• Medientyp: E-Artikel
  • Titel: ‘From the Monkey Mountains’: The Body, the Grotesque and Carnival in the Music of Pavel Haas
  • Beteiligte: Čurda, Martin
  • Erschienen: Cambridge University Press (CUP), 2016
  • Erschienen in: Journal of the Royal Musical Association, 141 (2016) 1, Seite 61-112
  • Sprache: Englisch
  • DOI: 10.1080/02690403.2016.1151235
  • ISSN: 0269-0403; 1471-6933
  • Schlagwörter: Music
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  • Beschreibung: ABSTRACTIt has been claimed that Pavel Haas's string quartet ‘From the Monkey Mountains’ (1925) demonstrates the composer's alignment with the ‘Western’ musical avant-garde of the 1920s. However, Haas's avant-garde affiliations remain largely unexplained, as does the influence of Leoš Janáček, with whom Haas studied. Combining the methods of music analysis, semiotics and discourse analysis, I explain how Haas reconciled Janáčekian compositional technique with the ideas underpinning the contemporary Czechoslovak avant-garde movement known as Poetism. Focusing particularly on notions of the body, the grotesque and carnival, I propose an interpretative framework for and a reading of Haas's quartet ‘From the Monkey Mountains’. In doing so, I also illuminate the aesthetic and cultural context of Haas's music from the 1920s, which has received little attention in previous scholarship.