• Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog
  • Titel: Artists and amateurs : etching in 18th-century France ; [... is published in conjunction with "Artists and Amateurs: Etching in Eighteenth-Century France", on view at The Metropolitan Museum of Art, New York, from October 1, 2013, through January 5, 2014]
  • Enthält: Introduction / Perrin Stein
    Learning to etch / Rena M Hoisington
    On the market : selling etchings in eighteenth-century France / Elizabeth M Rudy
    Etching as a vehicle for innovation : four exceptional peintres-graveurs / Rena M Hoisington
    Diplomacy, patronage, and pedagogy : etching in the Eternal City / Perrin Stein
    Amateurs and the culture of etching / Charlotte Guichard
    Echoes of Rembrandt and Castiglione : etching as appropriation / Perrin Stein
    Works in the exhibition.
  • Beteiligte: Stein, Perrin [Sonstige Person, Familie und Körperschaft]; Guichard, Charlotte [Sonstige Person, Familie und Körperschaft]
  • Körperschaft: Metropolitan Museum of Art
  • Erschienen: New York, NY: Metropolitan Museum of Art, 2013
    New Haven [u.a.]: Yale Univ. Press [distributor], 2013
  • Ausgabe: 1. print.
  • Umfang: VIII, 231 S.; zahlr. Ill
  • Sprache: Englisch
  • ISBN: 0300197004; 9780300197006; 9781588394989
  • RVK-Notation: LM 85350 : Klassizismus
  • Schlagwörter: Frankreich > Druckgrafik > Geschichte 1700-1800
  • Entstehung:
  • Anmerkungen:
  • Beschreibung: "Throughout the eighteenth century, a large number of artists-painters, sculptors, draftsmen, and amateurs-experimented with etching, a highly accessible printmaking technique akin to drawing. Some, like Antoine Watteau and François Boucher, encountered the process within the thriving commerce of the Paris print market. Others, like Jean-Honoré Fragonard and Hubert Robert, experimented with the technique during their student years in Rome. Over the course of the century, the free and improvisational aesthetic of the etching process increasingly was embraced, and French artists looked to seventeenth-century masters, such as Rembrandt in the north, and Salvator Rosa and Giovanni Benedetto Castiglione to the south, for inspiration. The expressive potential of the technique was also explored in a more experimental manner by artists like Gabriel de Saint-Aubin and Louis Jean Desprez, who harnessed the inky tonalities of the medium to their personal and idiosyncratic vision"--The Metropolitan Museum of Art website

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  • Status: Ausleihbar