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Medientyp:
Buch
Titel:
Film Moments
:
Criticism, History, Theory
Enthält:
Shadow play and dripping teat :The Night of the Hunter (1955)
/ Tom Gunning
Between melodrama and realism :Under the Skin of the City (2001)
/ Laura Mulvey
Internalising the musical :The Band Wagon (1953)
/ Andrew Klevan
The visitor's discarded clothes in Theorem (1968)
/ Stella Bruzzi
Style and sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004)
/ James Walters
The moves :Blood (1989)
/ Adrian Martin
The properties of images :Lust for Life (1956)
/ Steve Neale
Two views over water :action and absorption in Ingmar Bergman's Wild Strawberries (1957)
/ Edward Gallafent
Making an entrance :Bette Davis's first appearance in Jezebel (1938)
/ Martin Shingler
A narrative parenthesis in Life is Beautiful (1997)
/ Deborah Thomas
The end of summer :Conte d'été (1996)
/ Jacob Leigh
Enter Lisa :Rear Window (1954)
/ Douglas Pye
Opening up The Secret Garden (1993)
/ Susan Smith
A magnified meeting in Written on the Wind (1956)
/ Steven Peacock
"Everything is connected, and everything matters" :relationships in I [heart] Huckabees (2004)
/ John Gibbs
The Ending of 8 1
/ 2 (1963)
Haptic vision and consumerism :a moment from Fritz Lang's Siegfried (1924)
/ Thomas Elsaesser
Visions of sound in City Lights (1931)
/ Charles Barr
"Entertainment and dystopia" :Maurice Chevalier performs Avec le sourire (1936)
/ Tom Brown
Music, crime and the gaze :La Bête humaine (1938)
/ Ginette Vincendeau
Thunder and lightning :Gone with the Wind (1939) and the Logic of Synchronisation
/ Rick Altman
Hearing, fearing :the sonic design of suspense in Cat People (1942)
/ Helen Hanson
"I've seen him take his knife--" :The Searchers (1956)
/ R.J. Ellis
Another story :myth and history in Bonnie and Clyde (1967)
/ Pam Cook
A sculptural moment :the epilogue to Les Deux Anglaises et le Continent (1971)
/ Mark Broughton
Star Wars (1977) :back and forth in time and space
/ Jonathan Bignell
Between freedom and confinement :music in The World (2004)
/ Claudia Gorbman
Performance, with strings attached :Team America's (2004) snub to the actor
/ Alex Clayton
Éloge de l'Amour (2001) :moments in time
/ Alison Butler
Contested endings :interpreting The Piano's (1993) final scenes
/ Barbara Klinger
Mourning, loss and trauma, and the ambiguities of proper and improper desire in Exotica (1994)
/ Elizabeth Cowie
Stepping out of Blockbuster mode :the lighting of the beacons in The Lord of the Rings :The Return of the King (2003)
/ Kristin Thompson
Dorothy's dream :mindscreen in The Wizard of Oz (1939)
/ Bruce F. Kawin
Looking on and looking the other way :Hotel Rwanda (2004) and the racialised ethics of spectatorship
/ Michele Aaron
Working through the body :textual-corporeal strategies in United 93 (2006)
/ Lisa Purse
"I wasn't expecting that!" :cognition and shock in Alien's (1979) chestburster scene
/ Jonathan Frome
The inflection of a dream in Scarlet Street (1945)
/ George M. Wilson
Judy's plan :a reading of the "Flashback" sequence in Vertigo (1958)
/ William Rothman.