> Verlagsreihe
-
32:
Upper-voice structures and compositional process in the ars nova motet Anna Zayaruznaya
London; New York: Routledge, Taylor & Francis Group, 2020
-
19:
Skryabin, philosophy and the music of desire Kenneth M. Smith
Farnham [u.a.]: Ashgate, 2013
-
23:
Heinrich Schenker and Beethoven's 'Hammerklavier' sonata Nicholas Marston
Farnham [u.a.]: Ashgate, 2013
-
18:
Rosa Newmarch and Russian music in late nineteenth and early twentieth-century England Philip Ross Bullock
Farnham [u.a.]: Ashgate, 2009
-
17:
Sacred repertories in Paris under Louis XIII Paris, Bibliothèque nationale de France, MS Vma rés. 571 Peter Bennett
Farnham, Surrey [u.a.]: Ashgate, 2009
-
12:
Salomon and the Burneys private patronage and a public career Ian Woodfield
Aldershot [u.a.]: Ashgate, 2003
-
6:
The impresario's ten commandments continental recruitment for Italian opera in London 1763 - 64 Curtis Price, Judith Milhous and Robert D. Hume
London: Royal Musical Association, 1992
-
5:
The song of the soul understanding Poppea Iain Fenlon and Peter N. Miller
London: Royal Musical Association, 1992
-
4:
The breath of the symphonist Shostakovich's tenth David Fanning
London: Royal Musical Association, 1989
-
2:
The oratorio in Venice Denis and Elsie Arnold
London: Royal Musical Ass., 1986