> Detailanzeige
Chateau, Dominique
[Mitwirkende:r]
Subjectivity
Teilen
Literatur-
verwaltung
Direktlink
Zur
Merkliste
Lösche von
Merkliste
Per Email teilen
Auf Twitter teilen
Auf Facebook teilen
Per Whatsapp teilen
- Medientyp: E-Book
- Titel: Subjectivity : filmic representation and the spectator's experience
-
Enthält:
Frontmatter
Contents
Editorial
Acknowledgments
Introduction: Rethinking Subjectivity in Film
Part I From Mind to Film, from Film to Mind
The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film
The Representation of Experience in Cinema
Beyond Subjectivity: The Film Experience
Part II Ways of Expressing Subjectivity
The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage
From Aesthetic Experience to the Loss of Identity, in Three Steps
Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification
The Silence of the Lenses: Blow Up and the Subject of Photography
Part III Subjectivity and the Epistemology of Film Studies
Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image
Imaginary Subject
A Philosophical Approach to Subjectivity in Film Form
Part IV Conversation Subjectivity in Artistic Coupling
Conversation with Maria Klonaris and Katerina Thomadaki
Notes
General Bibliography
Notes on Contributors
Index of Names
Index of Film Titles
Index of Subjects
- Beteiligte: Chateau, Dominique [Mitwirkende:r]
-
Erschienen:
[Place of publication not identified]: Amsterdam University Press, 2011
- Erschienen in: Key debates ; 2
- Umfang: 1 Online-Ressource
- Sprache: Englisch
- ISBN: 9089643176; 9789089643179; 9789048514205; 9048514207
- Schlagwörter: Subjectivity in motion pictures Philosophy ; Motion pictures ; Subjectivity ; Point of view (Literature) ; Subjectivité au cinéma - Philosophie ; Point de vue (Littérature) ; Cinéma ; PERFORMING ARTS / Film & Video / History & Criticism
- Entstehung:
-
Anmerkungen:
English
- Beschreibung: Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium
- Zugangsstatus: Freier Zugang