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Shen, Kuiyi [Sonstige Person, Familie und Körperschaft]; Andrews, Julia F. [Sonstige Person, Familie und Körperschaft]; Chang, Willow Hai [Sonstige Person, Familie und Körperschaft] ; China Institute in America New York, NY Gallery, Exhibition Blooming in the Shadows: Unofficial Chinese Art, 1974-1985 2011 New York, NY

Blooming in the shadows : unofficial Chinese art, 1974 - 1985 ; [... to accompany the Exhibition Blooming in the Shadows: Unofficial Chinese Art, 1974 - 1985, presented at China Institute Gallery September 15 - December 11, 2011]

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  • Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog
  • Titel: Blooming in the shadows : unofficial Chinese art, 1974 - 1985 ; [... to accompany the Exhibition Blooming in the Shadows: Unofficial Chinese Art, 1974 - 1985, presented at China Institute Gallery September 15 - December 11, 2011]
  • Beteiligte: Shen, Kuiyi [Sonstige Person, Familie und Körperschaft]; Andrews, Julia F. [Sonstige Person, Familie und Körperschaft]; Chang, Willow Hai [Sonstige Person, Familie und Körperschaft]
  • Körperschaft: China Institute in America, Gallery
  • Veranstaltung: Exhibition Blooming in the Shadows: Unofficial Chinese Art, 1974-1985
  • Erschienen: New York: China Institute Gallery, China Institute, 2011
  • Umfang: XX, 137 S.; zahlr. Ill., Kt; 28 cm
  • Sprache: Englisch
  • ISBN: 0977405478; 9780977405473
  • Schlagwörter: China > Kunst > Geschichte 1974-1985
  • Entstehung:
  • Anmerkungen: Includes bibliographical references (p. 131-132)
    "Chinese characters for selected names and terms: p. 129-130
  • Beschreibung: Introduces the work of three Chinese artists' groups whose members worked without official recognition: the Wuming (No Names), the Xingxing (Stars), and the Caocao (Grass Society). They came together following the end of the Cultural Revolution and helped launch the avant-garde movement in China. These groups of young artists pursued creatively diverse paths to personal artistic freedom in the bleak political environment of that time. This exhibition catalogue discusses the circumstances of their rise and examines the contexts of their artwork in the critical decade leading up to the Communist Party's 1985 decision to allow modern artistic practices

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