• Medientyp: Buch; unbewegtes Bild; Bildband
  • Titel: The art of things : product design since 1945
  • Werktitel: Art du design. <engl.>
  • Enthält: Old Continent and New World: The Emergence of Design / Dominique ForestThe United States / Penny Sparke
    Scandinavia / Ásdís Ólafsdóttir
    Germany and Switzerland / Jeremy Aynsley
    Italy / Anty Pansera
    Great Britain / Penny Sparke
    France / Dominique Forest
    Japan / Penny Sparke
    Belgium and the Netherlands / Mienke Simon Thomas
    The Landscape of Design Today / Constance Rubini.
  • Beteiligte: Forest, Dominique [editor.]; Aynsley, Jeremy [Sonstige Person, Familie und Körperschaft]
  • Erschienen: New York, NY: Abbeville Press Publishers, 2014
  • Ausgabe: 1. ed.
  • Umfang: 592 S.; zahlr. Ill; 32 cm; in Schuber
  • Sprache: Englisch; Französisch
  • ISBN: 9780789212085; 0789212080
  • RVK-Notation: LH 79530 : 20. Jahrhundert
  • Schlagwörter: Industriedesign > Geschichte 1945-2014
  • Entstehung:
  • Anmerkungen: "First published in France in 2013 by Citadelle & Mazenod, 8, rue Gaston de Saint-Paul, 75116 Paris"
    Includes bibliographical references and index
  • Beschreibung: The definitive history of a critical, and fascinating, aspect of contemporary life. For most of human history, the form of a useful object was determined by its maker, usually a single artisan working within a long cultural tradition. However, the Industrial Revolution saw the development of a curious new profession, that of the designer, whose job it was to decide the appearance and even the functional aspects of goods - whether typewriters or tableware - that would be manufactured by others or, increasingly, by machines. When the so-called consumer society emerged in full force after World War II, designers took center stage; some, like Charles and Ray Eames, became celebrities and icons of the new lifestyles they were helping to create. Within the burgeoning design community, national tendencies emerged: The Germans and the Swiss, heirs to the Bauhaus, favored a modernist aesthetic in which form followed function, and the Scandinavians pioneered a warmer type of functionalism with their distinctive wooden furniture. The U.S. pursued a double strategy, in which home furnishings influenced by European modernism coexisted with frankly exuberant cars and kitchen appliances.0

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