• Medientyp: Buch; unbewegtes Bild
  • Titel: Art and knowledge after 1900 : interactions between modern art and thought
  • Enthält: Introduction / James Fox and Vid Simoniti -- Modern art and spiritual knowledge / Lucy Kent -- Twentieth-century revolutions in art and science / Gavin Parkinson -- Psychoanalysis and art: A new theory of objects / Margaret Iversen -- Before the visual turn: Twentieth-century historians and the uses of art / Tom Stammers -- Knowledge, truth, history: Contemporary art and the problem of art-historical periodisation / Peter Osborne -- Art/economics / Allan Antliff -- Art and cybernetics: A new ontology for art / Mara Polgovsky -- Art into society: Organised labour, workplace sociology, and artmaking in 1970s Britain / Catherine Spencer -- Knowledge, nation, and colour in documentary photography / Julian Stallabrass -- Art and biotechnology: On the limits and potential of interdisciplinary arts / Vid Simoniti -- Ethnic futurisms and contemporary art / Alice Ming Wai Jim -- The politics and aesthetics of climate emergency / T. J. Demos -- Art and witnessing: the poetics and politics of testifying to environmental violence / Shela Sheikh.
  • Beteiligte: Fox, James [Herausgeber:in]; Simoniti, Vid [Herausgeber:in]
  • Erschienen: Manchester: Manchester University Press, 2023
  • Umfang: xviii, 330 Seiten; Illustrationen; 24 cm
  • Sprache: Englisch
  • ISBN: 9781526164261; 9781526164278
  • RVK-Notation: LH 61055 : Kunstgeschichte interdisziplinär
    LH 65820 : allgemein
  • Schlagwörter: Kunst > Transdisziplinarität > Geschichte 1900-
  • Entstehung:
  • Anmerkungen: Includes bibliographical references and index
  • Beschreibung: "This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art's incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously?" --

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