• Medientyp: E-Artikel
  • Titel: From Ireland to the States : The re-contextualisation of U2’s “Sunday, Bloody Sunday” in different political contexts : The re-contextualisation of U2’s “Sunday, Bloody Sunday” in different political contexts
  • Beteiligte: Filardo-Llamas, Laura
  • Erschienen: John Benjamins Publishing Company, 2019
  • Erschienen in: The Politics of Sound
  • Sprache: Englisch
  • DOI: 10.1075/jlp.18061.fil
  • ISSN: 1569-9862; 1569-2159
  • Schlagwörter: Linguistics and Language ; Sociology and Political Science ; History
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  • Beschreibung: <jats:title>Abstract</jats:title> <jats:p>In this article I start from an understanding of songs as socio-cultural discourses which may also perform a political function. This political function can be reflected in the promotion of particular world-views about given socio-political events and/or in the attempt by the singer to make the audience perform given political actions. To prove this, I will look at the re-contextualisation process undergone by a well-known song by U2: “Sunday, Bloody Sunday” (1983). This song was originally written to respond to the violence of the Northern Irish conflict, but it has been later used to react to other socio-political events. By relying on a cognitive approach to the study of songs, this paper tries to answer two questions: (i) how can we explain the re-contextualisation process undergone by the song and why is it possible? and (ii) how is politics embedded in musical performances?</jats:p>