Beschreibung:
<jats:p>The history in the seventeenth century of a fourteenth-century picture can only be of secondary importance. But since many writers on the Wilton diptych and the Westminster Abbey whole-length portrait of Richard II have complained of disputed statements and doubtful evidence, it is worth while to set out a few new suggestions which appear to be adequately supported. They are based upon a close study of such sources of information as we possess, and may perhaps ultimately help to a clue to the undiscovered first owners and authors of the paintings.</jats:p>