• Medientyp: Buch
  • Titel: New formalisms and literary theory
  • Enthält: Part I: Introduction1. New Formalism(s): a prologue / Verena Theile
    PART II: Theory ; 2. Toward a New Formalism: the intrinsic and related problems in criticism and theory / Fredric V. Bogel
    3. Doing genre / Group Phi
    Part III: Practice ; 4. Inventing an ancestor: the scholar-poet and the sonnet / Edward Brunner
    5. From close reading to cross-reading: Sacco-Vanzetti poetry and the politics of New Formalism / Bartholomew Brinkman
    6. Re-reading for forms in Sir Philip Sidney's Defence of Poesy / Corey McEleney and Jacqueline Wernimont
    7. Collecting body parts in Leonardo's cave: Vasari's Lives and the erotics of obscene connoisseurship / Harry Berger Jr
    8. Form as a pattern of thinking: Cognitive poetics and New Formalism / Karin Kukkonen
    Part IV: Pedagogy ; 9. Reading like a writer: a creative writer's approach to New Formalism / Kelcey Parker
    10. Punk bodies, Jorie Graham, and the draft Itself: notes toward a lyric Formalism / Cynthia Nichols
    10. 'One another's hermitage': New Formalist pedagogy / Linda Tredennick.
  • Beteiligte: Theile, Verena [Hrsg.]; Tredennick, Linda [Hrsg.]
  • Erschienen: Basingstoke [u.a.]: Palgrave Macmillan, 2013
  • Ausgabe: 1. Publ.
  • Umfang: XXIII, 268 S.
  • Sprache: Englisch
  • ISBN: 9781137010483; 9781349436361
  • RVK-Notation: EC 1710 : Theorie
    EC 1850 : Einzelne Richtungen der Literaturtheorie
  • Schlagwörter: Formalismus > Literaturtheorie
  • Entstehung:
  • Anmerkungen:
  • Beschreibung: "New Formalisms and Literary Theory" examines the political motivations of a return to formalism. Together with our contributors, we want to propose and challenge the conception of New Formalism as an extension of contextual readings and as a 'mere' return to aesthetic readings. The essays gathered here encourage reflection upon New Formalism's points of intersection with other theoretical approaches and demand a reinstatement of form as the critic's central focus, form, that is, as it reflects a culture's creative imagination and historicizes itself within and against a politically charged background

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