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Medientyp:
Buch
Titel:
Objects as history in twentieth-century German art
:
Beckmann to Beuys
Enthält:
Introduction. Art objects as history -- Titanic sinks, departure arrives. Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object -- Lost and found Dada objects and subjects. George Grosz, Hannah Höch, and German Jewish identity -- Objects of interpretation. Grosz's Germany: a winter's tale -- Absender: ich. Willi Baumeister's anti-Nazi works as objects of (s)exchange -- Sculpture and crime. Arno Breker -- From muscle men to fatty remains. Joseph Beuys's sculptural objects beyond objecthood -- Conclusion. Beyond Beuys: Gerhard Richter's choice.