• Medientyp: Buch; unbewegtes Bild
  • Titel: The baby on the fire escape : creativity, motherhood, and the mind-baby problem
  • Enthält: The Mind-Baby Problem -- "The Presiding Genius of Her Own Body" -- Outlaw Mothering: Alice Neel (1900-1984) -- All the Time: Art Monsters and Maintenance Work -- The Discomfort Zone: Sex and Love -- Incompatible Pleasures: Doris Lessing (1919-2013) -- The Discomfort Zone: The Unavailable Muse -- "Poems Are Housework": Books versus Babies -- All Happy Families: Ursula K. Le Guin (1929-2018) -- The Discomfort Zone: Ghosts -- The Discomfort Zone: Late Success -- Mother, Poet, Warrior: Audre Lorde (1934-1992) -- The Discomfort Zone: Not Being All There -- Freedom: Alice Walker (1944-) -- The Baby on the Writing Desk; or, Two Things at Once -- Her Own Version: Angela Carter (1940-1992) -- Time and the Story.
  • Beteiligte: Phillips, Julie [VerfasserIn]
  • Erschienen: New York, NY: W.W. Norton & Company, 2023
  • Ausgabe: First published as a Norton paperback 2023
  • Umfang: 310 Seiten; Illustrationen; 21 cm
  • Sprache: Englisch
  • ISBN: 9781324064435; 1324064439; 9780393088595; 0393088596
  • RVK-Notation: LH 60250 : Frauenkunst, Feministische Kunst, Geschlechterforschung (Gender Studies)
  • Schlagwörter: Schriftstellerin > Künstlerin > Mutterschaft > Kompatibilität
  • Entstehung:
  • Anmerkungen: Includes bibliographical references
  • Beschreibung: What does a great artist who is also a mother look like? What does it mean to create, not in "a room of one's own," but in a domestic space? In The Baby on the Fire Escape, biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy, Phillips evokes the intimate and varied struggles of brilliant artists and writers of the twentieth century. Ursula K. Le Guin found productive stability in family life, and Audre Lorde's queer, polyamorous union allowed her to raise children on her own terms. Susan Sontag became a mother at nineteen, Angela Carter at forty-three. These mothers had one child, or five, or seven. They worked in a studio, in the kitchen, in the car, on the bed, at a desk, with a baby carrier beside them. They faced judgement for pursuing their creative work Doris Lessing was said to have abandoned her children, and Alice Neel's in-laws falsely claimed that she once, to finish a painting, left her baby on the fire escape of her New York apartment. As she threads together vivid portraits of these pathbreaking women, Phillips argues that creative motherhood is a question of keeping the baby on that apocryphal fire escape: work and care held in a constantly renegotiated, provisional, productive tension. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary life

Exemplare

(0)
  • Status: Ausleihbar