Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts- a Study of Collective Affect
CHAPTER 15 Familias: Artist-Activist Curation in the South Bronx, New York
CHAPTER 16 What We Talk About When We Talk About Curating the "Unexpected"
EMBODIED SPACE Greater Than
CHAPTER 17 Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It
CHAPTER 18 Making Stage: Contemporary Dance and Performance Curation in the Caribbean
EMBODIED SPACE As We
CHAPTER 19 The Work of the Musician-Curator in Relation to the "Concert Scenario"
CHAPTER 20 Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation
CHAPTER 21 Collective Creation and Improvised Curation: A Discussion with Body Slam
PART IV Exhibition as Events
CHAPTER 22 A New Kind of Critical Elsewhere
CHAPTER 23 Re-enact History? Performing the Archive!
CHAPTER 24 Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective
EMBODIED SPACE THE TITLE AS THE CURATOR'S ART PIECE
CHAPTER 25 Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum
CHAPTER 26 The Curator's Work: Stories and Experiences from Tino Sehgal's Events
PART V Artivism
CHAPTER 27 Framing a Network, Charting Dis/Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field
ETHICAL SPACE Curate
CHAPTER 28 Food=Need: Constraints, Reflexivity, and Community Performance
CHAPTER 29 ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion
CHAPTER 30 Collective Walks / Spaces of Contestation: Site-Specifi city, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances
CHAPTER 31 Sound Citizen: Curating Sound Art in the Distributed Public Sphere
ETHICAL SPACE Curation as a Practice of Radical Care: A Defi nition
PART VI Institutional Reinventions
CHAPTER 32 Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age
C HAPTER 33 The Curator as a Culture Producer
ETHICAL SPACE Definition of Curation
CHAPTER 34 How to Build a Manifesto for the Future of a Festival "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polze
CHAPTER 35 The Curatorial Gesture as a Decolonial Gesture
ETHICAL SPACE Proposing Intervals- Curating as Choreography
CHAPTER 36 Are You Not Entertained? Curating Performance within the Institution
CHAPTER 37 Bodies in Museums: Institutional Practices and Politics
ETHICAL SPACE Curating History, Curating Resistance
CHAPTER 38 What Can Contemporary Art Perform? And Then Transgress?
EPILOGUE Situation Critical: What Comes Next for the Field of Performance Curation?
ETHICAL SPACE The Parable of the Curator MICHEL HERRERIA (DRAWING) AND JEAN-PAUL RATHIER (TEXT)
Index

Beteiligte: Adewole, Funmi [Mitwirkende:r]; Bagué, Arnaldo Rodríguez [Mitwirkende:r]; Bawin, Julie [Mitwirkende:r]; Bither, Philip [Mitwirkende:r]; Bottiroli, Silvia [Mitwirkende:r]; Brandstetter, Gabriele [Mitwirkende:r]; Breault, Marie-Hélène [Mitwirkende:r]; Chamberlain, Travis [Mitwirkende:r]; Charmatz, Boris [Mitwirkende:r]; Chhangur, Emelie [Mitwirkende:r]; Currier, Shoshona [Mitwirkende:r]; Das, Jareh [Mitwirkende:r]; Davida, Dena [Mitwirkende:r]; Davida, Dena [Herausgeber:in]; Defrantz, Thomas F. [Mitwirkende:r]; Dickinson, Peter [Mitwirkende:r]; Doonan, Natalie [Mitwirkende:r]; Ferdman, Bertie [Mitwirkende:r]; Forget, Nadège Grebmeier [Mitwirkende:r]; Forté, Marie Claire [Mitwirkende:r]; Gabriels, Jane [Mitwirkende:r]; Gabriels, Jane [Herausgeber:in]; Giasson, Steve [Mitwirkende:r]; Hafez, Adham [Mitwirkende:r]; Henry, Joseph [Mitwirkende:r]; Hudon, Véronique [Mitwirkende:r]; Hudon, Véronique [Herausgeber:in]; Hussie-Taylor, Judy [Mitwirkende:r]; Jackson, Naomi M. [Mitwirkende:r]; Keil, Marta [Mitwirkende:r]; Kosoko, Jaamil [Mitwirkende:r]; Kurz, Julia [Mitwirkende:r]; Laporte, Xavier [Mitwirkende:r]; Mackenzie, Victoria [Mitwirkende:r]; Maltais-Bayda, Fabien [Mitwirkende:r]; Malzacher, Florian [Mitwirkende:r]; Martin, Nicole L. [Mitwirkende:r]; McCurdy, Erin Joelle [Mitwirkende:r]; Mcfadden, Syreeta [Mitwirkende:r]; Mohr-Blakeney, Victoria [Mitwirkende:r]; Morrison, Harun [Mitwirkende:r]; Orte, Mariane Bourcheix-Lap [Mitwirkende:r]; Patterson, Pam [Mitwirkende:r]; Pearson, Deborah [Mitwirkende:r]; Pineda, Roselle [Mitwirkende:r]; Pronovost, Marc [Mitwirkende:r]; Pronovost, Marc [Herausgeber:in]; Rasmussen, Rie Hovmann [Mitwirkende:r]; Ricci, Elisa [Mitwirkende:r]; Sachs, Isabel [Mitwirkende:r]; Selinger, Gregory [Mitwirkende:r]; Sellar, Tom [Mitwirkende:r]; Sheriff, Yves [Mitwirkende:r]; Simard, Helen [Mitwirkende:r]; Steinwald, Michèle [Mitwirkende:r]; Søndergaard, Morten [Mitwirkende:r]; Tak, Claudia Chan [Mitwirkende:r]; Takiguchi, Ken [Mitwirkende:r]; Thomas, Makeda [Mitwirkende:r]; Tonizzo, Cécile [Mitwirkende:r]; Tupajić, Tea [Mitwirkende:r]; Tórz, Kasia [Mitwirkende:r]; Von Bismarck, Beatrice [Mitwirkende:r]; White, Roger [Mitwirkende:r]; Wren, Jacob [Mitwirkende:r]; Zanki, Petra [Mitwirkende:r]

Erschienen: New York; Oxford: Berghahn Books, [2018]

Umfang: 1 Online-Ressource (382 p.)

Sprache: Englisch

DOI: 10.1515/9781785339646

ISBN: 9781785339646

Identifikator:

Schlagwörter: Art museums Curatorship ; Performance art ; Performing arts archives ; PERFORMING ARTS / General ; Live Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music

Entstehung:

Anmerkungen: In English

Beschreibung: Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field's characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms-not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse

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