Beschreibung:
<jats:p>This article explores the implications of Bernard Stiegler’s concept of the Neganthropocene, coined to reconfigure the entropic and apocalyptic conditions of the Anthropocene, for the artistic project <jats:italic>Air Morphologies</jats:italic>. Created by a London-based duo, Matterlurgy, the interactive Virtual Reality research project investigates the materiality and composition of air pollution particles, their causes, effects and morphological agency. Matterlurgy’s project, which locates viewers in the Virtual Reality environment and engages them in participatory activities, becomes a techno-ethical practice of nurturing ways to think and care for the more-than-human world essentially transformed and dominated by the anthropogenic factors. The artistic practice indicates that we need to think collectively, not <jats:italic>about</jats:italic> but <jats:italic>with</jats:italic> nature, technology, history, objects and theories. As the article shows, with such strategies, we will be able to acknowledge more-than-human interconnections, human-nature-technics connections and rework the conventional patterns of knowledge production to heal the adverse outcomes of the Anthropocene.</jats:p>